Book Reviews

Our reviews of the latest in literature

The problem with westerners seeking oriental enlightenment

Call it a prejudice if you like. Living in Japan in the 1970s, I had a slight aversion to a particular type of westerner. He – for it was mostly a he – usually lived in Kyoto, sometimes wore a kimono and liked to sit in ancient temples chasing after that presumably blissful moment of enlightenment, awakening, satori, or whatever one wishes to call it. These seekers were less interested in Japan as a society of human beings. They wanted to float in higher spheres. As Christopher Harding explains in The Light of Asia, the Zen adepts, the Buddhist chanters, the rock-garden worshippers, the kimonoed fools (in my no doubt

Have we all become more paranoid since the pandemic?

As anyone who has ever been lucky enough to spend time in a psychiatric hospital knows, you don’t have to be completely mad to be there. A lot of us end up in the care of mental health professionals and jacked up on all sorts of crazy-person meds because something’s just not right: you know it, I know it, the dog in the street knows it. Those people are looking at us funny; those voices just won’t quieten down; it really isn’t safe out on the streets, so it must be better to draw the curtains, triple-lock the door and sit quietly in the dark eating only tinned fruit and

How Liverpool soon outgrew the Beatles

‘If any journalist asks you about the Beatles because you’re from Liverpool, say you hate them and you don’t listen to that old crap.’ Such was the advice that the DJ Roger Eagle, promoter and founder of the legendary (and there really is no other word for it) Merseyside punk club Eric’s, dispensed to a young Ian Broudie in the late 1970s. Little could either have imagined that almost simultaneously John Lennon, over in New York in the Dakota Building, was busy demo-ing ‘Now and Then’. It was a song which would resurface as the final Beatles single and top the charts some 40-odd years later, aided by a form

Life is a far richer, more complicated affair than we imagined

In 1982, the philosopher Karl Popper suggested that ‘science may be described as the art of systematic simplification’. In this mind-stretching book, Philip Ball seems to wish to prove Popper’s statement both wrong and correct. On the one hand, Ball is a clarifier supreme. It is hard to imagine a more concise, coherent, if also challenging, single volume written on the discoveries made in the life sciences over the past 70 years. The author is a former editor of Nature and has been privy to the flow of cutting-edge results coming from the world’s leading research programmes over the past decades. How Life Works has a sense of up-to-the-minute authority.

Flirting in 15th-century Florence

Noel Malcolm, a former political columnist of The Spectator, the historian of English nonsense verse and editor of Thomas Hobbes’s Leviathan, has written a book on an arresting subject. Forbidden Desire in Early Modern Europe gives close and relentless scrutiny to male-male sexual relations in Europe, the Ottoman empire, north Africa and in such dispersed colonies and outposts as New England, Peru, Cape Town and the Dutch East Indies. Malcolm’s interest in the subject began with his find of a cache of documents dating from 1588. These recorded the official investigation of a male couple – a trainee interpreter for Venice’s envoy in Constantinople and the envoy’s barber – who

How The Sopranos changed TV for ever

‘Too many characters, too many plot lines, characters who weren’t very good at their jobs, and their personal lives were a mess.’ Thus the memo to the creatives behind Hill Street Blues. ‘It was like a blueprint for what made every show successful since The Sopranos,’ Kevin Spacey giggles to Peter Biskind. ‘If the NBC executives had had their way, the road from then to now would never have been paved.’ As the quondamlead of one of that road’s biggest stones, House of Cards, Spacey can perhaps be excused his post hoc moment. Still, his big point stands. There was TV before The Sopranos and TV after The Sopranos, and

Refugee lives: The Singularity, by Balsam Karam, reviewed

One Friday evening in a half-ruined, half-rebuilt city, where smart tourists dine out in restaurants next to refugees in makeshift shelters, a woman walks the streets. In torn clothes and slippers ‘worn ragged’, she hands out leaflets. On every piece of paper the same words are written: ‘Has anyone seen my daughter?’ On the same evening, in the same coastal city, which is ‘half obscured by skyscrapers’, another woman walks the streets with a different purpose, seeking to spend time away from her co-workers on a business trip. As she cradles her pregnant stomach, she watches as a female figure climbs over a clifftop railing and jumps, leaving behind a

A redemptive fable: Night Watch, by Jayne Anne Phillips, reviewed

The Appalachians have become fashionable fictional territory. Following Charles Frazier’s Cold Mountain and Barbara Kingsolver’s Prodigal Summer and Demon Copperhead comes Jayne Anne Phillips’s Night Watch. Like Cold Mountain, it is set largely in the aftermath of the American civil war, but, for all its wealth of detail, it is less a historical account than a redemptive fable. As befits a portrait of a society riven by war, the novel unfolds in a series of discrete episodes. Its dominant consciousness and first-person narrator is 12-year-old ConaLee, who lives in a remote hillside cabin with her mother Eliza, infant brothers and sister and violently abusive ‘Papa’. Their nearest neighbour is Dearbhla,

Musings in lockdown: The Vulnerables, by Sigrid Nunez, reviewed

The Vulnerables represents Sigrid Nunez’s foray into pandemic literature, a genre we can only expect to see grow in the coming years. The topic is handled with a level of absurdity, making elements of the story eerily (and sometimes traumatically) recognisable. Nunez’s musings on how writing can represent the strangeness of life are never more poignant than when she reflects on the ‘uncertain spring’ of 2020. You’d think she was inventing it if you hadn’t been there yourself. The question of how to write when life is stranger than fiction is at the centre of the book. ‘More and more, fictional story-telling is coming across as beside the point,’ she

