Book Reviews

Our reviews of the latest in literature

A cracking wheeze

There is an evil genius in Peckham Library. Not among the patrons: the book stock is sound enough, but, were you researching a plan for world domination, you’d want more extensive reference shelves and perhaps quicker Wi-Fi.   No, the evil genius is on the staff. He or she was responsible for the offer that marked the library’s 10th anniversary: a free canvas bag for any user who withdrew ten books in one go.   Some readers may already be snorting at the spendthrift generosity of this. But Peckham Library’s anniversary is worth marking – it is, for better or worse, an icon of regeneration. And the offer is more

Michel Houellebecq wins the Prix Goncourt

Ageing roué Michel Houellebecq, the Serge Gainsbourg of the literary world, has won France’s most prestigious literary prize for his latest novel, La Carte et le Territoire (The Map and the Territory). Not before time, his supporters will say. But, then again, Houellebecq has long polarised opinion, and Les Cartes et le Territoire – featuring a foul-smelling, alcoholic, atrociously dressed writer called Michel Houellebecq, who is murdered in brutal fashion – promises to entrench that reputation. He was interviewed by the Paris Review last month. He discussed his literary influences, his upbringing in France and Algeria, his avant garde family life, the art of fiction, sex and love in a

Introducing the Spectator Book Blog | 9 November 2010

Just a quick post to point CoffeeHousers in the direction of the new Spectator Book Blog (or http://www.spectator.co.uk/books/blog/). In addition to the in-house team, the new blog will host independent bloggers and writers, providing a wide range of book reviews and discussion topics. And, as ever, the comments section is yours. The Book Blog will also house the Spectator Book Club’s Book of the Month feature. The current book of the month is Portrait of the Mother as a Young Woman by Friedrich Christian Delius – which you can discuss in this post, or by following the link in the ‘Book of the Month’ box, located in the top right

Visions of the future

Rhys Tranter writes the A Piece of Monologue blog. Here is his first collaboration with the Spectator Book Blog. You might be forgiven for considering Don DeLillo’s White Noise as a survival manual for contemporary life. Now celebrating its 25th anniversary, the novel’s relevance continues as a philosophical checklist of twenty-first century culture. On its initial release in 1985, DeLillo’s novel stood out for its wry commentary on the ubiquity of commercialism — ‘Mastercard, Visa, American Express’ — and its portrayal of neurotic anxiety at the heart of the Western nuclear family. The novel inaugurated a new phase in the American writer’s career, sparking a series of bold and ambitious

A lone voice of dissent

There are few heretics before the Church of Ian McEwan, but Thomas Jones’ uses his review of Solar in the London Review of Books to make two points. Monomania is a feature of English writing – think motherhood to Mrs Bennett, hypochondria to Mr Wodehouse or climate change to James Delingpole. McEwan is unusual in that many of his protagonists are monomaniacs. Jones argues that this robs them of their humanity. Henry Perowne, the neurosurgeon in Saturday, is an extreme example. He perceives everything from the perspective of his profession. Occasionally that drives the plot – notably when confronted by a threatening and neurologically unhinged man in the street –

Small, but perfectly formed

“Thought provoking, well designed, short.” ‘Well, that last one is a good thing,’ says a friend who takes about five years to finish one novel. And on this occasion I agree. Peirene Press seek out acclaimed European short literature (never more than 200 pages) and revel in translating it. Peirene’s canon is also short, only three novellas, but already it is diverse. I have picked their first release, Véronique Olmi’s Beside the Sea and their newest, Portrait of the Mother as a Young Woman by Friedrich Christian Delius (published in September), and have set aside a day in which to hunker down and read them both. Véronique Olmi is an

The ‘Big Society’ in Georgian and Victorian literature

When David Cameron unveiled his plans for a ‘Big Society’, transferring power from ‘the elite in Whitehall to the man and woman on the street’, Ed Miliband accused him of wanting to drag the welfare state back to Victorian times. Presumably he feared a Tory Britain in which a latter-day David Copperfield was left to be thrashed by Mr Murdstone. Actually, though, the idea of the Big Society has other precedents, many of them literary, with different implications. We find it in Samuel Johnson’s journalism. ‘The Benefits of Human Society’, an article written for The Rambler, balances scepticism with an uplifting idealism. Johnson, ‘by poverty deprest’ during his early years

Introducing the Spectator Book Blog

Welcome to the new Spectator Book Blog. We hope that the exchanges that were a feature of the Book Club’s old discussion boards will thrive in a more expansive space. In addition to the in-house team, the new blog will host independent bloggers and writers, providing a wide range of book reviews and discussion topics. And, as ever, the comments section is yours. The Book Blog will also house the Spectator Book Club’s Book of the Month feature. The current book of the month is Portrait of the Mother as a Young Woman by Friedrich Christian Delius – which you can discuss in this post, or by following the link

BOOKENDS: Inspiration for a cult hero

This is an odd book: the exhaustive biography of a complete nobody. Vivian Mackerrell was the primary inspiration for the cult that is Withnail. In that, at least, he doesn’t disappoint. This is an odd book: the exhaustive biography of a complete nobody. Vivian Mackerrell was the primary inspiration for the cult that is Withnail. In that, at least, he doesn’t disappoint. Mackerrell emerges from Colin Bacon’s eulogy, Vivian and I (Quartet, £12), as a rakish Charles Pooter, sunk by alcoholic degeneracy at the age of 24, though he staggered on gamely for another 30 years. The paucity of Mackerrell’s life leaves Bacon to indulge in bawdy nostalgia about the

