Book Reviews

Our reviews of the latest in literature

Wednesday

William Leith

Dark and creepy

The Folio Book of Historical Mysteries, edited by Ian Pindar This book, which is a collection of 20 essays on events and people from history, first seriously caught my attention when I started reading the piece about Shakespeare. Of course, I’d always had the nagging sense, on the fringes of my mind, that some people questioned Shakespeare’s authorship. Eccentrics and attention-seekers, I’d always assumed. And here, I saw that they refer to themselves, rather grandly, as ‘anti-Stratfordians’. So, why do these people think that the man named William Shakespeare, who was born in Stratford-upon-Avon in 1516, and who died there in 1564, did not write the plays and the sonnets,

Andro Linklater

The devil’s work

Timing is all. In 1969 Margaret Atwood’s An Edible Woman was published, and its iconic portrayal of women moulded into objects for male consumption caught the crest of the feminist wave and surfed into the shelves of required reading. Almost four decades on, Payback, her meditation on the nature of debt, appears just as the world is freefalling into an economic trough. Has she given voice to the zeitgeist again? If so, we are entering a world of stern reciprocity — as you sow so shall you reap — in place of the pickpocket exuberance of free-market economics. The debt on Atwood’s mind is always double-headed. One person’s debt is

Hugh Cecil

Memoirs of the Great War

Survivors of a Kind, by Brian Bond In Survivors of a Kind, Brian Bond, one of our most distinguished modern military historians, has written an absorbing and affectionate study of the military memoirs of the first world war, bearing all the authority of a life- time’s work on the British Army. With some of the 20-odd names in this book the reader will be familiar: Siegfried Sassoon’s and Robert Graves’ sworks have stayed in print, and it is fair to say that most British people’s views of the Great War today are largely shaped by Goodbye to All That and, if not by Memoirs of a Fox-Hunting Man or Siegfried’s

Saturday

The Spectator

This battle has just begun

‘I was excited and delighted by it in that first Bombay minute,’ says the narrator in Gregory David Roberts’s great novel Shantaram. ‘I was excited and delighted by it in that first Bombay minute,’ says the narrator in Gregory David Roberts’s great novel Shantaram. ‘I know now that it’s the sweet, sweating smell of hope, which is the opposite of hate.’ It was hope that the terrorists in Mumbai came to attack and, though the appalling bloodshed in that great city is over, the battle to replace hope with hate is still raging, and has not yet been won or lost. Mumbai is no stranger to religious communal violence or

Jason Goodwin

At Home in Turkey

If you can’t afford the airfare you might take this delicious guided tour instead. Exploring some of the best contemporary Turkish houses (or caves), the photographer, Solvi dos Santos, divides her subjects by season, as if to emphasise the perpetual variety of Turkey’s terrain — and the successive civilisations that have held sway there. Berrin Torolsan’s informative text explores the inspiration behind such gems as a classical wooden yali on the Bosphorus; a rustic chalet in the mountains; a tea-planters mansion on the Black Sea; a Cappadocian cave-dwelling, with beautifully hewn piers and arches. We are also given a peek into the lives of some of Turkey’s leading figures, including

Colin Amery

Differences and similarities

West Workroom towards a new sobriety in architecture theory + practice, by Paolo Conrad-Bercah+w office (including contributions from Daniel Sherer, Pierluigi Panza and George Baird) ‘This is not a book….’ These are the opening words of this initially unfathomable paperback volume of architectural ramblings. It has been assembled as an account of the work of a Milan-based architecture practice, West Workroom. The firm designs commercial, residential and institutional buildings, with a special emphasis on functional offices and other workplaces. It was founded by the New York architect, Paolo Conrad-Bercah and since 1999 it has gradually become internationally well known for emphasising, ‘what seems to be gradually vanishing from daily life

