Book Reviews

Our reviews of the latest in literature

King and his killer

In the late days of the Bush administration, it was fashionable among liberals to call George W. Bush the ‘worst’ president since the founding of the republic and to suggest that under his leadership America experienced its own version of the Dark Ages. In the late days of the Bush administration, it was fashionable among liberals to call George W. Bush the ‘worst’ president since the founding of the republic and to suggest that under his leadership America experienced its own version of the Dark Ages. Even allowing for Bush’s considerable ignorance and malevolent world view, those contemporary doomsayers had forgotten recent history. As bad as the Bush era was,

Hunting and working

Why are scholars so prone to melancholy? According to the expert, Robert Burton of Christ Church, it is because ‘they live a sedentary, solitary life… Why are scholars so prone to melancholy? According to the expert, Robert Burton of Christ Church, it is because ‘they live a sedentary, solitary life… free from bodily exercise and those ordinary disports that other men use.’ Not this one. The most remarkable characteristic of the young and maturing Trevor-Roper was his frenzied pursuit of foxes and hares on horse and foot, and his capacity for long marches through Oxfordshire, Buckinghamshire and the Borders in search of spiritual refreshment or a rendez-vous with a horse.

Frustrating but enjoyable

If we didn’t already know that Milan Kundera is one of Craig Raine’s literary heroes, then it wouldn’t be too hard to work it out from his first novel. If we didn’t already know that Milan Kundera is one of Craig Raine’s literary heroes, then it wouldn’t be too hard to work it out from his first novel. As in Kundera’s later fiction (Immortality, Slowness, Identity, Ignorance), there’s the stark one-word title laying out the theme to be interrogated. There’s the same relentless erudition — so that even Raine’s two-page thematic scene-setter finds room for Dickens, Beckett, Auden and Henry James. More obviously still, there’s the same mix of straight

How are you today?

How am I? Very well, thank you. Actually, now you ask, I do have this stubborn pain in the small of my back, and my right knee isn’t what it might be, and I think I have a little arthritis in my left foot, and… what do you expect? I’m in my late forties, and I may be even older by the time you read this. I still have my hair and my teeth, but my days of niggle-free, hangoverless, unthinking good health are gone forever. Tim Parks was a couple of years older than I am now when he started to experience acute pain in his bladder region. He

The lure of adventure

A few minutes’ walk from Paddington Station is a drinking den and restaurant called the Frontline Club, a members’ club for foreign correspondents. A few minutes’ walk from Paddington Station is a drinking den and restaurant called the Frontline Club, a members’ club for foreign correspondents. Among the characters you might find banging on the bar, wedged between Rick Beeston of the Times, Jason Burke of the Observer, and gentleman freelancers such as Aidan Hartley or Sam Kiley, is James Brabazon, an award-winning documentary filmmaker specialising in war zones. Though there are plenty of female stars, such as the redoubtable Marie Colvin, with her fantastic hair and piratical eye-patch, this

In the name of God go

If you think your life’s an unremitting tragedy, pity the proof reader at Gordon Brown’s publisher. The late and unlamented Prime Minister has been out of office for 58 days, typing 10,000 words a day. That’s 580,000 words already. Tolstoy took 4 years and 460,000 words to write War and Peace, Cervantes needed 10 years and nearly 500,000 words to write Don Quixote, and the Bible is 783,000 words. 580,000 words typed by a partially sighted man with maybe 30 years to live. Suddenly, life is beautiful. Gordon Brown’s absenteeism is a clear cut case: it’s simply not on. If Brown is ill or can’t be bothered he should resign

An ideal banker

At last, thirty years after his death, we have a proper biography of the enigmatic but inspirational banker Siegmund Warburg, extensively researched and beautifully written. Previous efforts fell short. A Man of Influence (1988), written by Jacques Attali, workaholic aide to President Mitterrand, showed a careless disregard for accuracy. The Warburgs (1993) by Ron Chernow contained a great deal of interesting information, including for the first time a public account of Warburg’s affair with the Russian prima ballerina, Danilova, but left the impression, in the words of his astute long-time partner, troubleshooter and friend Henry Grunfeld, that Siegmund Warburg was not a man you would want to meet. David Kynaston,

The sound of eternity

The Ninth is not necessarily Beethoven’s greatest symphony. The Ninth is not necessarily Beethoven’s greatest symphony. That honour is surely shared by the Eroica, in which the composer changed the course of orchestral writing after two prentice works (and what works they were!), and the Seventh. Beethoven’s last symphony, known in the English-speaking world as the ‘Choral’, for its unprecedented use of the human voice, is magnificent but flawed. The meditative slow movement may be the greatest Beethoven ever wrote, but the joy that Beethoven strove for in the finale finds finer musical and dramatic expression in the hymn to liberty that closes Fidelio. If it is not his greatest

A man after his time

Denys Watkins-Pitchford (1905-1990) illustrated dozens of books under his double-barrel and wrote at least 60 of his own under the two initials ‘BB’. Denys Watkins-Pitchford (1905-1990) illustrated dozens of books under his double-barrel and wrote at least 60 of his own under the two initials ‘BB’. This Symposium is a demonstration of how his writing has touched many, varied lives. The son of a vicar, he put his own faith in ‘nature’. Subsidised by his own writing, he followed what is called here ‘the manly pusuits’ — fishing, wildfowling — though why a man exalted to near ecstasy by the beauty of a skein of geese rising from marshes in

