Book Reviews

Our reviews of the latest in literature

The passing of a quiet great

Hunter S Thompson’s dispatches from Vietnam have entered legend. Murray Sayle is less well known, but he too was in Vietnam as the war degenerated into bloody catastrophe, and he described it with award-winning panache for Harold Evans’ Sunday Times. Sayle, who died recently aged 84, was an inveterate adventurer and mild Quixotic. Born in Australia, he sailed to Britain in 1952 to save a doomed romance. Having failed to keep his woman, he found work as a leg-runner for the crime correspondent at The People. He published a cult autobiographical novel, A Crooked Sixpence, based on the experience in 1960. This was Fleet Street’s happy hour – that brief

My child, such trouble I have

Emma Donoghue’s excellent novel Room was rightly shortlisted for the Man Booker prize and the first four (three really) inept words that came to mind after reading it were: ‘really good, really creepy’. It makes me cringe now to think that I didn’t have anything more intelligent to say; but I was emotionally exhausted and, really, no words can quite describe the world Donoghue has created in an eleven square foot shed. Room is 5-year-old Jack’s world, solely inhabited by him, Ma, Plant and the nightly visits from Old Nick. He hasn’t been lied to about his surroundings, just not told the whole truth. It is from this state of

BOOKENDS: Xmas with the exes

‘I only see radiators these days’, announces one of the characters in this novel — ‘You know, people who give out heat and warmth.’ A radiator is a pretty good description of India Knight’s Comfort and Joy (Fig Tree/ Penguin, £14.99), too: a book so kindly and funny and affectionate that you could probably warm your hands on it. ‘I only see radiators these days’, announces one of the characters in this novel — ‘You know, people who give out heat and warmth.’ A radiator is a pretty good description of India Knight’s Comfort and Joy (Fig Tree/ Penguin, £14.99), too: a book so kindly and funny and affectionate that

Taking the long view

While Tony Blair emerged from his memoirs as a chameleon of many colours, there is only one George W. Bush in Decision Points. The book reads like the man speaks. If it has been ghosted — and Bush gives thanks to a multitude of helpers — it has been done with consummate skill to preserve the authentic Bush voice. The result will be unexpected, even unwelcome, to many. This is an interesting and readable book, which clips along in short, spare sentences, with frequent flashes of humour. Don’t take my word for it. It has been praised by none other than Bill Clinton. Bush, of course, sets out to put

Follow your star

In these straitened times it looks as if a great many more hours of most people’s days will have to be spent waiting in queues. In these straitened times it looks as if a great many more hours of most people’s days will have to be spent waiting in queues. The perfect companion for such a penitential exercise is the Divine Comedy of Dante Alighieri. Should you be able to read Italian, get hold of the pocket version known as the Dante Minuscolo Hoepliano, originally issued in 1904 by the enterprising Milanese publisher Ulrico Hoepli, with excellent notes by Professor Raffaello Fornaciari of Florence University and now in its umpteenth

The spur of the moment

A memorable image by André Kertész shows a steam train passing over a high viaduct behind a row of peeling French houses next to a demolition site while a man in a suit and hat with his back to the train walks across the foreground, a mysterious painting-shaped item wrapped in newspaper under one arm. It is a moment caught. The viewer, naturally, tries to connect the disparate elements. And to us it is not merely a moment but a moment in a place, from the past — when steam trains chuffed and men wore hats with suits — in this case 1928 at Meudon, a Parisian suburb. In this

Unpredictable pleasures

As befits a magazine with an erudite and international readership, I shall begin this review with a short salutation in the Western Greenland Eskimo language: ‘Ata, sûlorsimavutit!’ The phrase, as some of you — although I fear reprehensibly few — will know means: ‘Well, now you have again relieved yourself in your trousers.’ One can, I think, deduce two things from this. As befits a magazine with an erudite and international readership, I shall begin this review with a short salutation in the Western Greenland Eskimo language: ‘Ata, sûlorsimavutit!’ The phrase, as some of you — although I fear reprehensibly few — will know means: ‘Well, now you have again

So far from God . . .

Ciudad Juárez, Mexico’s second largest border city, is clogged with rubbish, fouled with car exhaust and, increasingly, flooded with narcotics. Ciudad Juárez, Mexico’s second largest border city, is clogged with rubbish, fouled with car exhaust and, increasingly, flooded with narcotics. Mexican drug cartels are now so deeply ingrained in the city’s political and social fabric that not a single bar or shop remains ‘un-narcotised’. Mexico in the 21st century, according to Ed Vulliamy, is a nation shadowed by gangland enterprise and the rat-tat-tat of Kalashnikovs. To live on the US-Mexican border, how ever, calls for special qualities of endurance. The four US states bordering Mexico — Texas, New Mexico, Arizona

How we roared!