Thursday

Wednesday

Michael Cockerell

The view from the middle lane

The Hugo Young Papers: Thirty Years of British Politics — Off the Record, by Hugo Young, edited by Ion Trewin The late Hugo Young was the political columnist of the chattering classes. This book, rather more grandly, describes him as the ‘the Pope of the liberal left’. A lifelong Cath- olic, educated by Ampleforth monks and Balliol dons, in his twice weekly Guardian columns he combined moral authority with shrewd insights into the ways of political man. His mission was to promote liberal democracy and a united Europe. He quotes the left-wing Tony Benn in 1986 ‘chiding me for my centrist views, saying that my position was that of giving

Jonathan Keates

Living the legend

My Judy Garland Life, by Susie Boyt The story of Judy Garland is a magnificent example of the truth that life imitates art. Things would surely have been different had she stuck to being Frances Ethel Gumm of Grand Rapids, Minnesota. As it was, the trajectory of her life under the stage name she assumed at the age of 12, as part of a travelling vaudeville act, had a blighted glamour more appropriate to verismo opera than to the cinema screen. Complete with an abusive father and drunken mother, five marriages, abortion and attempted suicide, the entire scenario transcended the wildest aspirations of melodrama. The irony of a drug overdose

Rupert Christiansen

But where is Colonel Blimp?

The Triumph of Music, by Tim Blanning This is an often entertaining, occasionally illuminating, but cur- iously unsatisfying book, written by a distinguished historian of early modern Europe. Subtitled ‘Composers, Musicians and their Audiences, 1700 to the Present’, it purports to be a study of the ways that the art of music has increasingly come to dominate western culture. ‘Triumph’ is not, I think, the mot juste here; something more like ‘increasing ubiquity’ would be more apt. Professor Blanning is never dull or dryasdust: he writes with lucidity, grace and wry wit, and he clearly has a passionate enthusiasm for music. But given the vast scope of his subject, it

Elfreda Pownall

Saints and sinners

With the publication of their Christmas cookery books, Nigella, Jamie, Delia and Gordon all have a brand image, or a halo, to polish. Nigella’s brand is greedy, kitsch, sexy and celebratory, and in Nigella Christmas (Chatto & Windus, £25) she has found her perfect subject. The book is fun, but it is also very thorough: it is the best book on cooking Christmas lunch, ever. Her ‘superjuicy’ turkey is exactly that, but there are good recipes for five other Christmas lunches and good innovative ‘trimmings’. Sadly the book is hideous to look at. Jamie Oliver’s halo shines more brightly than ever with the publication of Jamie’s Ministry of Food (Michael

Barry Unsworth

A rose-tinted view of the bay

The Ancient Shore, by Shirley Hazzard and Francis Steegmuller Variety of impression, diversity of atmosphere and mood, incongruities of many kinds, these are only to be expected in books on travel, and perhaps particularly in one concerning Naples. But The Ancient Shore is by two hands, and there is a radical difference in style and method that makes it virtually impossible to discuss the book as if it were of a piece. There are the sections written by Shirley Hazzard, which form much the larger part, meditative, nostalgic, static, full of literary and historical reference; and there is the single episode narrated by her husband, Francis Steegmuller, in which he

Patrick Skene-Catling

Humph swings

Last Chorus: An Autobiographical Medley, by Humphrey Lyttleton ‘Old Etonian ex-Guards Officer jazz trumpeter’. That was the way tabloid gossip columnists used to describe Humphrey Lyttelton (1921-2008) in the early years of his fame. Not long after he was released from the Grenadiers at the end of the second world war, he hyphenated his identity to become Old Etonian ex-Guards Officer jazz trumpeter-bandleader-broadcaster-cartoonist-calligrapher-birdwatcher-gastronome-paterfamilias. In this amiable hotch-potch of a book, he reviews every aspect of his multifaceted life with bonhomous éclat. Now, as ever, Humph swings. His father, C. W. Lyttelton, was a beloved Eton housemaster and teacher of English literature, perhaps generally best known for his published correspondence with

Gary Dexter

Surprising literary ventures | 3 December 2008

‘It looks to me like Boris the Blue Whale,’ said Rightwayup Bird. ‘I have read all about him. He is one hundred feet long and weighs 150 tons.’ Astonishing prescience for 1981? Willy and the Killer Kipper — like the first of Jeffrey Archer’s two ‘Willy’ books, Willy Visits the Square World (1980) — is full of delights. A submarine has stalled on the ocean floor, and Willy and his teddy bear, Randolph, set out on the back of the Rightwayup Bird to save it from Konrad the Killer Kipper. On the way they are helped by Sybil the Seagull, an aspiring author and correspondent for the Bird Times who

