Book Reviews

Our reviews of the latest in literature

Wednesday

Bevis Hillier

In the best possible taste

In 1968, aged 28, I wrote the first English book on art deco of the 1920s and 30s. Some people who had lived through that entre deux guerres period — in particular, the interior decorator Martin Battersby, who was girding his scrawny loins to write about it but was pipped at the post — resented my poaching on what they felt was their preserve. Just over 40 years on, I suppose I could feel the same way about this book on the 1970s by young art historians; but I don’t. They have given me insights into that fabled decade which escaped me as it swanned and swaggered by. When I

John De-Falbe

Far from idyllic

We’re Levantines … hold your head up high and say, ‘Yes, I am. What of it? Byzantine and Ottoman…’ We’re Levantines … hold your head up high and say, ‘Yes, I am. What of it? Byzantine and Ottoman…’ These are the words of Lev- ent effendi, a dignified out-of-work teacher, a ‘Turk’ who turns out to have been born to a Greek family in Smyrna in 1922, rescued and raised by Muslim foster parents. ‘Why are you filling his head with this nonsense? This is dangerous talk for a child,’ Kakmi’s mother observes with uncharacteristic restraint. The boy’s primary school teacher, a ‘tall-as-a-poplar woman’ sent from the mainland, tells him,

Gilbert Adair

The usual detectives

That very title prompted in me a little Proustian epiphany. I was abruptly transported back to the mid-Fifties when, a swotty little creep, I would stow away my completed homework, switch on what we called the wireless and tune in to the Third Programme. For readers too young to have known that august institution, a typical evening’s edification might consist of, precisely, an illustrated lecture on detective fiction (although not, of course, by P. D. James — Jacques Barzun, perhaps, or Ronald Knox), sandwiched between a performance of Christopher Fry’s The Dark is Light Enough and a concert of Schütz motets. And nothing changed when I opened the book. There

Saturday

Aidan Hartley

Wild Life | 24 October 2009

Kuala Lumpur I dropped into Malaysia armed with F. Spencer Chapman’s anti-Japanese guerrilla war memoir The Jungle is Neutral and took his words to heart. ‘It is the attitude of mind that determines whether you go under or survive. There is nothing good or bad, but thinking makes it so.’ Chapman survived the jungle’s ‘green hell’ — of blackwater fever, leeches, beriberi, sores, the Nips and a starvation diet of tapioca and rat (which he says is better than chicken) — for more than three years. I lasted less than three weeks. It was my first time in Malaysia, but I knew I had been here before, because it looks

Wednesday

Philip Hensher

Voices of change

Not every writer would begin a history of the 1950s with a vignette in which the young Keith Waterhouse treads on Princess Margaret by mistake. But David Kynaston is an unusual historian, rewardingly imbued with a sense of fun and convinced of the importance of the freakish; he is enamoured of the single incident and the obscure observer. Family Britain is as vivacious and alluring as Sabrina, the Ted’s pin-up, ‘symbol of opulent sex’, real name Norma Sykes, who pops up on page 608 between Peter Maxwell Davies and Sylvia Plath. I suppose she may still be alive. This is the second volume in a projected series, Tales of a

Jonathan Mirsky

Unamazing insights

Four years ago, we learn from this book’s jack- et, Malcolm Glad- well ‘was named one of Time’s 100 Most Influential People’. Four years ago, we learn from this book’s jacket, Malcolm Gladwell ‘was named one of Time’s 100 Most Influential People’. As Gladwell himself might ask, ‘Is what Time says really significant? And what is significant?’ Gladwell is significant, all right. Not only is he a staff writer on the New Yorker but he wrote the bestsellers Blink and The Tipping Point that made him millions and — here is more significance — put him number one on the New York Times’ bestseller lists. What is Gladwell’s secret? Like

Saul David

Model of resilience

At a time when the British Army is going through something of a crisis — plucked from the frying pan of Iraq only to be plunged into the fire of Afghanistan, with inadequate equipment, a lack of clear objectives, mounting casualties and dwindling public support — it might not appear to be the best moment to publish a history of the Second Service’s achievements since the days of Cromwell.  At a time when the British Army is going through something of a crisis — plucked from the frying pan of Iraq only to be plunged into the fire of Afghanistan, with inadequate equipment, a lack of clear object- ives, mounting

