Book Reviews

Our reviews of the latest in literature

Cargoes of despair

Not long ago, I was invited to lunch at a plantation home in Jamaica. The sound of cocktail-making (a clinking of crushed ice against glass) greeted me at Worthy Park as bow-tied waiters served the guests at a long table draped in linen. The top brass of Jamaica’s sugar industry was there, enjoying the French wine and the chilled soursop juice. The waiters, with their plantation-bred obsequiousness, hurried to whisk flies away from our plates. For nearly three centuries the slave-grown sugar of Worthy Park has satisfied the British craving for tea (that ‘blood-sweetened beverage’, the abolitionist poet Southey called it), as well as for coffee, cakes and other confections.

Once happy havens

Leon Sciaky was born in Salonica in 1893, when the city was still a provincial Ottoman town. His family were grain merchants, Sephardic Jews who had been settled there for 400 years and still spoke Ladino at home. In concise, elegant prose, he describes in this memoir a childhood of Oriental pace and comforts, surrounded by Muslims and Christians, in which Turks, Macedonians, Bulgarians, Serbs and Greeks appeared to live in harmony. Among many beautiful passages about how life once was in the region, there is one of a visit with his grandfather to an outlying village which seems to belong to the Middle Ages, or Eden; at any rate,

Caroline’s back in town

The Sloane is dead — but long live the Sloane. Her mother, Caroline, and father, Henry — the original Hooray — may be in their natural retirement homes in the Shires or Scotland along with the family dog snug by the Aga in the cosy kitchen, but she, we now know, using her native skills, has burst out of her famous 1980s stereotype to adapt to the new order. It’s an amusing conceit, with enough truth for 20-year-olds to have a wry laugh at themselves. Twenty-five years ago, a series of articles written by that grandee of social observation Peter York, in the then vital directory of upper-middle-class social mores

Causes and consequences

Despite its puzzlingly hideous appearance, this is an excellent book. Subtitled ‘Reflections on the History of the Twentieth Century’, it consists of 18 chapters being, with one exception, the texts of lectures given by Professor Howard between 1991 and 2003. It is not easy to craft a good lecture that reads well on the page, or vice versa for that matter; it is a trick that Sir Michael brings off brilliantly. The introductory section gives us a lucid reminder of how the process of Enlightenment that began in the 18th century created freedoms, admittedly, but uncertainties too, uncertainties that created the conditions for a century of conflict. Later sections cover

Big is beautiful | 10 November 2007

It is odd to think that fatness — now known as obesity and apparently a serious problem — was not so long ago a subject for ribald hilarity. The disgraced clown Fatty Arbuckle was once considered funny simply because of his size. The fictional schoolboy Billy Bunter and his sister Bessie were icons of greedy grotesquerie, and real-life overweight girls and boys — rarer than nowadays — had to endure much unkind teasing at school. Hattie Jacques’s schooldays were no exception, and in her career as an actress her avoirdupois, while good for business, limited her choice of roles. She was by no means an unattractive woman; looking at the

James Forsyth

Dignity at all costs

If George W. Bush goes down in history as the most disastrous US president since Herbert Hoover, it will be because of his foreign policy mistakes. Yet the person who tutored candidate Bush on foreign policy, co-ordinated it in his first term and was its public face in his second term is probably the most respected member of the Bush administration both at home and abroad. This is the paradox that Marcus Mabry sets out to explain in Condoleezza Rice: Naked Ambition. Throughout the Bush administration, Rice has been the most effective emissary for the President’s foreign policy because she doesn’t fit the stereotype. Rather than being a shoot-first-ask-questions-later wannabe

Many happy returns

Robert Adam is probably Britain’s most famous architect never to have built a house. This, of course, is an exaggeration, but it is certainly the case that the greater part of Adam’s professional output consisted of remodelling the internal architecture of existing buildings and creating interior decoration for houses already built by previous hands. When it came to the leap from architect’s drawing to finished item, Adam had a greater strike rate in fancy carpets than in country houses. And what carpets they were — invariably designed to mirror the equally elaborate ceilings that hovered many feet above them, part of the wholly integrated schemes of interior decoration pioneered by

