Book Reviews

Our reviews of the latest in literature

Saturday

Frederic Raphael

The woman behind the god

The emperor Augustus was the original god/father. Julius Caesar was often referred to as ‘the divine Julius’, but his nephew (and adopted son) was the first Roman to have temples dedicated to him in his lifetime. If uncle Julius had died a natural death, or in some brave battle, the Roman upper class would never have suffered the decimation (and then some) which Caesar’s ‘son’ and heir visited upon it under the rubric of vengeful piety. His last and greatest enemies had had nothing to do with Caesar’s death. Mark Antony had been Julius’s number two and was actually Octavian’s brother-in-law; Cleopatra had been his uncle’s most passionate love. After

Simon Courtauld

Cherchez la femme

The 22nd Earl of Erroll, Military Secretary in Kenya in the early part of the second world war, was described by two of his fellow peers of the realm as ‘a stoat — one of the great pouncers of all time’ and ‘a dreadful shit who really needed killing’. The 22nd Earl of Erroll, Military Secretary in Kenya in the early part of the second world war, was described by two of his fellow peers of the realm as ‘a stoat — one of the great pouncers of all time’ and ‘a dreadful shit who really needed killing’. The deed was duly done one night in 1941: Erroll’s body was

George Trefgarne

The credit crunch with jokes

Unlike most financial writers, who are too serious for their own good, Michael Lewis has a sense of humour and he deploys it deftly. In Liar’s Poker, his semi-autobiographical account of the Salomon Brothers bond desk published 20 years ago, the traders always explain a market move they do not understand by blaming it on ‘the Arabs’. At once, we realise that the Masters of the Universe do not always know what they were talking about. In The Big Short, Lewis examines the credit crunch through the eyes of a handful of ‘short-sellers’, who not only saw it all coming, but put their money where their mouths were by placing

Lewis Jones

Blood relatives

The last time I saw Benazir Bhutto was at Oxford, over champagne outside the Examination Schools, when she inquired piercingly of a subfusc linguist, ‘Racine? What is Racine?’ Older and richer than most undergraduates, and as a Harvard graduate presumably better educated, she was already world famous, and was obviously not at Oxford to learn about classical tragedy. The last time I saw Benazir Bhutto was at Oxford, over champagne outside the Examination Schools, when she inquired piercingly of a subfusc linguist, ‘Racine? What is Racine?’ Older and richer than most undergraduates, and as a Harvard graduate presumably better educated, she was already world famous, and was obviously not at

Anne Applebaum

Paranoia and empty promises

It has taken more than half a century, but at last the Anglophone world has woken up to the fact that 20th-century communist history makes a superb backdrop for fiction. So extreme and dramatic were the Russian revolution, the arrests and the purges, Hitler’s invasion of the Soviet Union and the imposition of Stalinism on the eastern half of Europe that all you have to do is write down what really happened and it sounds like fiction anyway. English historians such as Catherine Merridale (Night of Stone) and Simon Sebag-Montefiore (The Court of the Red Tsar) have known this for a while now. Now English novelists, from Martin Amis to

Peter Oborne

Crying in the wilderness

For 30 years Alastair Crooke was ostensibly a British diplomat working in Northern Ireland, South Africa, Columbia and Pakistan. Ten years ago he became Middle East adviser to Javier Solana, playing an important role in negotiating ceasefires between Israel and Hamas, as well as helping to end the siege of the Church of the Nativity in Bethlehem in May 2002. In the summer of that year an Israeli newspaper named Crooke as an agent for the Secret Intelligence Service, and shortly after he was recalled to London. It has been reported that his sympathy with the Palestine cause caused embarrassment to Tony Blair’s government. However, he soon returned to the

