Book Reviews

Our reviews of the latest in literature

Poule de luxe

‘Pauline was as beautiful as it was possible to be’, the Austrian statesman Metternich once observed. ‘Pauline was as beautiful as it was possible to be’, the Austrian statesman Metternich once observed. ‘She was in love with herself alone, and her sole occupation was pleasure’. Metternich was not quite fair. Pauline, as sculpted in Canova’s famous statue of the barely clad reclining princess, was indeed extremely beautiful. But along with her undisputed love of herself, she was also devoted to her brother Napoleon, delighting in his victories, and fretting over his defeats. She went with him into exile on Elba, sought to join him on Saint Helena, and campaigned frantically

Strength in numbers | 3 June 2009

Here’s a tricky question for your next pub quiz. What do the following people have in common? Here’s a tricky question for your next pub quiz. What do the following people have in common? The protagonist of Christopher Nolan’s film Memento, Scott Bakula’s character in Star Trek: Enterprise and Steve Wozniak, one of the co-founders of Apple Computers? Answer: they have all suffered, at one time or another, from anterograde amnesia, an unusual form of memory loss which can follow a traumatic brain injury. To their number may now be added the central character of Yoko Ogawa’s new novel, a professor of advanced mathematics whose memory ‘stopped’ in 1975 when

Quite contrary

Eleven years after Jean Rhys’s death in 1979, Carole Angier published a monumental biography, a model of its kind, with 70 pages of notes and seven of bibliography. Lilian Pizzichini’s ‘portrait’ of Rhys is a book of a wholly different kind. The best way to describe it is that it bears the same relationship to Angier’s work as Beryl Bainbridge’s novel According to Queeney to Boswell’s Life of Samuel Johnson. Both Pizzichini’s and Bainbridge’s books rely for their potent fascination not on extensive research but, to a remarkable degree, on empathy and imagination. Pizzichini shows herself at her best when she writes of the 17 years spent by Rhys in

Straitened circumstances

There are more lesbians in fiction than you could shake a stick at, of course. Graham Robb, writing about late 19th-century fict- ional lesbians, has observed that the fin-de-siècle lesbian was educated at a boarding school or a convent. She was frighteningly self-possessed, wore dark colours, read novels, smoked cigars, injected morphine or inhaled ether, suffered from excess hair except on the head, spent too much time in conditions suitable for tropical plants, and was prone to horrible diseases. She was such a common figure that historians are able to make generalisations about the usual descriptors. Still, when Sarah Waters started her delectable career with three novels about lesbians in

Capital crimes

Rennie Airth’s first John Madden mystery, River of Darkness, published ten years ago, was set in 1921. His second, The Blood-Dimmed Tide, was set in 1932 and this, the third and reputedly the last, takes place in the closing months of 1944. The series spans, therefore, more than 20 years. In the first, Inspector Madden of Scotland Yard solves some gruesome country-house murders. He is a man still much troubled by his experience in the trenches, but during the case he meets and falls in love with Dr Helen Blackwell, who becomes his wife. By the time of the second book he has retired from the police, and has a

Familiar and unfamiliar

Gillian Tindall has had the ingenious and sympathetic idea of combining biography and topography in an overview of British visitors to Paris from 1814 to the present day — an enterprise of formidable research and enviable lightness of touch. Selecting various members of her own extended family, she traces their temporary residence in Paris and the reasons for their displacement. In so doing, she maps the various quartiers, along with deft reconstructions of the forces that drove these characters to seek enlightenment or advancement in the city that promised them both. Their time in Paris was instrumental in the achievement of careers that brought both wealth and satisfaction of a

Success at last

A couple of years ago, Adam Zamoyski — who is, yes, a friend — told me that he was revising The Polish Way, a history of Poland he had published back in 1987. At first he had thought merely to shorten a few over-long paragraphs and check facts. But as he re-read his work, he decided it needed more dramatic changes. In 1987, Poland had not been a sovereign country: Polish domestic and foreign politics were still directly controlled by the Soviet Union, which itself was still very much in existence. That meant, he explained, that he was writing the history of a country which had failed. His task, as

Depression and dictators

For Professor Overy Britain between the two world wars was, as his title proclaims, a morbid age. There was a general view among intellectuals that civilisation — itself a creation of intellectuals — was in crisis, and society in danger of collapse. There was an ‘institutionalised pessimism’ that became ‘an overriding intellectual fashion’ that spread throughout society as a whole. Overy examines the elements of this general crisis: the death of capitalism, the decline of rationalism, the possibility of annihilation in a world war, the advance of political extremism in the form of Oswald Mosley’s fascists and communist revolutionaries. While most of Europe was governed by an assortment of authoritarian

Alex Massie

The Dangers of Brilliance

Given the nature of his own work there was something delightfully, shall we say, mischievous about David Brooks’ review of Simon Schama’s (absurdly titled) The American Future: A History. The into was especially good: Some people collect stamps, and others butterflies, but I have a thing for Brilliant Books. The Brilliant Book is the sort of book written by a big thinker who comes to capture the American spirit while armed only with his own brilliance. He usually comes during an election year so he can observe the spectacle of the campaign and peer into the nation’s exposed soul. He visits the stationsof officially prescribed American exotica. He will enjoya

