Book Reviews

Our reviews of the latest in literature

Wednesday

Michael Henderson

Fun and games

Sport, say those who write about it, is only the toy department of daily journalism. They don’t really mean it. Some of the finest wordsmiths in what may still be called Fleet Street earn a crust by writing about games, and the people who play them. In some cases — the late Ian Wooldridge comes to mind — they transcend their specialism. People bought the Daily Mail to read Wooldridge, just as they buy it now to read Quentin Letts. In recent years sports journalism has been invaded by outsiders who, to borrow a phrase from Paul Hayward, one of its finest practitioners, display nothing more than ‘strident ignorance’. They

Michael Carlson

Engrossing obsessions

With Blood’s a Rover James Ellroy finally finishes his ‘Underworld USA’ trilogy. With Blood’s a Rover James Ellroy finally finishes his ‘Underworld USA’ trilogy. It’s been eight years since the second volume, The Cold Six Thousand, written in a staccato shorthand prose that seemed always about to veer out of control, marked the apotheosis of Ellroy’s feverish and frenetic style. Something had to give, and at first it was Ellroy himself, who suffered a breakdown and eventually quit Middle America to return to his spiritual home of Los Angeles. Reviewing The Cold Six Thousand back in 2001 I called Ellroy either our greatest obsessive writer or our most obsessive great

John McEwen

Romantic approaches

Spectator readers will know that Andrew Lambirth is a romantic, a force for the literary and poetic approach to art criticism, so he is an admirably empathetic guide to Hoyland: In England the subversive underground Romantic spirit has never run dry, it consistently nourishes art in this country and erupts forth in strange and unexpected ways. The late work of John Hoyland is one such unpredictable manifestation. Mel Gooding’s standard monograph covers Hoyland’s career to 2006, but such is the artist’s productivity that, despite serious heart surgery last year, many of the excellent colour plates — the majority in the case of the 46 full-page illustrations — are of new

Martin Vander Weyer Martin Vander Weyer

A bland villain

I’ve always thought of fraud as a relatively attractive form of crime — not, of course, in the sense that I daydream of committing it, but in the sense that it involves intelligence, imagination and nerve, rather than violence and damage. I’ve always thought of fraud as a relatively attractive form of crime — not, of course, in the sense that I daydream of committing it, but in the sense that it involves intelligence, imagination and nerve, rather than violence and damage. Leaving aside the matter of moral conscience, a really smart fraudster has to combine the confidence of an actor with the sleight of hand of a magician and

Wednesday

Sam Leith Sam Leith

Impossible to dislike

In 1968, when he was still a student at Oxford, Gyles Brandreth was interviewed in the Sun. The headline was a quote from him: ‘I’d like to be a sort of Danny Kaye and then Home Secretary.’ It’s about bang on. He achieved the first, rather than the second, and the fact that it never occurred to him that he couldn’t do both is what’s great about him. He’s a very clever fellow and a colossal show-off. He is all over Isis, and the Oxford Union and the Oxford University Dramatic Society within weeks of starting university, not to mention selling fabricated diary stories about himself and arranging to be

George Trefgarne

Even oilmen are human

Until the credit crunch sent bankers to the naughty step of capitalism, the spot was occupied by oilmen. The consequence is that an exciting tale of human endeavour — how the abundant resources of the earth have been harnessed to power an era of unimagined prosperity — is often obscured by hostile forces and, it has to be said, spectacular blunders by oilmen themselves. However, it is, if you think about it, remarkable that in the 150 years since it all began when one Colonel Drake first struck oil in Pennsylvania, a global market — designed by no one individual or authority — has grown up which keeps the energy

Tim Congdon

Rural romanticism

The bibliography to Zac Goldsmith’s The Constant Economy includes The Trap by his father, Jimmy Goldsmith. The bibliography to Zac Goldsmith’s The Constant Economy includes The Trap by his father, Jimmy Goldsmith. When it was published in 1993, The Trap caused a bit of a stir because it challenged the consensus that free trade and globalisation were good for mankind. But it also contained a deeper theme, that the world had become falsely enamoured of the commercialisation of science and technology. Goldsmith père protested not just that economic orthodoxy was wrong, but that society had become too materialistic and complex, too far from nature. Since the early 1990s these anxieties