The summer I dwelt in marble halls

The discovery of a cache of long-lost love letters might be an over-familiar inspiration for a memoir, risking a bit of a dusty lane indulgence – a charming, nostalgic featherbed flop into a past romance. But although the events described by this delightful nonagenarian first-time author took place three-quarters of a century ago, there is nothing sepia-flattened about Gill Johnson’s writing. This is a book which shimmers with remarkable recall as the author returns us to the post-war vibrancy of Venice and the dazzling inhabitants who transformed her young life. The youngest of four children, Gill reached adulthood in Blitz-scarred, rationed 1950s London. She shared a depressing, claustrophobic Westminster flat

Sam Leith

Rebecca Boyle: Our Moon

35 min listen

In this week’s Book Club podcast, I’m joined by Rebecca Boyle to talk about her new book Our Moon: A Human History. She tells me how we know that the moon is more than just an inert lump of rock in the sky and how the whole of human life  – and civilisation – may depend on it.

Sam Leith

From The Archives: Hadley Freeman

34 min listen

The Book Club will return next week! In the meantime we are revisiting Sam’s conversation from 2020 with Hadley Freeman whose book House of Glass tells the story of 20th century jewry through the hidden history of her own family. The four Glahs siblings — one of them the writer’s grandmother — grew up in a Polish shtetl just a few miles from what was to become Auschwitz. They fled the postwar pogroms to Paris; and then had to contend with the rise of a new and still more dangerous antisemitism under the Vichy regime. Hadley traced their story through two wars and across continents, and tells Sam how the story reflects both on

Ménage à trois: Day, by Michael Cunningham, reviewed

Set over the course of the same April day, with morning, afternoon and night ascribed to consecutive years, Michael Cunningham’s Day is built around time’s march towards an inevitable ending. This feeling of being caught up in time and trapped by its onward force is shared by the novel’s small cast of characters. A married couple, Isabel and Dan Byrne, along with Isabel’s brother Robbie, are struggling with their floundering careers, ageing bodies and their place in the world. They are also balancing a painful platonic love triangle, with both Dan and Isabel more in love with Robbie than with each other. The claustrophobic domesticity of the novel is amplified

Hanif Kureishi – portrait of the artist as a young man

If any novelist, playwright or screenwriter of the past 40 years could be called ‘a writer of consequence’, to use the literary agent Andrew Wylie’s term, it would be Hanif Kureishi. While not shifting units on the scale of his near contemporaries Ian McEwan, Martin Amis and Salman Rushdie, Kureishi’s cultural influence – through his explorations of race, class and sexuality in novels such as The Buddha of Suburbia and films like My Beautiful Laundrette – is inestimable. In this first major biography, Ruvani Ranasinha tracks Kureishi’s progress from his birth in Bromley in 1954 to a Pakistani father and English mother, through his glittering, always provocative career, to the

Downhill all the way: the decline of the British Empire after 1923

The British Empire, the East African Chronicle wrote in 1921, was a ‘wonderful conglomeration of races and creeds and nations’. It offered ‘the only solution to the great problem of mankind – the problem of brotherhood. If the British Empire fails, then all else fails.’ Stirring words – and not those of some sentimental Colonel Blimp back in London. They were written by the newspaper’s editor, Manilal A. Desai, a young Nairobi-based lawyer and a prominent figure in the large Indian community in Kenya. But, as Matthew Parker observes in One Fine Day, an ambitious account of the empire at the moment of its territorial zenith on 29 September 1923,

Why was the British army so ill-prepared to fight the second world war?

Conflict comes highly recommended. Two former chiefs of the defence staff, Generals David Richards and Nicholas Carter, praise it for identifying key lessons from the past appropriate to the future. A former MoD strategic adviser, Sir Hew Strachan, says it will ‘challenge the professional and enlighten the generalist’. The US marine corps general and former secretary of defense James Mattis, ‘the warrior monk’, says it is ‘a clear-sighted assessment of war’s future’. And the late Henry Kissinger called it ‘an exceptional book, written by two absolute masters of their profession’. Kissinger had been General David Petraeus’s champion since the latter’s fall from grace as head of the CIA following the

She’s leaving home: Breakdown, by Cathy Sweeney, reviewed

The narrator of Cathy Sweeney’s first novel has finally cracked. I say ‘finally’ because there have been signs: drinking alone; disliking her daughter, or at least her type; having an affair with her friend’s son; opening a separate bank account in her maiden name when her mother died. But in the beginning we don’t know any of this. We don’t know what she’s doing, and neither does she. It’s an ordinary Tuesday in November when she leaves her comfortable home in the suburbs of Dublin, which she shares with her husband and their two almost-adult children: ‘I grab my handbag and keys, let the front door shut behind me. I

Milton Friedman – economic visionary or scourge of the world?

The Keynesian economist Nicholas Kaldor called Milton Friedman one of the two most evil men of the 20th century. (Friedman was in distinguished company.) The ‘scourge’ he inflicted on the world was monetarism, a product of what Kaldor called Friedman’s Big Lie – of which more later. Moral judgments aside, how does Friedman rank in the world of 20th-century economists? By common consent, he stands with Friedrich Hayek and John Maynard Keynes at the apex of his profession. All wrestled with the defining problem of their age: the radical economic and political instability of the 1920s and 1930s. Their responses reflected their national situations. Keynes, economically secure and confident in