Book Reviews

Our reviews of the latest in literature

Blood relatives

The last time I saw Benazir Bhutto was at Oxford, over champagne outside the Examination Schools, when she inquired piercingly of a subfusc linguist, ‘Racine? What is Racine?’ Older and richer than most undergraduates, and as a Harvard graduate presumably better educated, she was already world famous, and was obviously not at Oxford to learn about classical tragedy. The last time I saw Benazir Bhutto was at Oxford, over champagne outside the Examination Schools, when she inquired piercingly of a subfusc linguist, ‘Racine? What is Racine?’ Older and richer than most undergraduates, and as a Harvard graduate presumably better educated, she was already world famous, and was obviously not at

Paranoia and empty promises

It has taken more than half a century, but at last the Anglophone world has woken up to the fact that 20th-century communist history makes a superb backdrop for fiction. So extreme and dramatic were the Russian revolution, the arrests and the purges, Hitler’s invasion of the Soviet Union and the imposition of Stalinism on the eastern half of Europe that all you have to do is write down what really happened and it sounds like fiction anyway. English historians such as Catherine Merridale (Night of Stone) and Simon Sebag-Montefiore (The Court of the Red Tsar) have known this for a while now. Now English novelists, from Martin Amis to

Crying in the wilderness

For 30 years Alastair Crooke was ostensibly a British diplomat working in Northern Ireland, South Africa, Columbia and Pakistan. Ten years ago he became Middle East adviser to Javier Solana, playing an important role in negotiating ceasefires between Israel and Hamas, as well as helping to end the siege of the Church of the Nativity in Bethlehem in May 2002. In the summer of that year an Israeli newspaper named Crooke as an agent for the Secret Intelligence Service, and shortly after he was recalled to London. It has been reported that his sympathy with the Palestine cause caused embarrassment to Tony Blair’s government. However, he soon returned to the

Lurking beneath the surface

One’s past life is, usually, comfortably past. One’s past life is, usually, comfortably past. Susan Morrow’s first husband, Edward, is so firmly in her past that his second wife even sends her Christmas cards, signed ‘love’. Apart from that once-a-year token, she hasn’t heard from Edward in two decades. Their early marriage had been brief, and at cross-purposes: she had wanted a conventional bourgeois life, while he wanted to write — worse, he wanted to be a writer. Now, out of her past, comes a novel from Edward, with a note saying ‘Damn! but this book is good.’ But it’s still missing something, he fears, and he asks his long-ex-wife

Under false colours

‘With time,’ writes David Remnick, ‘political campaigns tend to be viewed through the triumphalist prism of the winner.’ Never more so, perhaps, than in Remnick’s idolatrous new biography of Barack Obama, which presents the First Black President’s ascension to the White House as nothing less than a glorious saga. Deeply read — if not rooted — in the civil rights movement of the 1950s and 1960s, Obama is said to have derived his spectacular political success from the great and martyred prophet Martin Luther King, Jr and King’s closest disciples, especially John Lewis. In this account, by the editor of the New Yorker, Obama’s life journey began, metaphorically, on 7

A towering talent

Ian Massey is a writer, artist and lecturer and this is his first book. There have been two previous books on Procktor: a ghosted autobiography and a slim volume to celebrate his 60th birthday. About the second, one reviewer wrote that what was next required was ‘a full retrospective to answer the critical question that has been asked repeatedly over the last 30 years, “Is there anybody there?” ’ This handsome, copiously illustrated, well-researched and sensitive appraisal of the art and artist fully meets that requirement. Massey did not know Procktor, but he shows there was much more to him than facility and a façade. Half the book is devoted

The houseguest from hell

Once upon a time, an untrustworthy story- teller seemed rather an enterprising creation — and some great books were written this way, like Lolita and The Good Soldier (from which Blake Morrison takes an epigraph). But nowadays having a fibber as compère seems painfully predictable. Only if our dodgy raconteur is strikingly engaging or funny do we, as readers, feel inclined to stay the course, to have it confirmed that our guide is actually a fraud, or killer, and his life a hollow sham. The trick can still be pulled off. John Lanchester did it in The Debt to Pleasure, and Sebastian Faulks in Engleby, a book made interesting by

How long have I got?

It was the neon lit windowless corridor in the surgery in Dumfries that did it. It was June 1993 when Maggie Keswick and her husband Charles Jencks heard the prognosis that she had two to three months to live as the breast cancer had spread to her liver and her bones. In fact Maggie was to live fighting the disease for another 18 months — she died on 8 July 1995. But she lives on every day through her inspired idea that cancer patients need a place to deal with the facts of what she called ‘the dreaded disease’. She wanted to show that things need not be so awful,

When words fail

Ignore the title, with its subliminal echoes of Mills & Boon. Aminatta Forna’s magnificent second novel is not really about love. Its themes are far grittier, and all the more compelling for it: war, loss, and how a society emerging from civil strife must reinvent its own history, fabricating a tolerable narrative in order to remain semi sane. The country in question is Sierra Leone. Its charming capital, Freetown, dotted anomalously with chimney-potted villas recalling an era when this was a British colony, is framed by green hills which tumble into a beach-fringed sea. It doesn’t attract many tourists, though. For Sierra Leone has in recent decades proved a rich