Sam Leith

Far from idealism

If you think the Special Relationship has been looking strained in recent years, consider its condition during the American Civil War(1861-65). In 1863, an anonymous letter was delivered to Charles Francis Adams at the US legation in London: Dam the Federals. Dam the Confederates.Dam you both. Kill you damned selves for the next 10 years if you like; so much the better for the world and for England. Thus thinks every Englishman with any brains. NB PS We’ll cut your throats fast enough afterwards for you if you ain’t tired of blood, you devils. Brevity, they say, is the first grace of style. The feeling that letter encapsulates ran pretty

The other Prince of Darkness

This is a clever publishing idea, a light academic-historical cloak for another set of political memoirs. Jonathan Powell, chief of staff (the term should not be taken literally) at No. 10 throughout Tony Blair’s premiership, kept a diary. Blair himself couldn’t, Powell explains: ‘There simply isn’t time for a prime minister to set out detailed reflections and lead a country at the same time’. One wonders how Ronald Reagan managed it. Besides, is not reflecting on events, actions and consequences — ‘examining with diligence the past’ — one of Machiavelli’s precepts? Despite its title, however, the book is not a re-casting of the tenets of Machiavellianism. It is an extended

Vale of tares

‘Feather footed through the plashy fen passes the questing vole.’ Nature writing used to be a subject for ridicule. ‘Feather footed through the plashy fen passes the questing vole.’ Nature writing used to be a subject for ridicule. Evelyn Waugh, the arch sneerer, might have found it harder to parody the modern breed of literary naturalists. Richard Mabey is perhaps the best known English author of recent fashionable books about the natural world. He belongs to a group of new naturalists which includes Robert Macfarlane the Cambridge don, Kathleen Jamie the poet, and the late Roger Deakin. They are all intellectuals, whose pitch is more observant and scientific than romantic.

A case of overexposure

The subtitle of The Box, the oddly compelling novella Günter Grass wrote when he reached 80, is ‘Tales from the Darkroom’. The subtitle of The Box, the oddly compelling novella Günter Grass wrote when he reached 80, is ‘Tales from the Darkroom’. The darkroom, in this circumstance, is both a place where photographs are developed and the habitat of the famous writer’s imagination. The box in question is an Agfa box camera, producing snapshots of a six-by-nine format, which was purchased for a few marks in 1932 and has been in use for decades since. Its sole user is Marie, or Mariechen, the widowed friend of the Grass family in

In deep trouble

Atlantic by Simon Winchester and The Wave by Susan Casey are, at first glance, very different works. Atlantic is a historical-philosophical-fantastical meditation on the Atlantic ocean, from the ‘post-molten Hadean’ through the ‘cool meadows of today’s Holocene’, to the conjectured end-days of the ocean ‘about 170 million years’ from now. The Wave is a pithy account of some years Casey spent following the elite American surfer Laird Hamilton as he travelled from one storm-lashed coast to another in search of waves. Yet, on closer scrutiny, the two books have much in common: both authors are highly contemporary in the way they write about nature, with their mingling of humility and

Country matters

Clive Aslet was the long-time editor of Country Life, and now, as its ‘Editor at Large’, is released into the environment. Clive Aslet was the long-time editor of Country Life, and now, as its ‘Editor at Large’, is released into the environment. It obviously suits him. He writes wonderfully in Villages of Britain about building materials such as mud and stud, wattle and daub, and cob, which is where our oldest houses meet African mud huts. Cob is just earth ‘that has been sieved to a fine tilth and laid over straw; water is put on it to make it sticky, and more straw laid on top’, with a seasoning

Anthem for doomed youth

Britain’s greying post-war generation are getting increasingly used to a bad press. Britain’s greying post-war generation are getting increasingly used to a bad press. Once lauded for liberating British society, the teenyboppers of the 1960s are now vilified for squandering a time of plenty, having mortgaged their children’s futures to fund a reckless, debt-fuelled shopping spree. The Baby Boomers’ thirst for property speculation, their younger critics lament, has transformed the UK housing market into a vicious collusion between rack-rent retirees and latte-crazed estate agents. For the young, owning a house has become a distant dream. Bright-eyed graduates pump the bulk of their income into subsidising the Boomers’ buy-to-let investments, scrambling

Keep on running

Astonishingly, it is nearly ten years since Auberon Waugh died. I never met him — I came about half a glass of wine away from introducing myself at a party, but didn’t quite make it — but like most of his fans, read him avidly and admired him from afar. My girlfriend used to work at the Academy Club and was very fond of him, even though she was a lefty actress who thought he was the most right-wing man who had ever lived. It’s strange the way this reputation clung to him. After he died, Polly Toynbee wrote a quite crazed hatchet-job in the Guardian, describing him as the

His own best invention

Just as it will sometimes happen that a critic feels obliged to preface a review with a declaration of interest, so I should now declare a lack of interest. Prior to being commissioned to review David Bellos’s heroically well-researched and hugely entertaining biography, I confess I had never managed to finish one of Romain Gary’s books. When I lived in Paris in the 1970s Gary was in fact my near neighbour. A conspicuous figure around Saint-Germain-des-Prés, ‘disguised as himself’, as Bellos phrases it, flashily tanned, resembling in his flamboyant black-leather outfits a cross between a plumper Dali and the clownish caricature of a Mexican dictator, the thick dye of his

Pirate and boy scout

Keith Richards is a cross between Johnny B. Goode and Captain Hook. Like Johnny, he can play the guitar just like ringing a bell. Like Hook, he is selfconsciously piratical in costume, speech and behaviour— though he is modest about his contribution to Johnny Depp’s performance in the Pirates of the Caribbean. ‘All I taught him was how to walk around a corner when you’re drunk — never moving your back away from the wall.’ Johnny B. Goode never ever learned to read or write so well, but ‘Keef’ ain’t half bad. He wrote ‘Gimme Shelter’, after all, one stormy afternoon in Mayfair while his girlfriend Anita Pallenberg was in