More than a painter of Queens

The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation — was both the purpose and the substance of his life. The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation —

Schlock teaser

The somewhat straightlaced theatre-going audiences of 1880s America, eager for performances by European artistes like Jenny Lind and solid, home-grown, classical actors such as Otis Skinner, were hardly prepared for the on-stage vulgarity that the (usually) Russian and Polish immigrant impressarios, with their particular nous for show-biz, were to unleash into the saloons and fleapits across the young nation. Of the many weird acts that comprised Vaudeville — the bearded ladies, fiddling baboons, human cannonballs and, apparently, ‘comics wearing enormous rubber phalluses’ — none can have been so strange, have kicked against so many pricks, so to speak, than little Louise, the daughter of the echt pushy stage-mother of Vaudeville’s

Animals without Backbones

What is a Bug? For this book, any animal that is not a Beast: the whole invertebrate realm, from the humble amoeba, through insects (more than half the book), to octopuses and sea-squirts (the distant forbears of you and me, lords and ladies of creation). Its scope, as with Flora Britannica and Birds Britiannica, is the parts that Bugs play in the human story: what they do to humannity with stings and jaws and injected saliva, what humanity does to them in the field and kitchen, their names (especially Gaelic), their roles in folklore, literature, art, music, films and photography. It is a book to enjoy at random, not to

Might and wrong

‘Was all this the realisation of our war aims?’, Malcolm Muggeridge asked as he surveyed the desolation of Berlin in May 1945. ‘Was all this the realisation of our war aims?’, Malcolm Muggeridge asked as he surveyed the desolation of Berlin in May 1945. ‘Did it really represent the triumph of good over evil?’ All wars pose moral dilemmas for those who fight them, and the Second World War more acutely than most. How many allied lives was it legitimate to risk in pursuit of victory, even over an enemy of unspeakable wickedness? How many enemies was it legitimate to kill? Is the question even worth asking? This admirable book

A flammable individual

On the night of 18 October 1969, thieves broke into the Oratory of San Lorenzo, Palermo, and removed Caravaggio’s Nativity. On the night of 18 October 1969, thieves broke into the Oratory of San Lorenzo, Palermo, and removed Caravaggio’s Nativity. The altarpiece has not been seen since. Three decades later, in 1996, Italians were aghast when the Mafia claimed responsibility. Somewhere in the Sicilian capital of Palermo, it seemed, a gangland capo sat in awed admiration of the stolen Christmas canvas. Far from submerging rivals in wet concrete, now the Cosa Nostra were enthusiasts of 17th century religious art. Born in 1571 near Milan, Caravaggio was a flammable individual. Contemporaries

The hell of working

Joseph Conrad was 38, more than halfway through his life, when his first novel, Almayer’s Folly, was published in 1895. He died in 1924 with more than 30 books to his name. A good enough rate of production, you might think. An astonishing one actually, if you are to believe him. ‘Full 3 weeks’, he wrote to his friend Galsworthy in 1911, ‘— no consecutive ideas, no six consecutive words to be found anywhere in the world. I would prefer a red hot gridiron to that cold blankness.’ The gloom wasn’t new: ‘The sight of a pen and an inkwell fills me with anger and horror.’ Or again: I sit

Fate, death and Alma

Gustav Mahler is the most subjective, the most autobiographical, of composers. Other composers, particularly in the previous century, have asked their audiences to show an occasional interest in their private lives, sometimes in rather coded ways. There are the allusions, which of course never were completely private, of Schumann’s piano cycles, Carnaval and Davidsbundlertanze; there are the heartbreaking bits of autobiography in the late Beethoven string quartets; there are significant mottos about private acts of adoration even in Brahms’s third symphony; and, much later, a hidden love affair to be decoded in the Berg Lyric Suite. But these were occasional diversions, for the most part, and music continued to be

In and out of every dive

Robert Coover’s Noir is a graphic novel. Robert Coover’s Noir is a graphic novel. Not literally, in the contemporary sense in which the phrase is used to designate a highfalutin words-plus-pictures album; but figuratively, in that its language cannot help but be converted, in the reader’s inner eye, into a series of monochromatic images, images suggestive less of a film than of, precisely, the layout of some neo-noir comic-strip. Frank Miller’s Sin City, for instance. Like Miller, Coover pulverises the film noir aesthetic to a hallucinatory essence. In a conceit subsequent pasticheurs will find it hard to improve on, he actually has the nerve to name his private eye Philip

The pride of the Sackvilles

Knole is a country house the size of a small village in the Kent countryside. For the past 400 years it has been inhabited by 13 generations of a single family, the Sackvilles. The present Lord Sackville, Robert Sackville-West who lives with his family there, has written a scholarly book on Knole’s effect on the family and vice versa. It was Thomas Sackville who in the 1590s transformed a late medieval manor house into the Renaissance mansion that has become today’s tourist attraction. Like the Cecils, who were his colleagues in government, he made little distinction between enriching the crown and his own family, just as today’s MPs fiddled expenses