Tim Rice

Mum, dad and the music

Bob Geldof is quoted on the cover of Gary Kemp’s autobiography with untypical succinctness: ‘Great bloke, great band, great book’. Bob Geldof is quoted on the cover of Gary Kemp’s autobiography with untypical succinct- ness: ‘Great bloke, great band, great book’. And Sir Bob is spot on with his assessment of the memoirs of Gary Kemp, leader of the popular Eighties combo Spandau Ballet, who are threatening to do it all over again, but in a more stately manner, a quarter of a century later. This is a fine, beautifully written book, primarily describing the antics of the New Romantics, the peacock performers and their audiences whose music dominated the

Anne Somerset

A conflict of wills

It might seem odd that Eric Ives, the acclaimed biographer of Anne Boleyn, should turn his attention to another executed Tudor queen, Lady Jane Grey. As he points out, in the past six years alone, seven biographical studies of Lady Jane have appeared, and while this could be said to demonstrate the perennial fascination exerted by Jane’s short life and grim fate, the question inevitably arises as to whether even a scholar of Ives’s standing will be able to add much to what has been written. Yet it soon emerges that Ives is not primarily concerned with Lady Jane’s personal tragedy. Instead he focusses on the events that led to

Jane Ridley

From Madrid with love

In June 1943 the film star Leslie Howard was mysteriously killed when his plane was shot down by the Luftwaffe on a return flight from Spain. This was an unprovoked attack on a commercial airliner, and there seemed to be no motive for it. British intelligence circulated rumours that the Germans had hoped to kill Churchill, whom they mistakenly thought was travelling on the plane. In fact, it now seems that the Germans’ target was Leslie Howard himself. He was returning from a celebrity tour of Spain, following the success of Gone with the Wind, in which he starred as Ashley Wilkes. Howard had been sent to Spain as part

John Preston

‘I never drink . . . wine’

Although almost every country in the world has some vampire element in its folklore, it still comes as a surprise to learn that Wales was once home to something called a Vampire Chair which bit anyone who sat in it. The Bulgarian vampire, however, is much easier to recognise, being possessed of only one nostril and given to emitting sparks at night. But if you should ever find yourself nostril to nostril with a vampire, there’s a lot to be said for hoping it hails from Germany. As this handbook rather touchingly informs us, the German vampire clutches one of its thumbs while lying in its coffin. It can also

Philip Ziegler

Changed utterly

Some years ago Juliet Nicolson wrote an evocative and enjoyable study of the summer of 1911. She was far too intelligent to be taken in by the vision of unruffled and sunlit splendour propagated by those who wallow in nostalgia, but the picture that emerged was still one of self-confidence, complacency and a conviction that, for better or worse, nothing much was likely to change in the state of Britain. This earlier book is worth revisiting before reading The Great Silence: it helps one comprehend the effect on the national psyche of the cataclysmic horrors which afflicted Europe during and after the first world war. This book is about grief

D J-Taylor

Rural flotsam

Notwithstanding’s suite of inter- linked stories draws on Louis de Bernière’s memories of the Surrey village (somewhere near Godalming, you infer) where he lived as a boy. Notwithstanding’s suite of inter- linked stories draws on Louis de Bernière’s memories of the Surrey village (somewhere near Godalming, you infer) where he lived as a boy. Having read the first piece, ‘Archie and the Birds’, about a cheery forty-something bachelor living with his mother who communicates with her by way of a walkie-talkie, and grimly despatched the third, ‘Archie and the Woman’, in which our man marries a fellow dog-walker, I was about to write the whole thing off as an exercise

Gary Dexter

Surprising literary ventures | 21 October 2009

Love Letters of a Japanese begins: ‘These letters are real. Love Letters of a Japanese begins: ‘These letters are real. And like all real things they have a quality which no artificial counterpart can attain.’ They were pseudonymously published by Marie Stopes, the birth control reformer, under the editorship of ‘G. N. Mortlake’, and document a love affair between ‘Mertyl Meredith’ and ‘Kenrio Watanabe’. ‘G. N. Mortlake’ was an invention; Marie herself was ‘Mertyl’; and a married Japanese botanist, Kenjiro Fujii, was the model for ‘Kenrio’. Marie had had a disastrous love affair with him, and Love Letters of a Japanese, in edited form, are their billets-doux. Both Marie and

