Book Reviews

Our reviews of the latest in literature

Saturday

Sam Leith Sam Leith

Beating his demons | 11 September 2010

Some of us are still startled that Wallace Stevens was 44 when he published Harmonium. So what to make of the fact that Roald Dahl was past the midpoint of his forties when he wrote his first children’s book in 1961, James and the Giant Peach? At the time, he was known as a dark little adult fabulist; macabre like Saki, twisty like O. Henry. A hint as to his view of children’s writing thereto is found in a letter anticipating the birth of his first child: ‘Parenthood is a great strain. I can see it all. Nursery books for Knopf. Once upon a time there was a dear little

Alexander Waugh

A plague of infinities

Stephen Hawking is the most distinguished living physicist, who despite the catastrophe of motor neurone disease has been twice married, is a bestselling author and a media super-star. He is blessed with an extraordinary intellectual energy and fearless resilience. One might also add chutzpah. In The Grand Design he aims to give a concise and readable answer to the ‘Ultimate Question of Life, the Universe, and Everything.’ In fact he offers three such questions: ‘Why is there something rather than nothing? Why do we exist? Why this particular set of laws and not some other?’ It will come as no surprise to learn that he fails to provide a satisfactory

Andrew Taylor

The child is not there

The ghost story is a literary form that favours brevity. Its particular emotional effects — the delicious unease it creates, the shapeless menace and the unsettling uncertainty — work particularly well in concentration, as both Henry James and M. R. James knew so well. A ghost story does not need distractions. Susan Hill has already established herself as a distinguished modern exponent of the genre with The Woman in Black and The Man in the Picture. She returns to it in her latest novel — or, rather, novella, The Small Hand. It is set firmly in the present, in a world with emails and trips to New York; but, as

Charlotte Moore

Land of lost content

Tom Frayn, says his son Michael in this admirable memoir, trod lightly upon the earth. He belonged to a class and a generation who didn’t think their story mattered. Even his profession — he was an asbestos salesman — has ceased to exist. At the request of his own children, who felt that they had ‘risen from an unknown place’, Michael Frayn has collected the few scraps of evidence and pieced together this unobtrusive life. His father was a ‘smart lad’, youngest of a family of seven housed in two rooms off the Holloway Road, and the only one not born deaf. (He suffered hearing loss later, but, characteristically, used

Andrew McKie

Architect of cool

More than quarter of a century later, 1984 remains firmly fixed in the future, fiction having provided a more vivid view than our memories of the year which actually happened. Even so, a couple of things from the real, boring 1984 were memorable: Apple introduced the Macintosh personal computer (with a celebrated advertisement based on Nineteen Eighty-Four) and William Gibson published his first novel, Neuromancer, which popularised the idea of ‘cyberspace’, a term he had minted. Both seemed like science fiction then. Apple’s machine, with its 128 kilobytes, now seems antediluvian. Some of Neuromancer still seems futuristic, but much of it simply describes the world we live in (often brought

Caroline Moorehead

Days of wine and shrapnel

Virginia Cowles was a 27-year-old American journalist working for the Hearst newspapers when she went to Spain for the first time. It was March 1937; the battle of Guadalajara had just brought a victory to the Republicans and besieged Madrid was an exciting place to be. Up till then, Cowles had reported mainly on events of a ‘peaceful nature’. Spain would turn her into a war reporter. Arriving at the Hotel Florida with her suitcase and typewriter, an elegant, resourceful young woman with a high forehead and dark brown hair, she was soon part of the gang of foreigners cheering the Republicans on. There was the bulky Tom Delmer from

D J-Taylor

Acting strange

Reviewing Lindsay Clarke’s Whitbread-winning The Chymical Wedding a small matter of 20 years ago, and noting its free and easy cast and wistful nods in the direction of the Age of Aquarius, I eventually pronounced that it was a ‘hippy novel’. Reviewing Lindsay Clarke’s Whitbread-winning The Chymical Wedding a small matter of 20 years ago, and noting its free and easy cast and wistful nods in the direction of the Age of Aquarius, I eventually pronounced that it was a ‘hippy novel’. Slight anxiety when Lindsay Clarke then appeared on the bill at a literary festival I was attending — authors, you may be surprised to learn, don’t always care

