Book Reviews

Our reviews of the latest in literature

Saturday

Francis King

Short and sweet | 22 May 2010

This little book of limericks, some as hard and glittering as shards of mica but a few surprisingly pallid and limp, at once presents a puzzle: the real name of an author is no more likely to be Jeff Chaucer than the real name of the author of a play would be Billie Shakespeare. The first task that I therefore set myself was to attempt to discover the real identity behind the pseudonym. Accompanying the title there is also the name of Robert Conquest, writer of an introduction that, while I was reading it, seemed to be familiar, and that eventually turned out to be a revised version of a

Blair Worden

The devil and the deep sea

The sea, the sea. Land-lubbers who write or read England’s history omit it from its heart. At least, we have done so since the aeroplane and electric communications reduced the maritime components of warfare and wealth and travel. The popular imagination banishes piracy, Adrian Tinniswood’s subject, to romance and comic-strips. So we are startled by its modern re-emergence as a major hazard and impediment on the African and Indonesian coasts. That development is much closer to the 17th-century predicaments recounted by Tinninswood than is the swashbuckling glamour of Captain Kidd or Errol Flynn. Then as now, great powers were taunted by seaborne flouters of international law and by their surreptitious

Penelope Lively

Officers, if not gentlemen

The execution for desertion of a young officer during the first world war goes disastrously wrong. What exactly happened? Who was there, and why have some of those involved met untimely deaths? This is the crux of a novel that is a marriage of who-done-it and commentary on the class-ridden attitudes of the early 20th century. The action takes place in the immediate wake of the war, when battle-damaged men try to adjust to civilian life. One of these, Laurence Bartram, is persuaded to try and find out why a fellow officer, John Emmett, has apparently committed suicide; the persuader is Emmett’s sister Mary — romance hangs in the air.

Saturday

Sam Leith Sam Leith

Genetics, God and antlers

‘Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them: the starry heavens above and the moral law within.’ Oren Harman uses this quote from Immanuel Kant to open one of the chapters of The Price of Altruism, and it’s an observation that — after the steady reflection on moral law that Harman’s book invites and encourages — only seems more true by the end. ‘Two things fill the mind with ever new and increasing admiration and awe, the oftener and more steadily we reflect on them: the starry heavens above and the moral law within.’ Oren Harman

Cressida Connolly

A girl’s best friend

If you wanted to write about Marilyn Monroe, how would you go about it? The pile of biographies, memoirs and novels about poor, sad Marilyn is already teetering. How could you make something new of her life? Clever Andrew O’Hagan has come up with an answer: by writing as her pet dog. How the hound came to be in her possession is a terrific story in itself. Maf, a Maltese terrier, was given to Marilyn by Frank Sinatra (the dog’s name was her sly reference to Sinatra’s alleged mafia connections). Sinatra got the dog from Natalie Wood’s mother, who regularly travelled to Britain to scoop up puppies, in much the

Will Robinson

Not our finest hour

Ever since Edward II’s deposition and grisly murder in the dungeons of Berkeley Castle in 1327, his reign has always been regarded as a particularly embarrassing interlude in English history. Ever since Edward II’s deposition and grisly murder in the dungeons of Berkeley Castle in 1327, his reign has always been regarded as a particularly embarrassing interlude in English history. In 1908, when there was still some pretence that such subjects had a place in the classroom, teachers were advised that the period should be ‘passed over in discreet silence’. Not only was it one of fruitless civil war; Edward was also thought to have been a homosexual, who doted

Frederic Raphael

The woman behind the god

The emperor Augustus was the original god/father. Julius Caesar was often referred to as ‘the divine Julius’, but his nephew (and adopted son) was the first Roman to have temples dedicated to him in his lifetime. If uncle Julius had died a natural death, or in some brave battle, the Roman upper class would never have suffered the decimation (and then some) which Caesar’s ‘son’ and heir visited upon it under the rubric of vengeful piety. His last and greatest enemies had had nothing to do with Caesar’s death. Mark Antony had been Julius’s number two and was actually Octavian’s brother-in-law; Cleopatra had been his uncle’s most passionate love. After