Saturday

James Delingpole James Delingpole

You Know It Makes Sense | 17 October 2009

The Kindly Ones — Les Bienveillantes if you read it in French, which I didn’t — is probably the most brilliant piece of trash fiction ever written. I dedicated most of the summer to Jonathan Littell’s much-praised, internationally bestselling blockbuster and loved almost every minute of it. But it’s definitely not as great as Le Figaro thinks: ‘A monument of contemporary literature.’ Nor Le Monde: ‘A staggering triumph.’ Nor yet Anita Brookner who claimed, in The Spectator no less, that it is not only ‘diabolically (and I use the word advisedly) clever’ but also a ‘tour de force’ which ‘outclasses all other fictions [this year] and will continue to do

Friday

Alex Massie Alex Massie

Barack Obama the Writer

Robert Draper, chronicler of the Last Days of Bush, has another very interesting piece in GQ this month, this time looking at Barack Obama the writer and how the President’s writing shapes and informs his style. Andrew Sullivan rightly highlights the part that deals with the famous “race speech” in Philadelphia last year, but I was struck by a couple of other passages that help, I think, explain Obama’s enigmatic, still-up-for-grabs Presidency. Draper’s thess is that Obama is the first writer to occupy the White House since Teddy Roosevelt. There’s something to that and if you think that something has nothing to do with how aspiring-writers journalists view the President

Wednesday

Allan Mallinson

A starring role for the Tsar

In reviewing Robert Harvey’s The War of Wars: The Epic Struggle Between Britain and France, 1793-1815 in these pages three years ago, I asked the question, ‘Who, in the end, defeated Napoleon Bonaparte?’; or rather, I repeated the question that Harvey himself posed at the end of his comprehensive account of the revolutionary and Napoleonic wars. In reviewing Robert Harvey’s The War of Wars: The Epic Struggle Between Britain and France, 1793-1815 in these pages three years ago, I asked the question, ‘Who, in the end, defeated Napoleon Bonaparte?’; or rather, I repeated the question that Harvey himself posed at the end of his comprehensive account of the revolutionary and

Lloyd Evans Lloyd Evans

The one that got away

Michael Palin is the meekest, mildest and nicest of the Pythons. The latest chunk of his diaries traces his attempt during the 1980s to break away from his wacky colleagues and forge a film-making career in his own right. The title, Halfway to Hollywood, reflects his modest, circumspect nature. We first meet the millionaire filmstar living a monkish existence in Camden in 1980. He occupies an ordinary townhouse. His three children attend state schools. And he drives a Mini, albeit with a sun-roof. To concentrate on screen-writing he turns down $180,000 to appear in a Hollywood movie (you should multiply by about six to get today’s values) and a week

Byron Rogers

But then the snow turned to rain

My daughter when small came home from school one night singing these extraordinary lines: ‘Fortune, my foe, why dost thou frown on me/ And will thy favours never lighter be?’ My daughter when small came home from school one night singing these extraordinary lines: ‘Fortune, my foe, why dost thou frown on me/ And will thy favours never lighter be?’ Five hundred years on, this Tudor ballad, said to have been played at hangings, provides the theme, and the structure, of Seasonal Suicide Notes. Only, this being the 21st century after all, it is bawled, not from a cart to Tyburn but from a converted convent in Bromyard, being Roger

Andrew Taylor

New departures

For a crime writer, success comes with its dark side. As Conan Doyle learned to his cost, your readers often become obsessively attached to your series hero, while you yourself find him or her increasingly tiresome — and limiting. Ian Rankin’s well-deserved success with the genre has largely derived from his Inspector Rebus novels set in Edinburgh. When he brought the series to an apparent end with Exit Music in 2007, his readers were curious to know what lay ahead. Last year’s Doors Open, a relatively lightweight caper novel set in Edinburgh, was no more than an expanded version of a previously published short story and clearly a way of