James Walton

The good old daze

I don’t imagine that Hail! Hail! Rock ’n’ Roll was a very hard sell to its publishers. I don’t imagine that Hail! Hail! Rock ’n’ Roll was a very hard sell to its publishers. John Harris has been writing about music for nearly 20 years, has an acclaimed book about Britpop to his name and is established enough in the wider media world to appear on Newsnight Review. Now, he’s had the bright idea of providing a kind of Schott’s Miscellany of mostly old pop, linked by a genial Stuart Maconie-style prose, and with a heavy dollop of Nick Hornby-style fandom mixed in. Surely, the result is bound to find

Robert Carver

Waltzing with your aunt

‘It’s not what’s here — it’s what’s not here’ is the reason given by a voluntary exile in the Alaskan wilderness to the author’s question. ‘It’s not what’s here — it’s what’s not here’ is the reason given by a voluntary exile in the Alaskan wilderness to the author’s question. ‘What keeps you here?’ Space, lack of people, freedom, and personal indepen- dence compensate some for the cold, isolation and loneliness. Starting in Chukotka, in easternmost Siberia, Sara Wheeler moves via Alaska to the Canadian far north, Greenland, the islands of Svalbad north of Norway, Lapland and eventually Solovki Island in the White Sea, home to an Orthodox monastery converted

Interconnect

What lies beneath

Franz Kafka’s Poseidon Franz Kafka’s Poseidon sat at his desk doing the accounts. The administration of all the waters gave him endless work. He could have had assistants, as many as he wanted — and he did have very many — but since he took his job seriously, he would in the end go over all the figures and calculations himself, and so his assistants were of little help to him. It cannot be said that he enjoyed his work; he did it only because it had been assigned to him. But he did it, nonetheless, and with a kind of regularity and constancy which the CEO of any organisation

Bevis Hillier

In the best possible taste

In 1968, aged 28, I wrote the first English book on art deco of the 1920s and 30s. Some people who had lived through that entre deux guerres period — in particular, the interior decorator Martin Battersby, who was girding his scrawny loins to write about it but was pipped at the post — resented my poaching on what they felt was their preserve. Just over 40 years on, I suppose I could feel the same way about this book on the 1970s by young art historians; but I don’t. They have given me insights into that fabled decade which escaped me as it swanned and swaggered by. When I

John De-Falbe

Far from idyllic

We’re Levantines … hold your head up high and say, ‘Yes, I am. What of it? Byzantine and Ottoman…’ We’re Levantines … hold your head up high and say, ‘Yes, I am. What of it? Byzantine and Ottoman…’ These are the words of Lev- ent effendi, a dignified out-of-work teacher, a ‘Turk’ who turns out to have been born to a Greek family in Smyrna in 1922, rescued and raised by Muslim foster parents. ‘Why are you filling his head with this nonsense? This is dangerous talk for a child,’ Kakmi’s mother observes with uncharacteristic restraint. The boy’s primary school teacher, a ‘tall-as-a-poplar woman’ sent from the mainland, tells him,

Gilbert Adair

The usual detectives

That very title prompted in me a little Proustian epiphany. I was abruptly transported back to the mid-Fifties when, a swotty little creep, I would stow away my completed homework, switch on what we called the wireless and tune in to the Third Programme. For readers too young to have known that august institution, a typical evening’s edification might consist of, precisely, an illustrated lecture on detective fiction (although not, of course, by P. D. James — Jacques Barzun, perhaps, or Ronald Knox), sandwiched between a performance of Christopher Fry’s The Dark is Light Enough and a concert of Schütz motets. And nothing changed when I opened the book. There