A.N. Wilson

Family favourites | 11 September 2010

Because Deborah Devonshire’s journalism has nearly always made me laugh, and because she seems like one of the jollier aunts in P. G. Wodehouse — an Aunt Dahlia, not an Aunt Agatha — I had expected her memoirs to provide chuckles on every page. Because Deborah Devonshire’s journalism has nearly always made me laugh, and because she seems like one of the jollier aunts in P. G. Wodehouse — an Aunt Dahlia, not an Aunt Agatha — I had expected her memoirs to provide chuckles on every page. In fact it is a sad book, taken all in all. Two of the more poignant passages, which will linger in my

Ed Bartlam

Divine comedy

Stewart Lee is a name that should be more widely known. In the sprawling genre of live comedy, of which Britain still boasts the finest variety, Lee is a man who cuts deeper than most. Both admired by his peers and adored by his audiences, he is the antidote to those Saturday night TV comics who shriek and squeal and pull funny faces. How I Escaped My Certain Fate follows the highs and lows of a comedian’s life. For those who think that stand-up is merely a jumble of crowd-pleasing anecdotes, the book provides a fascinating insight into the detail and process by which a comedian goes about his work.

Jonathan Mirsky

The long walk

In this long and fascinating novel, Ora, an early- middle-aged Israeli woman, walks for days through Galilee to escape the ‘Notifiers’, the officers she fears will come to her door to inform her of the death of Ofer, her soldier son, at the hands of Palestinians. In this long and fascinating novel, Ora, an early- middle-aged Israeli woman, walks for days through Galilee to escape the ‘Notifiers’, the officers she fears will come to her door to inform her of the death of Ofer, her soldier son, at the hands of Palestinians. David Grossman, one of Israel’s leading writers, relates in a note at the end of this novel that

Lewis Jones

Spiv on a grand scale

He insisted that he was not a pornographer but an entertainer, and told the Daily Herald that the Folies Parisienne (sic) — one of his early shows, featuring the ‘Harlem Nudes’ and their ‘taunting, scantily clad Native Mating Dance’ — was intended for family audiences, and that children were taken along by their ‘doting elders’. When he booked a celebrated American stripper to appear at the Raymond Revuebar (‘The Athenaeum of Strip Clubs’ — Spectator), she was appalled to learn that he and his wife proposed to let their five-year-old daughter watch the show. This family image was rather dented by such assurances as ‘this theatre is disinfected throughout with

Sam Kitchener

Something filthy by return

Gerard Woodward’s Nourishment opens in second world war London. Gerard Woodward’s Nourishment opens in second world war London. Tory Pace, a tired and drawn ‘mother-of-three and wife-to-one’, works alongside other patriotic but ‘grey’ women, packing gelatine for the war effort. One evening, she receives a letter from her POW husband, Donald, requesting a ‘really filthy’ reply, by ‘return of post’. At first, she feels unwilling and unable to respond. An affair with the dirty-talking owner of the gelatine factory, however, provides her with the requisite guilt-stricken motivation, and some excellent material. The second half of the book then illustrates the effects of this wartime loosening of moral norms on the

Bruce Anderson

A charismatic narcissist

In equal measure, this book is fascinating and irritating. The ‘Hi, guys!’ style grates throughout. From this, it is tempting to conclude that Tony Blair is incorrigibly insincere. But that is not the whole story. Although Blair is no friend to truth or self-knowledge, this is an involuntary study in self-revelation. The most revealing sentence is a throwaway line, in which he tells us that we are all psychological vagrants. That is the clue to his character. It is certainly impossible to read this book without wanting to psychoanalyse the author. So here goes. He comes across as a potent mixture of insecurity and certitude. Always prone to self-doubt, he