Darkness at dawn

D-Day: The Battle for Normandy, by Anthony Beevor The Forgotten Voices of D-Day, by Roderick Bailey, in association with the Imperial War Museum Sixty-five years ago the largest seaborne assault force in history was put ashore on the beaches of Normandy. Memory of the day is now confined to a diminishing number of great-grandfathers, but the sheer scale of the landing, its drama, and its pivotal importance in the war guarantee its enduring grip on people’s imaginations. Two generations have grown up with their own versions of what happened. The first learned about it, either directly from participants or through a cascade of memoirs from ageing commanders who portrayed it

You can go home again

Stranger to History: A Son’s Journey Through Islamic Lands, by Aatish Taseer The publication of Stranger to History is likely to be turned into a fiery political event in Pakistan. The author is the half-Indian son of Salman Taseer, the glamorous and controversial Governor of the Punjab and one of Pakistan’s most important newspaper proprietors.The work is a heartfelt cry for attention from the old mogul, and with its talk of alcohol and of illicit liaisons it provides plenty of fuel for the Governor’s enemies. But it will be a pity if Aatish’s first book — part family memoir, part an account of his journey through the heart of the

Moving swiftly on

Chaplin’s Girl, by Miranda Seymour Love Child, by Allegra Huston Virginia Cherrill was an exceptionally pretty young woman when she turned up in Los Angeles in the late 1920s, looking for fun and adventure. Here Charlie Chap- lin spotted her, in the front row at a boxing match, and invited her to star in his forthcoming movie, City Lights. Still considered among his greatest films, it gave Cherrill the chance to captivate audiences with her portrayal of the blind flower girl. It wasn’t long before she met the young Cary Grant, who followed her to England, begging her to marry him. ‘Endearing, gorgeous and elegant, the Grants made a magnificent

Lost and found | 20 May 2009

‘Book for book,’ John Banville is quoted as saying on the cover of this one, ‘[Graham] Swift is surely one of England’s finest novelists.’ This may be Irish for ‘but of course he hasn’t written all that much’, though eight novels and a collection of short stories isn’t bad going and it would be odd if work so ruminative and elegiac came out more quickly. If Swift seems costive by comparison with some of his contemporaries, in fact, it’s not that he has produced fewer novels but that he does very little other writing: hardly any journalism or criticism, no polemics. In this as in other respects he resembles his

Ways of escape

At a time in modern, secular Britain when religion is seen not as the saviour but as the cause of many of society’s problems, we have become skilled not so much at turning the other cheek as turning a blind eye. Thank God (maybe literally) for writers like Michael Arditti, whose invigorating novels dare to shake us out of our complacency. Arditti returns to the ecclesiastical territory he charted in previous works, in particular the award-winning novel Easter. As well as examining Christianity as seen through the lives of several members of the Church of England, Arditti’s nuanced cartography now extends to Islam, Judaism, and, briefly, Buddhism and Paganism —

Sounding a different note

What is inspiration and how does it work? Music and literature have a long record of mutual nourishment: Beethoven inspired Tolstoy who inspired Janacek, and each Kreutzer Sonata was different; miraculously rich and strange. Jeanette Winterson, inspired by Glyndebourne’s 75th anniversary, has asked some distinguished fellow-writers each to produce a work inspired by an opera. The result is Midsummer Nights — 19 short stories, plus Posy Simmonds illustrating the Glyndebourne experience with wry affection. Edited by Winterson, who also provides a story of passion and Puccini, the book offers a glimpse of how the inspirational and the creative juices interact. The brief was clear: ‘Choose an opera, and from its

Behind the wit

Home to Roost and Other Peckings by Deborah Devonshire, edited by Charlotte Mosley As Alan Bennett says in his introduction, ‘Deborah Devonshire is not someone to whom one can say “Joking apart . . .” Jok- ing never is apart: with her it’s of the essence, even at the most serious and indeed saddest moments.’ And so, of course, this book is full of jokes: the Chatsworth gamekeeper who used to refer to the Duke of Portland as ‘His Other Grace’; the agent at Bolton Abbey who every year used to put a final item on their bill for the unconscionably expensive August grouse shooting: ‘Mousetraps — 9d’; the ladies

At sixes and fives

A passage in that most insidiously influential of histories, 1066 And All That, tries to explain who the Scots, Irish and Picts really were: The Scots (originally Irish, but by now Scotch) were at this time inhabiting Ireland, having driven the Irish (Picts) out of Scotland; while the Picts (originally Scots) were now Irish (living in brackets) and vice versa. Gordon Thomas’s account of MI5 and MI6 could lead to similar confusion. He correctly says they were founded in 1909 with Vernon Kell heading MI5, responsible for counter-espionage, and Mansfield Cumming MI6, responsible for espionage. Subsequently he says they both ‘emerged’ two years later out of the 1911 Official Secrets

The benefit of the doubt

With her brilliant new book, Hilary Mantel has not just written a rich, absorbingly readable historical novel; she has made a significant shift in the way any of her readers interested in English history will henceforward think about Thomas Cromwell, the man at the heart of what the historian Geoffrey Elton, who first put him on the map 50 years ago, called the Tudor revolution in government. To activate what she has called her ‘informed imagination’, she has read widely and deeply in the literature of the period and then let all her extraordinary talent as a writer of fiction rip. Her book is as true to the facts as