Book Reviews

Our reviews of the latest in literature

Saturday

Michael Beloff

Wit and wisdom | 14 March 2009

Judicial biography is out of fashion: Lord Chancellors apart, the lives of the bewigged great and good are confined within the narrow boundaries of the Dictionary of National Biography. Judicial autobiography is too often driven more by the self-esteem of the authors than the intrinsic interest of the subject. Anthony Lentin convincingly establishes his subject’s claim to resurrection. Born John Andrew Hamilton and of Mancunian middle-class origins, the future Viscount profited from an education at two great forcing houses of talent, Manchester Grammar School and Balliol. Called to the Bar by the Inner Temple, he was no instant success either in London or on the Northern Circuit. For many years

Craig Brown

Member of the In and Out

Most MPs who start writing diaries do so in order to prove to themselves how central they are to the political process. But by the time the diaries come to be published, they tend to prove the opposite. The effect is either comic or tragic, depending upon one’s point of view.     Who wrote this, for example? ‘I will have a crack at the leadership as soon as I can, partly because I am in touch with real people, partly because I can offer some leadership.’ The answer? Edwina Currie. It comes in her diary entry of 7 October 1988, when she was a parliamentary under-secretary. ‘I look at rivals

Andrew McKie

The wide blue yonder

Toby Litt begins the titles of his books with consecutive letters of the alphabet and takes delight in shifting style and genre. He has now reached J, and science fiction. There has been a flurry recently of ‘literary’ writers trying their hands at SF. For the most part, the complaint raised against these efforts is that they may be better written than most of science fiction, but they aren’t much cop as science fiction. Anyway, science fiction need not be badly written: fans are fond of quoting Sturgeon’s Law (after the science fiction writer Theodore Sturgeon) — ‘Ninety per cent of SF is crud, but then 90 per cent of

Allan Massie

Sympathies and empathy

The composer James MacMillan, in a letter published in the Scottish Catholic Observer, expressed regret, but not surprise, that he had never in his youth been pointed in the direction of Robert Burns’s ‘wonderful “Lament of Mary Queen of Scots” ’, which he has recently set to music. The composer James MacMillan, in a letter published in the Scottish Catholic Observer, expressed regret, but not surprise, that he had never in his youth been pointed in the direction of Robert Burns’s ‘wonderful “Lament of Mary Queen of Scots” ’, which he has recently set to music. The consensus that, in his opinion, ‘tries to dismiss Burns’ royalist and Jacobite sympathies

Thursday

Alex Massie Alex Massie

The First Quiet Drink of the Evening

Further to this post on Dublin pubs, my father reminded me of the great, wistful moment in The Long Goodbye when Terry Lennox tells Marlowe: “I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat

Monday

Martin Bright

The History of the Hain-Brown Ideological Split

Every now and again I find myself reaching for Robert Peston’s 2005 book, Brown’s Britain. As we are now living in Brown’s Britain (perhaps we have been for the past 11 or so years) it is a very useful work of reference. We all know by now that Peston was always there first. The book is particularly enlightening when Peston looks at Brown’s early ideological battles within the party.  On page 157 of the paperback edition Peston looks at the what he calls a symbolic “punch-up” with the centre-left Tribune group. In essence this is the group that is most likely to seize control of the Labour Party when Brown

Saturday

Peter Hoskin

Introducing the new Spectator Book Club

Peter Hoskin celebrates The Spectator’s rich literary tradition and welcomes bibliophiles across the world to a new online home The Spectator offices at 22 Old Queen Street are a bibliophile’s paradise. Books are, quite simply, everywhere: in bookcases; on top of filing cabinets; on the floor; and in the recesses where fireplaces should be. The piles grow daily, as publishers send books by the dozen to our literary editor, Mark Amory, and his deputy, Clare Asquith. Until at some point — usually when we fear a terrible literary avalanche — there’s A Great Clear Out, and the process starts all over again. Of course, the books aren’t there for show.