Saturday

Theodore Dalrymple

Global warning | 29 November 2008

Because of the economic crisis, I was waiting at the bus station: £2.80 for a bus instead of £28 for a taxi home. I had 50 minutes to wait and was reading a book by Richard Yates. I was wondering why the literature of so optimistic a country as America was so deeply pessimistic (awareness of death is the answer, of the bust after the boom of life from which there is no upturn), when a lady in her eighties sat down beside me. She was tired. Her cheeks puffed and her lips pouted as one with chronic obstructive pulmonary disease. ‘I prefer to take taxis,’ she said to me,

Allan Massie

How to write a wrong

‘When young lips have drunk deep of the bitter waters of Hate, Suspicion and Despair, all the Love in the world will not wholly take away that knowledge.’ ‘When young lips have drunk deep of the bitter waters of Hate, Suspicion and Despair, all the Love in the world will not wholly take away that knowledge.’ This is the conclusion of Kipling’s harrowing story of child abuse, ‘Baa-Baa Black Sheep’, and it reminds us that the Victorians knew all that one can know, or need to know, about the misery that may be inflicted on children. They also knew where best to deploy that knowledge: in a fictional narrative. No

Wednesday

Philip Hensher

Stars bright and dim

Much great American writing is regional in a way that British or French writing never has been. Most of the best writing coming from the States inhabits a place which apparently feels no pressure from the great metropolitan centres — Annie Proulx on the Texas panhandle, Cormac McCarthy on the Mexican border territories, Jane Smiley on the Midwest. Even when a great city is in the vicinity, as in Anne Tyler’s or David Simon’s very different considerations of Baltimore, we feel a specific regional flavour emerging; John Cheever’s fictions of elegant suburban life have a distinctly north-eastern flavour which evidently still weighs heavily with writers of that particular region. It

David Crane

The spice of danger

From the Front Line: Family Letters & Diaries, 1900 to the Falklands & Afghanistan, by Hew Pike ‘Every man thinks meanly of himself for not having been a soldier,’ reckoned Dr Johnson, and certainly every soldier thinks the less of himself for not having seen action. For four generations the extended Pike family has written movingly of the miseries of partings and of the ‘noise, violence indignity and death’ of the battlefield, but give any of them the choice between a cushy command at Catterick and the Normandy beaches and it is no contest. ‘Peace,’ writes the wonderful Reggie Tompson, back in England recovering from a bad wound on 24

Roger Lewis

Gruff Justice

James Robertson Justice: What’s the Bleeding Time? by James Hogg, with Robert Sellers and Howard Watson ‘You — what’s the bleeding time?’ Sir Lancelot Spratt, consultant surgeon at St Swithin’s, barks at Dirk Bogarde’s trainee doctor. ‘Ten past ten, sir’ is the sheepish answer. Another cherishable exchange in the long-running series of medical comedies sees a patient complaining about shrapnel up the — ‘rectum?’ offers Spratt. ‘Well,’ comes the plaintive reply, ‘it didn’t do ’em any good.’ Gruff and domineering, Spratt and the actor who indelibly played him were interchangeable — except that James Robertson Justice wasn’t really an actor. He didn’t have any showbiz friends or interests, and drew

Raymond Carr

Chalk and cheese

The British in France: Visitors and Residents since the Revolution, by Peter Thorold Peter Thorold has not written an orthodox history of French and British political cultural and social relations. He sees them through the eyes of Britons who settled in France or tourists who trod its soil for a brief holiday. French aristocrats who had seen their friends’ and relations’ heads stuck on poles and paraded through the streets of Paris sped to Britain. When the Terror passed, they returned to France and showed little propensity to settle in or revisit a cold climate. Most Britons came to stay. Why did they come? Some were successful economic migrants. Charles