Book Reviews

Our reviews of the latest in literature

Alex Massie

Tales of the Booker

The Guardian, bless it, has a super feature asking a judge from each of the Booker Prize’s 40(!) years to recall their experiences as a member of the panel. It’s a terrific read and well worth your time. (One surprise, to me at least, the amount of love shown JG Farrell’s The Siege of Krishnapur). Anyway, some highlights to encourage you to read the whole thing: 1969, Frank Kermode:Getting through the 60 was made easier by our not daring to take on Dame Rebecca [West]. “Miss Murdoch writes good and bad novels in alternate years,” she said. “This is a bad year.” Muriel Spark: “clever but too playful.” And out

Alex Massie

Great Unfinished Novels

Via Clive Davis, the Washington Post offers a list of five great unfinished novels. As you might expect The Man Without Qualities and The Last Tycoon are among those who make the cut. One that’s missing: the novel that was shaping up to be Robert Louis Stevenson’s masterpiece, Weir of Hermiston. What other novels should be on the list? Second question: which unfinished novels were better left that way? That is to say, which, had they been completed, would be the most painful or distressing to read? One that leaps to mind: Raymond Chandler’s Poodle Springs. Chandler had only written four chapters when he died and technically, Robert Parker finished

A far cry from Paradise

This strange novel is described as a ghost story, although it reads like a nervous breakdown in which both writer and reader are embedded. So constricted is the narrative that the central figure, Jim Smith, delivers no opinion of his own, although his past life appears to have been full of incident: extensive travel, a business career, apparently successful, in London, a certain level of worldly experience which has vanished, leaving him without attachments or points of reference. He has, for no apparent reason, bought a house, Paradise Farm, in an unspecified part of the country, and proposes to live there without company, devoting himself to farming his land and

Life and Letters | 6 September 2008

‘The result is a minor masterpiece, so good that one can even forgive the author’s affected forays into demotic English (‘don’t’ and ‘wouldn’t’ for ‘did not’ and ‘would not’, etc.).’ Setting aside the writer’s mistake — ‘don’t’ being the contraction of “do not” rather than ‘did not’ — this sentence brought me up sharp , all the more so because it was the conclusion of Jonathan Sumption’s review in this magazine of John Guy’s book about Thomas and Margaret More; and Jonathan Sumption is not only a Spectator reviewer, but also one of our finest historians. ‘Affected forays into demotic English’ is a splendid magisterial put-down. Poor Mr Guy! Poor

And Another Thing | 6 September 2008

When I first experienced literary life in London it was 1955 and poor Anthony Eden was prime minister. His delightful wife Clarissa was to be seen at literary parties and, amazingly enough, still is. The great panjandrums were Cyril Connolly and Raymond Mortimer on the Sunday Times, Philip Toynbee and Harold Nicolson on the Observer, and V.S. Pritchett and John Raymond on the New Statesman. John was my friend, and he opened all the doors to me, doors which were firmly shut in many eager faces. Every morning, in the Commercial on the King’s Road, or the French Pub in Dean Street, he and Maurice Richardson would pool their knowledge

The iceman cometh

True North: Travels in Arctic Europe, by Gavin Francis This is an old-fashioned travel book of the linear variety. Roaming the northern fringes of Europe with a tent and a nose for a story, Scottish doctor Gavin Francis looks beyond the icebergs and the stunted willow seeking ‘a back country of the imagination where myth and reality intertwined’. Beginning at Unst, the northernmost of the Shetlands, Francis sets out to ‘follow a route that Europeans had taken towards what they once saw as the very limits of the world’. Heading by ferry to the Faroes, he continues to Iceland, Greenland, the snowy hinterland of Scandinavian Finnmark, and finally Svalbard, the

Rekindling life in a dead frame

Why re-write Frankenstein or The Modern Prometheus as The Casebook of Victor Frankenstein? The rewriting of well-known novels generally depends upon two techniques. The first involves recasting the narrator: telling the tale from a different point of view, usually that of the historical underdog (women, servants, woodworm, etc). The second is to update the novel, reinventing it in modern dress. Peter Ackroyd’s narrator, however, is exactly the same as Mary Shelley’s (give or take the now forgot framing device): Victor Frankenstein’s narration is interspersed, just as in the original, with long interludes from a monster endowed with preternatural Romantic magniloquence, though Ackroyd’s monster learned his English from Robinson Crusoe rather

The châtelaine and the wanderer

Towards the end of this hugely enjoyable volume of letters, selected and edited by the skilful Charlotte Mosley from half a century of correspondence (1954-2007), Deborah Devonshire, by now in her mid-eighties, writes a postcard from Chatsworth to her friend, Patrick Leigh Fermor, aged 90, who lives in Greece. ‘Did you know’, she asks ‘That the Vikings called Constantinople Micklegarth? Well, they did. Much love, Debo.’ To which he replies: ‘I did know, and have written fruity paragraphs about it in that book called Mani. It’s really Micklegard’, going on to explain that grath, gard and grad all denote towns and that Harold Hardraada, the Viking hero, had visited the

Brave new writing

Fifty years ago, Alan Sillitoe’s first novel, Saturday Night and Sunday Morning, changed the history of English fiction. Richard Bradford explains how. Alan Sillitoe is 80 this year and his debut novel Saturday Night and Sunday Morning was published in October 1958, almost exactly half a century ago. The novel evolved from a set of stories written between 1952 and 1958 when he lived in France, Majorca and mainland Spain, but it draws its energy and raw material from his previous experiences in Nottingham: a childhood that would have appalled Orwell and been improved upon by Dickens, followed by semi-skilled work in local factories. It was like nothing written before