Patrick Marnham

Not for the faint-hearted

‘You might be wondering how I end- ed up in the lace business . . . ’, so the hero of The Kindly Ones, a doctor of law and former SS officer, introduces himself to readers of his fictional memoirs. Dr Max Aue, an ingenious Nazi of Franco-German descent, has survived the war and assumed a false identity in order to escape ‘the rope or Siberia’. As Berlin falls to the Red Army he slips out of the city and makes his way to Paris disguised as a returning French STO, an enlisted worker. But the war has reduced him to ‘an empty shell, left with nothing but bitterness and

Sebastian Smee

The invisible man

Bleak, bleak, bleak. Anita Brookner’s new novel, Stran- gers, is unlikely to inspire resolutions to self-improvement or even cathartic tears. But its main character, a retired bank manager called Paul Sturgis, is a brilliant and affecting creation by a writer whose empathy runs deep, and whose pitch is perfect. Sturgis, 72 years old, is in good health and financially well off. His trouble — and it is deep — is of another kind. He lives in a well-kept but dark and depressing flat in London. He has no children — only a distant female relative who lives on the other side of town and for whom he has no particular

Clementine Cecil

Red Star Over Russia

Winston Churchill’s cousin, the sculptor Clare Sheridan, gazes up at her bust of Trotsky, made during a trip to Moscow in 1920. Her subjects were leading Bolsheviks including Felix Dzerzhinsky, the founder of the KGB, Lenin and Trotsky. While she worked, she asked Lenin, via a translator, if Churchill was the most hated man in Russia. ‘He is our greatest enemy because all the forces of capitalism are behind him,’ he replied. Sheridan’s mother wrote to her on her return: ‘I forgive you, darling, as I would even if you had committed a murder,’ but Churchill never spoke to his cousin again. Sheridan left England for New York, where her

Raymond Carr

Heroes and villains

This book falls into two distinct parts. The first is the author’s account of his own life until he left Oxford in disgrace. John Joll- iffe, the son of Lord Hylton, passed his childhood and youth at Mells, in Somerset, the home of the Asquith family, and at neighbouring Ammerdown, the seat of the Hyltons. Children in large houses were shoved upstairs to the nursery. In his father’s world, Jolliffe writes, the gap between generations ‘was deep in a way that would be unthinkable today, where parents and children live at such close quarters from the start’. This may have been a sea-change in the mores of the upper class,

Colin Amery

Architect of his own misfortune

Tom Coraghessan Boyle, in some 20 books, has energetically demon- strated his enthusiasm for turning the bio- graphies of figures from early 20th-century American life into quasi-historical fiction. After writing the story of the sex-obsessed researcher Dr Alfred Kinsey and the rare tale of the inventor of the cornflake, Will Keith Kellogg and his health farm, perhaps it was inevitable that the roaring private life of the architect Frank Lloyd Wright would be a natural sequel. The Women is certainly not a novel about architecture, although the narrator of the story, Tadashi Sato, is a young Japanese architectural student who is drawn to the studio/commune run by Wright at Taliesin

Saturday

Philip Hensher

More gossip with less art?

To say that this first volume of Samuel Beckett’s collected letters is a puzzle and a disappointment is to suggest that one might have had specific expectations of it. Where did this cryptic and poetic writer come from? What did so very affectless an author sound like when he was talking in his own voice to his intimates? And, considering the remote relationship most of his writing bears to the world, how did he look at it? Added to this specific anticipation is the knowledge that Beckett, in tthe Thirties, had an exceptionally interesting life. He was an intimate of the Joyce household, trusted by all members of it. He

Anita Brookner

Pure, but never simple

Here at last is a novel informed by exceptional intelligence. The blurb states that the author, Simon Mawer, was born in England, but it seems likely that his ancestry was Czech, since he is acquainted with the language and the customs of pre-war Czechoslovakia and has learned of its travails during the German and Russian occupations. And it is clear from his narrative that the country was both sophisticated and cultivated in its manifestations, influenced perhaps by its position at the heart of Europe and subject to both the best and the worst of its fashions. This alone would mark it as unusual: the clarity with which it is written

