Book Reviews

Our reviews of the latest in literature

Friday

Gary Dexter

Surprising literary ventures | 12 December 2008

James Patterson likes rape, torture, mutilation and death. So do his readers. Who doesn’t? It has been estimated that Patterson’s lifetime sales of thrillers have now topped 150 million, and that one in every 15 hardbacks bought in the world in 2007 was a Patterson novel, which means that we must all like rape, torture, mutilation and death, perhaps with extra rape on the side, and then some child rape, child torture, child mutilation and child death, then some more rape, more death and more rape, and finally some rape, death, rape and death. But it isn’t all rape and death: James Patterson also wrote the book at hand, SantaKid.

Selina Hastings

Friends and enemies

The Pursuit of Laughter: Essays, Articles and Reviews, by Diana Mitford, edited by Deborah Devonshire Nancy was the only one of the six Mitford sisters who, throughout her life, bitterly complained of the fact that she had not been sent to school. Her younger sister, Diana, on the other hand, dreaded the very thought of school, and when they were children it was one of Nancy’s favourite teases to pretend she had overheard their parents planning to pack Diana off. ‘I was talking about you to Muv and Farve,’ Nancy would begin, a wicked gleam in her eye. ‘We were saying how good it would be for you to go

Anita Brookner

A grand overview

This unassuming book is in fact a valuable addition to the Proust bibliography. The author, himself a painter, has had the apparently simple idea of extracting all references to works of art in the great novel in an attempt to demonstrate Proust’s knowledge of, and reliance on, paintings to give resonance to his characters and to present them to his readers in an indelible physical form. The exercise proves both seductive and enlightening. Proust was a translator of Ruskin, yet he rejected Ruskin’s message that art has a moral foundation. For Proust art was a self-explanatory and self-sustaining exercise which excluded praise and condemnation. His work is filled with characters

William Leith

Beyond the wildest dreams

Collections of Nothing, by William Davies King At the start of this memoir, the author, a college professor in California, describes a scene from his divorce. He walks into the garage of his former family house, and looks at his possessions, which his wife has put there. He sees the stuff you’d expect — the shirts, the tools, the ‘bags of shoes’. And he also sees his collection. This is the subject of this book, and it’s pretty weird, because this guy is a ‘collector of nothing’. He’s an obsessive collector of junk. And when he looks at this junk, in this garage, he has a moment of clarity. He

Pj Kavanagh

A balancing act

If anyone should wince at a hint of aggression in the title of this book — and some Catholics might — let him or her remember or read Charles Kingsley’s Westward Ho! (1855), in which every Spaniard is a sallow coward, every priest a slinking prevaricator and every Protestant Englishman an apple-cheeked exemplar of straightforwardness and truth. At least, that is how I remember it, with astonishment; a high point in 300 years of anti-Catholic propaganda. Tit for tat is never a good idea, but balance is, and this collection of 16 portrait-biographies by different hands can be thought of as a contribution towards fairness. We meet some interesting men

Simon Heffer

Unkind hearts and Jews

Israel Rank, by Roy Horniman It was the second or third time that I ever saw Kind Hearts and Coronets that I noticed in the opening credits: ‘Based on the novel Israel Rank, by Roy Horniman’. It prompted a ten-year search for the book in secondhand shops that finished in a dusty corner of a Suffolk village more than a quarter-of-a-century ago. I am not given to hyperventilation, but on that occasion came perilously close to it. I have never seen another copy, and a search on the internet returns only pleas by would-be readers to find them a copy. Mine is the 1948 reprint, with an introduction by Hugh

Fionn Morgan

Beautiful, dandified detachment

‘Christmas without Ian,’ wrote my mother, ‘was a bleak affair. He was always there at Christmas.’ My mother was Ann Fleming and Ian the man the centennial of whose birth we have so markedly been celebrating this past year. There was another man who was always there at Christmas: Peter Quennell, of whom Paul Johnson wrote in these pages, ‘There has never been another bruiser like Behan or writing toff like Quennell’ (‘And Another Thing’, 6 September 2008). Peter Quennell, or P. Q. as his fourth wife, Spider, called him, was not born a toff. (Spider was christened Sonia, but on account of the length of her elegant limbs Peter

Justin Cartwright

Christmas Short Story

When you lie down with dogs, you get up with fleas by Justin Cartwright In 1920, at the age of 38, Franz Kafka wrote a letter to his father, Hermann, accusing him of ruining his life by his dictatorial and insensitive behaviour, which left him lacking in self-belief and unable to escape his father’s dominance. Kafka never sent this letter to his father, but instead showed it to friends. Justin Cartwright imagines the father’s reply. My dear Franz, Your letter to me, which I read with disgust and sorrow, is the product of your oversensitive imagination and your weak constitution, both of which are, alas, faults with which you were

Wednesday

Byron Rogers

Boldly for restoration

Wales, by Simon Jenkins Last year, having been to Scotland, I called on the mother of an old friend. Mrs Molly Jones of Carmarthen, I found to my great surprise, was very enthusiastic about Scotland. It was so unlike Wales, she said. All those castles . . . ‘But Mrs Jones, there are castles at six-mile intervals from where you’re sitting.’ ‘Yes, but they’re so . . . well . . . dilapidated.’ The first delightful thing about this gazeteer to what his publishers describe as ‘the best Welsh buildings’ is that Simon Jenkins is quietly, and sometimes not quietly at all, of her persuasion. This is Jenkins on Caernarfon,