The peculiarities of a realist

Fine just the way it is: Wyoming stories by Annie Proulx The realism of Annie Proulx’s fiction is an extraordinary phenomenon. Realism in a novel has never been the same thing as plausibility, and her novels and short stories are full of bizarre and unforeseen events. The violent extremity of a great deal of her narratives sometimes verges on the territory of urban myth rather than anything recognizable as everyday life, and she enjoys characters considerably beyond the ordinary territory of the grotesque. A roll-call of her characters’ names suggests some of the fantastic strangeness of her fictional world: Freda Beautyrooms, LaVon Fronk, Rope Butt, Ruby Loving (a man), Hefran

Worldly and otherworldly

In ‘The Arrest of Oscar Wilde at the Cadogan Hotel’, John Betjeman has Wilde whimper to Robert Ross: ‘So you’ve brought me the latest Yellow Book:/ And Buchan has got in it now:/ Approval of what is approved of/ Is as false as a well-kept vow.’ It is a marvellous scene, but not quite accurate. As a thousand Buchanites will clamour, Wilde was arrested in April 1895 and Buchan’s first story appeared in Aubrey Beardsley’s gorgeous fin-de-siècle magazine only the following January. Meanwhile, just a glance at this illustrated new selection of stories shows that John Buchan was the opposite of conventional. The story in question, ‘A Captain of Salvation’,

Who is selling what to whom?

Powers of Persuasion: The Story of British Advertising by Winston Fletcher The impression you get from reading this book, which covers post-war advertising until the present, is of a chaotic, self-serving, occasionally brilliant, but ultimately shallow business. It is full of accounts of crassness, of overstated promise, of meaningless awards, fly-by-night companies, promotion of the semi-talented and clashing egos. It’s quite comprehensive and at times entertaining, as we hear of the hubris of the ridiculous Saatchis, the naivete of politicians and the endless attempts by ad agencies to carve out a little philosophical niche for themselves, be it the derided USP or the idea of account management. Fletcher also includes

Fraser Nelson

Sweden’s magic, its women – and its fish

Fishing in Utopia: Sweden and the Future that Disappeared by Andrew Brown Sweden holds a powerful allure for British men, which I used to see for myself every Friday in a departure lounge of Heathrow airport. I was part of a group of weekend commuters who met for a beer, en route to see our girlfriends in Stockholm, in Terminal 3. Every so often one of our number would disappear, being swallowed up by this beautiful country for good. There would be no goodbye or explanations. It was taken for granted each one of us, sooner or later, would succumb. But not Andrew Brown. After eight years as a Swede,

Night thoughts in an unhappy home

Man in the Dark by Paul Auster August Brill is a widower whose leg has been smashed by a car. He lies awake at night in the house he shares with his daughter, Miriam, and his granddaughter, Katya, in Vermont. Katya’s boyfriend, Titus, has been murdered, and Miriam ‘has slept alone for the past five years’. It is an unhappy, sleepless household, and Brill tells himself a story to manage the darkness until morning, when he will resume watching old movies with Katya. The story is about a man called Brick, who goes to bed with his wife in New York ‘and when I wake up I’m lying in a

On home ground

Neil Clark on Cyril Hare’s Tragedy at Law, first published in 1942. ‘The best detective story that has appeared for some time and at the end of the year will tundoubtedly stand as one of the class leaders in the English school’ was how The Spectator described Cyril Hare’s Tragedy at Law, when it first appeared in 1942. ‘A detective masterpiece’ was the New Statesman’s verdict. Others were even more generous in their praise: the crime writer and critic, Julian Symons, included the book in his survey of ‘best, anywhere, ever’. Tragedy at Law is a detective story like no other. There can’t be any other murder mystery in which

On a wing and a prayer | 27 August 2008

The Balloon Factory by Alexander Frater This is a curiously enjoyable book. Its structure is very odd for it is basically two books bolted together across 100 years: the first is the high drama of the dawn of powered flight in Britain as young men, and some not so young, fall out of the skies; the second is tea time, as Alexander Frater completes a stately trundle, interrupted by his own flying lessons, around the locations, and nearby hotels, where these events took place, but so few remember that they did. The effect is remarkable, for it puts into historical context the story of flight, seven-eighths of the entry about

A new angle on autism

When Roy Richard Grinker’s daughter Isabel was diagnosed with autism in 1994, the condition was considered rare. It was thought to affect three in every 10,000 children. Now, the rate is closer to one in 100. Many see this rise as evidence of a catastrophic epidemic. Grinker, controversially, sees it as a cause for optimism. Grinker is an American anthropologist. Unstrange Minds is both a memoir of life with Isabel and a survey of the way autism is interpreted worldwide. His view is that autism has always existed in every society and that the numbers have probably been fairly constant. We in the West perceive an epidemic because knowledge and

Like father like son

Phillip II of Macedonia by Ian Worthington Alexander the Great, it goes without saying, was a man not much given to modesty. In 334 BC, as he was preparing to embark on his invasion of Asia, his mother, the sinister witch-queen Olympias, whispered in his ear ‘the secret of his birth’, revealing that he was in fact the son of a god, of Zeus himself — and Alexander believed her. Three years later, in Egypt, he travelled hundreds of miles out of his way to consult the desert oracle of Siwah and the priest, it is said, ‘left him in no doubt that he was indeed the son of Zeus’.