Book Reviews

Neil Clark on Cyril Hare’s Tragedy at Law, first published in 1942. ‘The best detective story that has appeared for some time and at the end of the year will tundoubtedly stand as one of the class leaders in the English school’ was how The Spectator described Cyril Hare’s Tragedy at Law, when it first appeared in 1942. ‘A detective masterpiece’ was the New Statesman’s verdict. Others were even more generous in their praise: the crime writer and critic, Julian Symons, included the book in his survey of ‘best, anywhere, ever’. Tragedy at Law is a detective story like no other. There can’t be any other murder mystery in which

The Balloon Factory by Alexander Frater This is a curiously enjoyable book. Its structure is very odd for it is basically two books bolted together across 100 years: the first is the high drama of the dawn of powered flight in Britain as young men, and some not so young, fall out of the skies; the second is tea time, as Alexander Frater completes a stately trundle, interrupted by his own flying lessons, around the locations, and nearby hotels, where these events took place, but so few remember that they did. The effect is remarkable, for it puts into historical context the story of flight, seven-eighths of the entry about

St Petersburg and the British: The City Through the Eyes of British Visitors and Residents by Anthony Cross To early English visitors St Petersburg seemed an ‘abstract’, artificial city with no roots in the past. It was the creation of one man, Peter the Great, determined to replace Moscow as the capital of his empire by a new city on the banks of the Neva ‘where there was nothing to be seen but marsh and water’. By 1774, for Sir Nathaniel Wraxall, the first tourist to publish an account of St Petersburg, a settlement of mean wooden houses in 1703 had been transformed into ‘one of the most magnificent cities

Handel: The Man and His Music by Jonathan Keates Since 1985, when Jonathan Keates first published this exhilarating critical biography of Handel, there have been enormous advances in the study of the composer and his oeuvre — not least the publication of two major volumes by the doyen of Handel scholars Winton Dean — and the establishment of the Handel Institute. Such developments, along with a continuing increase in the public’s appetite for his music and the 250th anniversary of his death next year, more than justify this substantially revised edition of Keates’ book. For the paid-up Handel fan — and those like me who sometimes still need persuading —

So I Have Thought of You: The Letters of Penelope Fitzgerald, edited by Terence Dooley ‘I can’t remember whether you said you liked Barbara Pym,’ Penelope Fitzgerald wrote to an old school friend around 1980, ‘but am sending Quartet in Autumn in case you haven’t got it, otherwise it can go to the Mothers’ Union Xmas sale. I do like her very much, the incidents look so trivial that there’s nothing in them and then you suddenly realise how much she’s said.’ The recommendation is typical in its lighthandedness and could also be mistaken for a fair summary of Fitzgerald’s own fiction at that time. But her work went further