Monday

James Forsyth James Forsyth

Blair pulls out of book launch

It is profoundly depressing that Tony Blair has had to pull out of his London book signing. Whatever you think of Blair, he is a man who led his party to three general elections victories and is the second longest serving Prime Minister of the post-war era. There is something very wrong if he feels he has to cancel an appearance at a book shop because of the threat of disruption from protesters whose intentions do not appear to be entirely peaceful. One other thing that should be noted is that the polling suggests that Blair is nowhere near as unpopular in this country as much of the coverage of

Saturday

Hugo Rifkind Hugo Rifkind

I don’t think Tony Blair has written the version of his memoirs that I want to read

I don’t care about Tony Blair’s book. I don’t care about Tony Blair’s book. I’m sorry, but I just don’t. Unless I really think about it, it’s frankly quite hard to remember who the man was. He’s just become this pious lurking bit-part character in tedious books by other people that I’ve forced myself to read. As though they all lived in houses with attics suffering chronic infestations of Sir Cliff Richard. Didn’t Cherie write a book already? I can’t quite remember; I suppose she must have done. Everybody else did. Now I think of it, there was some story about her forgetting to pack her ‘contraceptive equipment’ on a

Patrick Marnham

Amid the encircling gloom

Africa is the setting for several of V. S. Naipaul’s finest fictional stories — In a Free State, A Bend in the River, Half a Life. Africa is the setting for several of V. S. Naipaul’s finest fictional stories — In a Free State, A Bend in the River, Half a Life. And there is a pattern to the themes in the African works: fear, post-colonial disintegration, isolation, approaching catastrophe, a sense of being trapped in a way of life that is hovering on the borders of savagery. It is an unforgettable vision, but it remains that of an outsider. In The Masque of Africa, Naipaul goes deeper; this is

Charlotte Hobson

The motherland’s tight embrace

At nursery school, along with her warm milk, little Lena Gorokhova imbibed the essence of survival in the post-war Soviet Union. It consisted of a game called vranyo — pretence: My parents play it at work, and my older sister Marina plays it at school. We all pretend to do something, and those that watch us pretend they are seriously watching us and don’t know that we are only pretending. The school teachers pretended that their pupils’ 100 per cent attendance at Young Pioneer meetings was unconnected with the padlocked door of the meeting hall. The women standing in line pretended they saw no contradiction between reports of record harvests

David Sexton

Ruling the planet

‘Facebook’, says the excitable author of this hero-gram, ‘may be the fastest-growing company of any type in history.’ ‘Facebook’, says the excitable author of this hero-gram, ‘may be the fastest-growing company of any type in history.’ ‘Thefacebook.com’ went live on 4 February 2004, as an on-line directory for students at Harvard, inviting them to upload a picture of themselves and some basic info, such as their ‘relationship status’, favourite books, music, movies and a quotation. Once they had set up their own profiles, they could ask others to be their ‘friend’ and direct a jokey ‘poke’ (never defined) at them. Thefacebook offered no content whatsoever of its own, being merely

Caroline Moore

Dark Satanic thrills

If you have not yet gone on holiday, do pack The Anatomy of Ghosts. It is excellent airport reading; and this is no trivial recommendation. Airports are where one needs fiction most desperately — and nowhere more so than in Kabul, where I had to work through no fewer than seven queues for incompetent security checks, inching up a modern version of Purgatory. Even in these testing conditions, Andrew Taylor’s book beguiled. The Anatomy of Ghosts is, like Taylor’s best-known previous novel, The American Boy, historical crime fiction. In a further refinement of genres, it is a historical campus murder mystery, being set in Cambridge in 1765, in a fictional

Oliver Rackham

Seeing the wood from the trees

This book is a work of art by an artistic photographer. It deals mainly with a large minority of the world’s trees whose bark, as the trunk expands, peels off in pretty patterns: snake-bark maples, arbutuses and the like, as well as the familiar London plane. The author has travelled all over the world to photograph these wondrous barks. He also includes some trees whose bark stretches, like white poplar, as well as palms whose trunks are covered in leaf-bases rather than bark, bamboos which are really giant grasses, banana-plants which are not trees, and tree-ferns. He even has one example of that mysterious hard layer that does the duty