Judith Flanders

Lurking beneath the surface

One’s past life is, usually, comfortably past. One’s past life is, usually, comfortably past. Susan Morrow’s first husband, Edward, is so firmly in her past that his second wife even sends her Christmas cards, signed ‘love’. Apart from that once-a-year token, she hasn’t heard from Edward in two decades. Their early marriage had been brief, and at cross-purposes: she had wanted a conventional bourgeois life, while he wanted to write — worse, he wanted to be a writer. Now, out of her past, comes a novel from Edward, with a note saying ‘Damn! but this book is good.’ But it’s still missing something, he fears, and he asks his long-ex-wife

Saturday

John R. MacArthur

Under false colours

‘With time,’ writes David Remnick, ‘political campaigns tend to be viewed through the triumphalist prism of the winner.’ Never more so, perhaps, than in Remnick’s idolatrous new biography of Barack Obama, which presents the First Black President’s ascension to the White House as nothing less than a glorious saga. Deeply read — if not rooted — in the civil rights movement of the 1950s and 1960s, Obama is said to have derived his spectacular political success from the great and martyred prophet Martin Luther King, Jr and King’s closest disciples, especially John Lewis. In this account, by the editor of the New Yorker, Obama’s life journey began, metaphorically, on 7

John McEwen

A towering talent

Ian Massey is a writer, artist and lecturer and this is his first book. There have been two previous books on Procktor: a ghosted autobiography and a slim volume to celebrate his 60th birthday. About the second, one reviewer wrote that what was next required was ‘a full retrospective to answer the critical question that has been asked repeatedly over the last 30 years, “Is there anybody there?” ’ This handsome, copiously illustrated, well-researched and sensitive appraisal of the art and artist fully meets that requirement. Massey did not know Procktor, but he shows there was much more to him than facility and a façade. Half the book is devoted

David Sexton

The houseguest from hell

Once upon a time, an untrustworthy story- teller seemed rather an enterprising creation — and some great books were written this way, like Lolita and The Good Soldier (from which Blake Morrison takes an epigraph). But nowadays having a fibber as compère seems painfully predictable. Only if our dodgy raconteur is strikingly engaging or funny do we, as readers, feel inclined to stay the course, to have it confirmed that our guide is actually a fraud, or killer, and his life a hollow sham. The trick can still be pulled off. John Lanchester did it in The Debt to Pleasure, and Sebastian Faulks in Engleby, a book made interesting by

Colin Amery

How long have I got?

It was the neon lit windowless corridor in the surgery in Dumfries that did it. It was June 1993 when Maggie Keswick and her husband Charles Jencks heard the prognosis that she had two to three months to live as the breast cancer had spread to her liver and her bones. In fact Maggie was to live fighting the disease for another 18 months — she died on 8 July 1995. But she lives on every day through her inspired idea that cancer patients need a place to deal with the facts of what she called ‘the dreaded disease’. She wanted to show that things need not be so awful,

Kevin Myers

Irishmen of myth

If stupidity is defined by the inability to connect an oft-repeated policy with the failure that it always produces, then Irish republicanism is easily the stupidest political movement in Europe. The claim of Irish republicanism is that it unites Catholic, Protestant and dissenter under the common title, Irishman. This is mountebank bluster. In fact, Irish republicanism usually unites people under the common title, corpse. Brendan Hughes truly personified this bloodthirsty idiocy. He was a major player in the IRA campaign from 1970-1996, and his is the most important voice heard in Voices from the Grave, in which the journalist Ed Moloney has sewn together the tapes of interviews recorded with

Michela Wrong

When words fail

Ignore the title, with its subliminal echoes of Mills & Boon. Aminatta Forna’s magnificent second novel is not really about love. Its themes are far grittier, and all the more compelling for it: war, loss, and how a society emerging from civil strife must reinvent its own history, fabricating a tolerable narrative in order to remain semi sane. The country in question is Sierra Leone. Its charming capital, Freetown, dotted anomalously with chimney-potted villas recalling an era when this was a British colony, is framed by green hills which tumble into a beach-fringed sea. It doesn’t attract many tourists, though. For Sierra Leone has in recent decades proved a rich