Simon Courtauld

Cherchez la femme

The 22nd Earl of Erroll, Military Secretary in Kenya in the early part of the second world war, was described by two of his fellow peers of the realm as ‘a stoat — one of the great pouncers of all time’ and ‘a dreadful shit who really needed killing’. The 22nd Earl of Erroll, Military Secretary in Kenya in the early part of the second world war, was described by two of his fellow peers of the realm as ‘a stoat — one of the great pouncers of all time’ and ‘a dreadful shit who really needed killing’. The deed was duly done one night in 1941: Erroll’s body was

George Trefgarne

The credit crunch with jokes

Unlike most financial writers, who are too serious for their own good, Michael Lewis has a sense of humour and he deploys it deftly. In Liar’s Poker, his semi-autobiographical account of the Salomon Brothers bond desk published 20 years ago, the traders always explain a market move they do not understand by blaming it on ‘the Arabs’. At once, we realise that the Masters of the Universe do not always know what they were talking about. In The Big Short, Lewis examines the credit crunch through the eyes of a handful of ‘short-sellers’, who not only saw it all coming, but put their money where their mouths were by placing

Lewis Jones

Blood relatives

The last time I saw Benazir Bhutto was at Oxford, over champagne outside the Examination Schools, when she inquired piercingly of a subfusc linguist, ‘Racine? What is Racine?’ Older and richer than most undergraduates, and as a Harvard graduate presumably better educated, she was already world famous, and was obviously not at Oxford to learn about classical tragedy. The last time I saw Benazir Bhutto was at Oxford, over champagne outside the Examination Schools, when she inquired piercingly of a subfusc linguist, ‘Racine? What is Racine?’ Older and richer than most undergraduates, and as a Harvard graduate presumably better educated, she was already world famous, and was obviously not at

Anne Applebaum

Paranoia and empty promises

It has taken more than half a century, but at last the Anglophone world has woken up to the fact that 20th-century communist history makes a superb backdrop for fiction. So extreme and dramatic were the Russian revolution, the arrests and the purges, Hitler’s invasion of the Soviet Union and the imposition of Stalinism on the eastern half of Europe that all you have to do is write down what really happened and it sounds like fiction anyway. English historians such as Catherine Merridale (Night of Stone) and Simon Sebag-Montefiore (The Court of the Red Tsar) have known this for a while now. Now English novelists, from Martin Amis to

Peter Oborne

Crying in the wilderness

For 30 years Alastair Crooke was ostensibly a British diplomat working in Northern Ireland, South Africa, Columbia and Pakistan. Ten years ago he became Middle East adviser to Javier Solana, playing an important role in negotiating ceasefires between Israel and Hamas, as well as helping to end the siege of the Church of the Nativity in Bethlehem in May 2002. In the summer of that year an Israeli newspaper named Crooke as an agent for the Secret Intelligence Service, and shortly after he was recalled to London. It has been reported that his sympathy with the Palestine cause caused embarrassment to Tony Blair’s government. However, he soon returned to the

Judith Flanders

Lurking beneath the surface

One’s past life is, usually, comfortably past. One’s past life is, usually, comfortably past. Susan Morrow’s first husband, Edward, is so firmly in her past that his second wife even sends her Christmas cards, signed ‘love’. Apart from that once-a-year token, she hasn’t heard from Edward in two decades. Their early marriage had been brief, and at cross-purposes: she had wanted a conventional bourgeois life, while he wanted to write — worse, he wanted to be a writer. Now, out of her past, comes a novel from Edward, with a note saying ‘Damn! but this book is good.’ But it’s still missing something, he fears, and he asks his long-ex-wife