William Brett

Loved and lost

Iain Sinclair is as dark as London scribes come. Engaged in a lifelong literary project, he records his own psychic and physical travels around the city, identifying what he calls ‘disappear- ances’ — people, buildings, spaces that no longer exist, but that haunt the present. While Peter Ackroyd is in thrall to London, revelling in its labyrinthine past and bounding enthusiastically over its landscape, Sinclair instead seems tortured by the place, lost in an infinity of connections and coincidences, and made paranoid by the ghosts that he unearths. Nowhere, it seems, is this paranoia more intense than in Hackney, his home borough for the last 40 years. This book is

Linda Kelly

From palace to cowshed

Madame de la Tour du Pin’s Journal d’une Femme de Cinquante Ans, with its vivid descriptions of her experiences during the French Revolution and the Napoleonic Empire, is one of the most enthralling memoirs of the age: a hard act, one would think, for a biographer to follow. Caroline Moorehead succeeds in doing so triumphantly in a rich and satisfying book which not only adds to our appreciation of her story but brings the whole tumultuous period and its characters to life. Born in 1770 into the highest reaches of the French nobility, Lucie-Henriette Dillon spent a lonely and unhappy childhood, brought up by a tyrannical grandmother after her mother’s

Rupert Christiansen

A monumental achievement

Like virtually everyone middle-aged and middle-class in this country, I am a beneficiary of the cult of Civilisation — Kenneth Clark’s ‘personal view’, stretching in 13 episodes from the Vikings to Van Gogh, which was broadcast on BBC2 in 1969 and on BBC1 two years later, as well as appearing as a sumptuously illustrated, best-selling book. Like virtually everyone middle-aged and middle-class in this country, I am a beneficiary of the cult of Civilisation — Kenneth Clark’s ‘personal view’, stretching in 13 episodes from the Vikings to Van Gogh, which was broadcast on BBC2 in 1969 and on BBC1 two years later, as well as appearing as a sumptuously illustrated,

Wednesday

Alex Massie Alex Massie

James Wood’s Post-War Library

Via Terry Teachout, the Elegant Variation republishes a list of books written between 1945 and 1985 that James Wood recommends you read. What’s notable is not so much the list itself as the extent to which it contradicts the view that Wood takes a particularly docrtinaire view of fiction. True, he may be most famous for his critique of “hysterical-realism” but there’s more to him than that and, as the list makes clear, there are some novelists after Flaubert and James that he likes. Wood’s detractors  – of whom there are many – might be surprised to find Pynchon, Vonnegut, Rushdie et al on the list. For that matter, I’m

Saturday

Paul Johnson

And Another Thing | 21 February 2009

During the Arctic weather I re-read that finest of winter pastorals, ‘Snowbound’ by John Greenleaf Whittier (1807-92). It gripped me, as it always does, by its combination of intense realism about the present and its imaginative sympathy for the past. Whittier describes heavy snow sealing off a household in the early 19th century, about the time Wordsworth first moved to Rydal Mount. He uses the situation to bring back to life the faces and characters of all his family and friends, now dead, who once sat around the blazing log fire in the snowbound wooden house. It is a powerful work, by no means short — around 770 lines —

Wednesday

Ferdinand Mount

How different from us?

The Ends of Life: Roads to Human Fulfilment in Early Modern England, by Keith Thomas The English past is not what it was, for professional historians anyway. The rest of us still talk about the Tudors and the Stuarts, about Renaissance and Reformation and the Augustan Age. But within the academy all these dynasties and eras are now bundled up into what is called the Early Modern period. The inhabitants of this huge stretch of time can only be made sense of, it seems, if we think of them as a rough, awkward prelude to Us. It is startling how rapidly Early Mod has flattened the competition, and flattened our