Jonathan Bate

By divers hands

Contrary to the Romantic image of him as a solitary scribbler in a garret, William Shakespeare was a deeply collaborative artist. He wrote his plays for a particular theatre company, tailoring each part to the actor he knew would perform it. He began his career patching up old plays in the existing repertoire and ended it working in partnership with John Fletcher, his chosen successor as company playwright for the King’s Men. Never mind the Keatsian genius with fevered brow; a better comparison for early and late Shakespeare would be the team player banging out scripts in the golden age of Hollywood or, for that matter, in the quick forge

Caroline Moorehead

Stemming the human tide

Long before the Allies landed in Normandy in June 1944 and began their advance across France, preparations were underway for what to do about the civilians who had been displaced by the German occupiers. What everyone feared was a repeat of the chaos that followed the first world war, when refugees and returning prisoners of war brought with them typhus and a flu epidemic which, by the time it had spent itself, had killed more people than all the casualties of the war itself. What no one had envisaged, however, was either the number of displaced people adrift across Europe, nor the state that they would be in. And, as

John Preston

An end to cordiality

On the first page of this book there is a sentence so extraordinary that I had to read it several times to make sure my eyes weren’t playing up. On the first page of this book there is a sentence so extraordinary that I had to read it several times to make sure my eyes weren’t playing up. Despite what the English and French may say about one another in public, writes Stephen Clarke, the truth is that ‘we find each other irredeemably sexy’. If only this were the case. Alas, as the would-be English Lothario bruised by yet another dismissive ‘Non!’ knows only too well, the traffic tends to

Allan Massie

The Lives of Others

‘My wife doesn’t understand me,’ the man said to his Jewish psychoanalyst. ‘I should be so lucky!’ was the reply. It’s a common complaint, not being understood. Yet surely only the most shameless would like others to know us exactly as we are or as we know ourselves. This is one reason some writers shrink from the prospect of having their Life written. Kipling called biography ‘the higher cannibalism’, and tried to pre-empt one by writing his own decidedly reticent memoir, Something of Myself. Something indeed, but not a lot. Subsequently, his widow, Carrie, burned letters and other papers; their daughter, Elsie, suppressed Frederick Birkenhead’s biography without giving a reason,

Saturday

Philip Hensher

For the simpler reader

David Mitchell’s fifth novel, an exotically situated romance of astounding vulgarity, has some things to be said for it. David Mitchell’s fifth novel, an exotically situated romance of astounding vulgarity, has some things to be said for it. It will certainly entertain the simpler reader that lurks within all of us, the one that hungers for the chase and the mysterious Oriental maiden with a fascinating physical flaw, that enjoys the spurt of blood, thrills to the race against time and positively hankers after bald, inscrutable, mind-reading villains in blue silk robes; and to the reader who hardly cares how these things are put into prose. It is undoubtedly an

Lucy Beresford

A year of living dangerously

After 14 months working as an inter-dealer bond broker, posh totty Thompson was fired in February 2008 for gross misconduct. Her crime? Writing a warts-and-all article of the broking industry which was published in The Spectator. Enjoy- ment of this memoir (basically an extension of that original piece) will, I suspect, depend on either an underlying interest in the technicalities of Collateralised Debt Obligations, or an ability to stomach anecdotes about vomiting. It’s a macho tale, choppily told, of lap-dancing clubs, benders at Nobu, prescription drugs, and c-bombing (it’s a See You Next Tuesday thing). Unsurprisingly, the unintended subtext of this story is more compelling. What purports to be an

Caroline Moore

The old Adam

Final Demands is the third volume in Frederic Raphael’s trilogy, which began with the publication of The Glittering Prizes in 1976. Final Demands is the third volume in Frederic Raphael’s trilogy, which began with the publication of The Glittering Prizes in 1976. The second in the series, Fame and Fortune, did not follow until 2007; and showed a distinct shift in mood — a silting up of bitterness and disdain. In The Glittering Prizes, Raphael was more tenderly ambiguous towards the ambitions of his characters. Perhaps this is because their obvious faults (and particularly those of his central character, Adam Morris) are so forgivable in the young. They are evidence