By divers hands

Contrary to the Romantic image of him as a solitary scribbler in a garret, William Shakespeare was a deeply collaborative artist. He wrote his plays for a particular theatre company, tailoring each part to the actor he knew would perform it. He began his career patching up old plays in the existing repertoire and ended it working in partnership with John Fletcher, his chosen successor as company playwright for the King’s Men. Never mind the Keatsian genius with fevered brow; a better comparison for early and late Shakespeare would be the team player banging out scripts in the golden age of Hollywood or, for that matter, in the quick forge

Stemming the human tide

Long before the Allies landed in Normandy in June 1944 and began their advance across France, preparations were underway for what to do about the civilians who had been displaced by the German occupiers. What everyone feared was a repeat of the chaos that followed the first world war, when refugees and returning prisoners of war brought with them typhus and a flu epidemic which, by the time it had spent itself, had killed more people than all the casualties of the war itself. What no one had envisaged, however, was either the number of displaced people adrift across Europe, nor the state that they would be in. And, as

An end to cordiality

On the first page of this book there is a sentence so extraordinary that I had to read it several times to make sure my eyes weren’t playing up. On the first page of this book there is a sentence so extraordinary that I had to read it several times to make sure my eyes weren’t playing up. Despite what the English and French may say about one another in public, writes Stephen Clarke, the truth is that ‘we find each other irredeemably sexy’. If only this were the case. Alas, as the would-be English Lothario bruised by yet another dismissive ‘Non!’ knows only too well, the traffic tends to

The Lives of Others

‘My wife doesn’t understand me,’ the man said to his Jewish psychoanalyst. ‘I should be so lucky!’ was the reply. It’s a common complaint, not being understood. Yet surely only the most shameless would like others to know us exactly as we are or as we know ourselves. This is one reason some writers shrink from the prospect of having their Life written. Kipling called biography ‘the higher cannibalism’, and tried to pre-empt one by writing his own decidedly reticent memoir, Something of Myself. Something indeed, but not a lot. Subsequently, his widow, Carrie, burned letters and other papers; their daughter, Elsie, suppressed Frederick Birkenhead’s biography without giving a reason,

For the simpler reader

David Mitchell’s fifth novel, an exotically situated romance of astounding vulgarity, has some things to be said for it. David Mitchell’s fifth novel, an exotically situated romance of astounding vulgarity, has some things to be said for it. It will certainly entertain the simpler reader that lurks within all of us, the one that hungers for the chase and the mysterious Oriental maiden with a fascinating physical flaw, that enjoys the spurt of blood, thrills to the race against time and positively hankers after bald, inscrutable, mind-reading villains in blue silk robes; and to the reader who hardly cares how these things are put into prose. It is undoubtedly an

The old Adam

Final Demands is the third volume in Frederic Raphael’s trilogy, which began with the publication of The Glittering Prizes in 1976. Final Demands is the third volume in Frederic Raphael’s trilogy, which began with the publication of The Glittering Prizes in 1976. The second in the series, Fame and Fortune, did not follow until 2007; and showed a distinct shift in mood — a silting up of bitterness and disdain. In The Glittering Prizes, Raphael was more tenderly ambiguous towards the ambitions of his characters. Perhaps this is because their obvious faults (and particularly those of his central character, Adam Morris) are so forgivable in the young. They are evidence

Strawberry Hill forever

When I became a cub reporter on the Times in 1963 (the front page was still covered with small-ads), an old sweat in the newsroom gave me two pieces of advice. The first was: Don’t get too proficient at shorthand. If you do, you’ll find yourself in a stuffy courtroom, recording the proceedings verbatim. The second was: Never describe any incident as ‘unique’ or say it is the first time it has happened. If you do, sure as eggs is eggs, a reader will write in to point out an identical occurrence in the near or distant past. He added: And don’t suggest that such-and-such will never happen again. If

Dangerous liaisons | 1 May 2010

For the impartial reader, this book is doubly disagreeable. An account of National Socialist short-wave radio broadcasts to the Arab world in the second world war, it prints pages of anti-Jewish propaganda as monotonous as it is vile. The author then shows no sympathy at all for Arab grievances, which makes the brew no more palatable. Jeffrey Herf, who is a professor at the University of Maryland, contends that Nazi anti-Semitism broadcast across the Middle East from Berlin and Bari between 1939 and 1945 has borne fruit. Hatred of the Jews, discredited in mainstream politics in Europe by the Holocaust, has found ‘renewed life’ in the Arab world and Iran.

Suffer the parents

One morning in 1979 a six-year-old American boy, Etan Patz, set off on foot to catch the bus to school — the first time he had been allowed to walk to the bus stop by himself. One morning in 1979 a six-year-old American boy, Etan Patz, set off on foot to catch the bus to school — the first time he had been allowed to walk to the bus stop by himself. He did not arrive; he vanished without a trace and was never found. In 2001, still missing, he was declared dead. Etan’s was the case that changed the way America looked for its lost children: his search was