William Leith

Dark and creepy

The Folio Book of Historical Mysteries, edited by Ian Pindar This book, which is a collection of 20 essays on events and people from history, first seriously caught my attention when I started reading the piece about Shakespeare. Of course, I’d always had the nagging sense, on the fringes of my mind, that some people questioned Shakespeare’s authorship. Eccentrics and attention-seekers, I’d always assumed. And here, I saw that they refer to themselves, rather grandly, as ‘anti-Stratfordians’. So, why do these people think that the man named William Shakespeare, who was born in Stratford-upon-Avon in 1516, and who died there in 1564, did not write the plays and the sonnets,

Andro Linklater

The devil’s work

Timing is all. In 1969 Margaret Atwood’s An Edible Woman was published, and its iconic portrayal of women moulded into objects for male consumption caught the crest of the feminist wave and surfed into the shelves of required reading. Almost four decades on, Payback, her meditation on the nature of debt, appears just as the world is freefalling into an economic trough. Has she given voice to the zeitgeist again? If so, we are entering a world of stern reciprocity — as you sow so shall you reap — in place of the pickpocket exuberance of free-market economics. The debt on Atwood’s mind is always double-headed. One person’s debt is

Hugh Cecil

Memoirs of the Great War

Survivors of a Kind, by Brian Bond In Survivors of a Kind, Brian Bond, one of our most distinguished modern military historians, has written an absorbing and affectionate study of the military memoirs of the first world war, bearing all the authority of a life- time’s work on the British Army. With some of the 20-odd names in this book the reader will be familiar: Siegfried Sassoon’s and Robert Graves’ sworks have stayed in print, and it is fair to say that most British people’s views of the Great War today are largely shaped by Goodbye to All That and, if not by Memoirs of a Fox-Hunting Man or Siegfried’s

Saturday

The Spectator

This battle has just begun

‘I was excited and delighted by it in that first Bombay minute,’ says the narrator in Gregory David Roberts’s great novel Shantaram. ‘I was excited and delighted by it in that first Bombay minute,’ says the narrator in Gregory David Roberts’s great novel Shantaram. ‘I know now that it’s the sweet, sweating smell of hope, which is the opposite of hate.’ It was hope that the terrorists in Mumbai came to attack and, though the appalling bloodshed in that great city is over, the battle to replace hope with hate is still raging, and has not yet been won or lost. Mumbai is no stranger to religious communal violence or

Jason Goodwin

At Home in Turkey

If you can’t afford the airfare you might take this delicious guided tour instead. Exploring some of the best contemporary Turkish houses (or caves), the photographer, Solvi dos Santos, divides her subjects by season, as if to emphasise the perpetual variety of Turkey’s terrain — and the successive civilisations that have held sway there. Berrin Torolsan’s informative text explores the inspiration behind such gems as a classical wooden yali on the Bosphorus; a rustic chalet in the mountains; a tea-planters mansion on the Black Sea; a Cappadocian cave-dwelling, with beautifully hewn piers and arches. We are also given a peek into the lives of some of Turkey’s leading figures, including

Colin Amery

Differences and similarities

West Workroom towards a new sobriety in architecture theory + practice, by Paolo Conrad-Bercah+w office (including contributions from Daniel Sherer, Pierluigi Panza and George Baird) ‘This is not a book….’ These are the opening words of this initially unfathomable paperback volume of architectural ramblings. It has been assembled as an account of the work of a Milan-based architecture practice, West Workroom. The firm designs commercial, residential and institutional buildings, with a special emphasis on functional offices and other workplaces. It was founded by the New York architect, Paolo Conrad-Bercah and since 1999 it has gradually become internationally well known for emphasising, ‘what seems to be gradually vanishing from daily life

Thursday

Wednesday

Michael Cockerell

The view from the middle lane

The Hugo Young Papers: Thirty Years of British Politics — Off the Record, by Hugo Young, edited by Ion Trewin The late Hugo Young was the political columnist of the chattering classes. This book, rather more grandly, describes him as the ‘the Pope of the liberal left’. A lifelong Cath- olic, educated by Ampleforth monks and Balliol dons, in his twice weekly Guardian columns he combined moral authority with shrewd insights into the ways of political man. His mission was to promote liberal democracy and a united Europe. He quotes the left-wing Tony Benn in 1986 ‘chiding me for my centrist views, saying that my position was that of giving

Jonathan Keates

Living the legend

My Judy Garland Life, by Susie Boyt The story of Judy Garland is a magnificent example of the truth that life imitates art. Things would surely have been different had she stuck to being Frances Ethel Gumm of Grand Rapids, Minnesota. As it was, the trajectory of her life under the stage name she assumed at the age of 12, as part of a travelling vaudeville act, had a blighted glamour more appropriate to verismo opera than to the cinema screen. Complete with an abusive father and drunken mother, five marriages, abortion and attempted suicide, the entire scenario transcended the wildest aspirations of melodrama. The irony of a drug overdose

Rupert Christiansen

But where is Colonel Blimp?

The Triumph of Music, by Tim Blanning This is an often entertaining, occasionally illuminating, but cur- iously unsatisfying book, written by a distinguished historian of early modern Europe. Subtitled ‘Composers, Musicians and their Audiences, 1700 to the Present’, it purports to be a study of the ways that the art of music has increasingly come to dominate western culture. ‘Triumph’ is not, I think, the mot juste here; something more like ‘increasing ubiquity’ would be more apt. Professor Blanning is never dull or dryasdust: he writes with lucidity, grace and wry wit, and he clearly has a passionate enthusiasm for music. But given the vast scope of his subject, it