Saturday

John R. MacArthur

Under false colours

‘With time,’ writes David Remnick, ‘political campaigns tend to be viewed through the triumphalist prism of the winner.’ Never more so, perhaps, than in Remnick’s idolatrous new biography of Barack Obama, which presents the First Black President’s ascension to the White House as nothing less than a glorious saga. Deeply read — if not rooted — in the civil rights movement of the 1950s and 1960s, Obama is said to have derived his spectacular political success from the great and martyred prophet Martin Luther King, Jr and King’s closest disciples, especially John Lewis. In this account, by the editor of the New Yorker, Obama’s life journey began, metaphorically, on 7

John McEwen

A towering talent

Ian Massey is a writer, artist and lecturer and this is his first book. There have been two previous books on Procktor: a ghosted autobiography and a slim volume to celebrate his 60th birthday. About the second, one reviewer wrote that what was next required was ‘a full retrospective to answer the critical question that has been asked repeatedly over the last 30 years, “Is there anybody there?” ’ This handsome, copiously illustrated, well-researched and sensitive appraisal of the art and artist fully meets that requirement. Massey did not know Procktor, but he shows there was much more to him than facility and a façade. Half the book is devoted

David Sexton

The houseguest from hell

Once upon a time, an untrustworthy story- teller seemed rather an enterprising creation — and some great books were written this way, like Lolita and The Good Soldier (from which Blake Morrison takes an epigraph). But nowadays having a fibber as compère seems painfully predictable. Only if our dodgy raconteur is strikingly engaging or funny do we, as readers, feel inclined to stay the course, to have it confirmed that our guide is actually a fraud, or killer, and his life a hollow sham. The trick can still be pulled off. John Lanchester did it in The Debt to Pleasure, and Sebastian Faulks in Engleby, a book made interesting by

Colin Amery

How long have I got?

It was the neon lit windowless corridor in the surgery in Dumfries that did it. It was June 1993 when Maggie Keswick and her husband Charles Jencks heard the prognosis that she had two to three months to live as the breast cancer had spread to her liver and her bones. In fact Maggie was to live fighting the disease for another 18 months — she died on 8 July 1995. But she lives on every day through her inspired idea that cancer patients need a place to deal with the facts of what she called ‘the dreaded disease’. She wanted to show that things need not be so awful,

Kevin Myers

Irishmen of myth

If stupidity is defined by the inability to connect an oft-repeated policy with the failure that it always produces, then Irish republicanism is easily the stupidest political movement in Europe. The claim of Irish republicanism is that it unites Catholic, Protestant and dissenter under the common title, Irishman. This is mountebank bluster. In fact, Irish republicanism usually unites people under the common title, corpse. Brendan Hughes truly personified this bloodthirsty idiocy. He was a major player in the IRA campaign from 1970-1996, and his is the most important voice heard in Voices from the Grave, in which the journalist Ed Moloney has sewn together the tapes of interviews recorded with

Michela Wrong

When words fail

Ignore the title, with its subliminal echoes of Mills & Boon. Aminatta Forna’s magnificent second novel is not really about love. Its themes are far grittier, and all the more compelling for it: war, loss, and how a society emerging from civil strife must reinvent its own history, fabricating a tolerable narrative in order to remain semi sane. The country in question is Sierra Leone. Its charming capital, Freetown, dotted anomalously with chimney-potted villas recalling an era when this was a British colony, is framed by green hills which tumble into a beach-fringed sea. It doesn’t attract many tourists, though. For Sierra Leone has in recent decades proved a rich

Jonathan Bate

By divers hands

Contrary to the Romantic image of him as a solitary scribbler in a garret, William Shakespeare was a deeply collaborative artist. He wrote his plays for a particular theatre company, tailoring each part to the actor he knew would perform it. He began his career patching up old plays in the existing repertoire and ended it working in partnership with John Fletcher, his chosen successor as company playwright for the King’s Men. Never mind the Keatsian genius with fevered brow; a better comparison for early and late Shakespeare would be the team player banging out scripts in the golden age of Hollywood or, for that matter, in the quick forge