To most people Christopher Plummer means Captain von Trapp in The Sound of Music. Plummer would not be in the least ashamed by this. A year or so ago he found himself forced to watch the film at a children’s Easter party: The more I watched, the more I realised what a terrific movie it is. The very best of its genre — warm, touching, joyous and absolutely timeless. Here was I, cynical old sod that I am, being totally seduced by the damn thing — and, what’s more, I felt a sudden surge of pride that I’d been a part of it. It is an odd book, though. The

Change, decay and success

After having for so long been treated with such disdain by the French literary establishment, Michel Houellebecq has at last been embraced by it. Last week La carte et le territoire, his fifth novel, was awarded the Prix Goncourt, a distinction any of his previous novels might just as well have merited. Perhaps it has been possible to do him this belated justice because La carte et le territoire is less explicitly scandalous than its predecessors, more conventionally substantial even. If his previous novels have insolently portrayed life in our faithless, free-market world as a race between sex and death, here that race is over. There is almost no sex

Books of the Year | 20 November 2010

Philip Hensher The English novel I liked best this year was Martin Amis’s The Pregnant Widow (Cape, £18.99) — humane, rueful and wonderfully resourceful in its wit. Jonathan Franzen’s Freedom (Fourth Estate, £20) was simply a marvel of technique, observation and sympathy. At the other end of the artistic spectrum, Lydia Davis’s Collected Stories (Hamish Hamilton, £20) were a must for anyone seriously interested in the means of fiction. All three were, among other things, masterpieces of comedy. The memoir of suffering now has its own section in bookshops. Few of them deserve one’s attention, but Candia McWilliam’s magnificent What To Look For In Winter (Cape, £16.99) transcends its apparent

Bookends: radiate some seasonal goodwill to the ex

Here is the latest Book End column from this week’s issue of the Spectator: ‘I only see radiators these days’, announces one of the characters in this novel — ‘You know, people who give out heat and warmth.’ A radiator is a pretty good description of India Knight’s Comfort and Joy, too: a book so kindly and funny and affectionate that you could probably warm your hands on it. Miraculously, this is a feel-good story that manages not to be saccharine. Our heroine, Clara, may be nice, but she’s also barbed, tough and clever: a thoroughly modern woman. The action takes place over three consecutive Yules, during which time Clara’s

A family of boozers and whoremongers

Why, one wonders, would a first-time novelist having been born in London, and having spent most of his adult life living in South Wales, set his narrative in mid-century America? For so is J.P. Smythe (surely one of the finest Victorian names to grace any young writer today), billed on the flyleaf of his debut offering, Hereditation. A cockney Taffy then, but one who apparently feels the need to place his family saga on the other side of the Atlantic. One hopes this is not because proper stories only happen these days in the movies or (even worse), the twentieth century American lit module of creative writing courses. But then

Book to the future

In July 1995, entrepreneur Jeff Bezos opened a new kind of bookstore.  Inspired by recent leaps in modern technology, Amazon.com opened its doors to a different kind of consumer, set to the discordant soundtrack of the 56k modem. The concept followed the familiar principle of the mail-order catalogue, an accessible list of titles and cover artwork, enabling ‘browsers’ to shop from the comfort of their own home. But Amazon.com became one of a new generation of retailers, eschewing the expense of the printed catalogue in favour of an interactive online presence. As its consumer base continues to grow, online mail-order companies have become big business. Since 1995, the Amazon founder

Sir Christopher Meyer reviews George Bush’s memoirs

Sir Christopher Meyer, the former British Ambassador to the United States, has reviewed George Bush’s biography for the latest issue of The Spectator. We’ve pasted his entire review below, for readers of our Book Blog. Taking the long view, Christopher Meyer, The Spectator, 20 November 2010 While Tony Blair emerged from his memoirs as a chameleon of many colours, there is only one George W. Bush in Decision Points. The book reads like the man speaks. If it has been ghosted — and Bush gives thanks to a multitude of helpers — it has been done with consummate skill to preserve the authentic Bush voice. The result will be unexpected,

The declining years of biography

It is more than 30 years since Mark Amory declared biography dead, when he published his edition of Evelyn Waugh’s letters. Despite the best efforts of Victoria Glendinning (notably on Trollope) and Claire Tomalin (on Pepys and many others) there has been no grand critical resurrection since, until this year and the announcement of the shortlist for the Costa Awards. Sarah Bakewell’s life of Montaigne has received the recognition of which Spectator reviewers Philip Hensher and David Sexton believed it worthy. However, every silver lining has its cloud: the judges chose only 3 biographies when they could have chosen 4, a decision that is being seen as a statement to

‘Freedom To and Freedom From’: 25th Anniversary of Margaret Atwood’s <em>The Handmaid’s Tale</em>

This year marks the 25th anniversary of Margaret Atwood’s landmark science fiction novel, The Handmaid’s Tale. Set in the Republic of Gilead, it imagines an alternative America of the near future where pollution has sterilized most of the female population. A class struggle arises for the ownership and dominion over women who remain fertile. The protagonist, Kate, is captured while attempting to cross the border into Canada with her family. As she is unaffected by pollutants, she is separated from her husband and daughter, and becomes an enforced surrogate mother for another family. Her name is changed to Offred and she becomes a Handmaid, a mutated functionary of Old Testament

“Manhattan is a walker’s city”

The Paris Review has surpassed itself yet again, with a brief memoir by photographer Paul McDonough. His photos and writing depict metropolitan life as it is predominantly lived: in a constant motion of coming and going. For McDonough, there is no such thing as still life. The actors in a city’s exterior space may or may not be aware that they are the centre of attention; but they are never sedentary. This realisation affected his art: “What turned me away from painting was a realization that the streets and parks of Boston provided me with subject matter that I could not conjure up in my studio. At that point, a

William Gibson and the murder of Hans Blix

When they found Hans Blix dead, his throat was slit and his tongue was pulled through the hole, an arrangement apparently known as a ‘Cuban necktie’. William Gibson did not do the deed – it was the work of an overenthusiastic hit man – and nor is he the person who commissioned the hit; their identity remains unclear. But he can, with confidence, be held directly responsible. After all, it happens in one of his novels. Hans Rutger Blix, ‘naturalised citizen of Costa Rica’, is a character in Virtual Light (1993); his death is punishment for losing the book’s macguffin, a rather special pair of dark glasses. Hans Martin Blix,