Saturday

Aidan Hartley

Wild Life | 24 October 2009

Kuala Lumpur I dropped into Malaysia armed with F. Spencer Chapman’s anti-Japanese guerrilla war memoir The Jungle is Neutral and took his words to heart. ‘It is the attitude of mind that determines whether you go under or survive. There is nothing good or bad, but thinking makes it so.’ Chapman survived the jungle’s ‘green hell’ — of blackwater fever, leeches, beriberi, sores, the Nips and a starvation diet of tapioca and rat (which he says is better than chicken) — for more than three years. I lasted less than three weeks. It was my first time in Malaysia, but I knew I had been here before, because it looks

Wednesday

Philip Hensher

Voices of change

Not every writer would begin a history of the 1950s with a vignette in which the young Keith Waterhouse treads on Princess Margaret by mistake. But David Kynaston is an unusual historian, rewardingly imbued with a sense of fun and convinced of the importance of the freakish; he is enamoured of the single incident and the obscure observer. Family Britain is as vivacious and alluring as Sabrina, the Ted’s pin-up, ‘symbol of opulent sex’, real name Norma Sykes, who pops up on page 608 between Peter Maxwell Davies and Sylvia Plath. I suppose she may still be alive. This is the second volume in a projected series, Tales of a

Jonathan Mirsky

Unamazing insights

Four years ago, we learn from this book’s jack- et, Malcolm Glad- well ‘was named one of Time’s 100 Most Influential People’. Four years ago, we learn from this book’s jacket, Malcolm Gladwell ‘was named one of Time’s 100 Most Influential People’. As Gladwell himself might ask, ‘Is what Time says really significant? And what is significant?’ Gladwell is significant, all right. Not only is he a staff writer on the New Yorker but he wrote the bestsellers Blink and The Tipping Point that made him millions and — here is more significance — put him number one on the New York Times’ bestseller lists. What is Gladwell’s secret? Like

Saul David

Model of resilience

At a time when the British Army is going through something of a crisis — plucked from the frying pan of Iraq only to be plunged into the fire of Afghanistan, with inadequate equipment, a lack of clear objectives, mounting casualties and dwindling public support — it might not appear to be the best moment to publish a history of the Second Service’s achievements since the days of Cromwell.  At a time when the British Army is going through something of a crisis — plucked from the frying pan of Iraq only to be plunged into the fire of Afghanistan, with inadequate equipment, a lack of clear object- ives, mounting

Tim Rice

Mum, dad and the music

Bob Geldof is quoted on the cover of Gary Kemp’s autobiography with untypical succinctness: ‘Great bloke, great band, great book’. Bob Geldof is quoted on the cover of Gary Kemp’s autobiography with untypical succinct- ness: ‘Great bloke, great band, great book’. And Sir Bob is spot on with his assessment of the memoirs of Gary Kemp, leader of the popular Eighties combo Spandau Ballet, who are threatening to do it all over again, but in a more stately manner, a quarter of a century later. This is a fine, beautifully written book, primarily describing the antics of the New Romantics, the peacock performers and their audiences whose music dominated the

Anne Somerset

A conflict of wills

It might seem odd that Eric Ives, the acclaimed biographer of Anne Boleyn, should turn his attention to another executed Tudor queen, Lady Jane Grey. As he points out, in the past six years alone, seven biographical studies of Lady Jane have appeared, and while this could be said to demonstrate the perennial fascination exerted by Jane’s short life and grim fate, the question inevitably arises as to whether even a scholar of Ives’s standing will be able to add much to what has been written. Yet it soon emerges that Ives is not primarily concerned with Lady Jane’s personal tragedy. Instead he focusses on the events that led to

Jane Ridley

From Madrid with love

In June 1943 the film star Leslie Howard was mysteriously killed when his plane was shot down by the Luftwaffe on a return flight from Spain. This was an unprovoked attack on a commercial airliner, and there seemed to be no motive for it. British intelligence circulated rumours that the Germans had hoped to kill Churchill, whom they mistakenly thought was travelling on the plane. In fact, it now seems that the Germans’ target was Leslie Howard himself. He was returning from a celebrity tour of Spain, following the success of Gone with the Wind, in which he starred as Ashley Wilkes. Howard had been sent to Spain as part