A plain book about beauty

When people write about their experiences as drug addicts they often — wittingly or not — write with a degree of competitiveness. There is a tacit understanding that the reader will feel cheated by anything less than a full-blown addiction to class-A drugs. A handful of Solpadeine and two bottles of vodka every day for 20 years just isn’t going to cut it with a publisher. James Frey was well aware of this when he embellished A Million Little Pieces to make it more ‘appealing’, and how right he was: we lapped it up. Readers want the author of a sin-soaked drug memoir to lie, cheat and steal — preferably

‘Almost’ religious joy

Simon Barnes is chief sportswriter for the Times; wearing his other boots he is a fervent eco-warrior, a spell-binding preacher, a missionary. His book is broken into small descriptive sections and each contains a moment, an exaltation at a contact with ‘the wild’. These are perhaps best read in snatches, rather than as a continuum, because their fervour is so intense. By ‘wild’ he means anything that is not ourselves, not human, from gossamer to elephants, and he believes we need this contact precisely in order to be fully human. ‘I divide the whole world into lovers: you are either (a) a lover of nature or (b) a lover of

Murder most serious

Raymond Chandler praised Dashiell Hammett for having given murder back to the sort of people who commit it. Given that he himself followed in Hammett’s footsteps, this was an understandable remark, aimed at what might already have been called the classic English detective novel. ‘Can’t read Christie,’ he told someone who had sent him a questionnaire. This wasn’t quite true. In one letter he analyses, intelligently and judiciously, Christie’s Ten Little Niggers; elsewhere, in an essay, ‘Casual Notes on the Mystery Novel’, he wrote that he was ‘quite unmoved to indignation by The Murder of Roger Ackroyd’s violation of the rule that “the suppression of facts by the narrator …is

Alex Massie

Oneupmanship Tutorial: War and Peace Division

I’ve had occasion to write about Not Reading Books before. As a public service I’ve also mentioned the importance of Oneupmanship. Today’s text, then, is the new and handsome translation of War and Peace. Clearly this is the kind of gift horse no self-respecting Lifeman looks in the mouth. Needless to say it is not necessary to read the translation. Indeed, it is not strictly necessary to even possess a copy of the the book, though it must be admitted that casually leaving the book out on a sideboard or coffee table at home will intimidate any visitor, leaving you One Up and your guest One Down before you’ve so

Are famous writers accident-prone? Some are

I don’t want to know too much about writers. The endless revelations about Sylvia Plath and Ted Hughes have put me off their poetry. Nothing can shake my love of Keats’s Odes but I don’t have any desire to see his full medical records. Nor do I care to learn anything more about Byron’s club foot (though I am fascinated by the fact that the painter John Glover, who founded the Australian school of art, and whose masterpiece ‘Dovedale at Dawn’ I possess, had two club feet). We know quite enough about Shakespeare personally, and I am happy he is still surrounded by mysteries. Of course, if his diaries were

A sensitive bounder

He was a noisy boy from the start. At the age of two, he was taken out for walks in order not to disturb his ailing grandfather and he would march down the main street of Bewdley shouting, ‘Ruddy is coming!’ Or sometimes, ‘An angry Ruddy is coming!’ Despite these precautions, his grandfather died and Kipling’s aunts and uncles believed that Ruddy’s tantrums had hastened and embittered his end. When he left the United Services College at Westward Ho! and returned to India, he quickly gained a reputation in the Punjab Club for boorish and bumptious behaviour. A visiting colonel wanted to thrash him for making disparaging remarks about the

Pioneer of the studied casual

Norah Lindsay had wit, beauty and a bohemian spirit. Diana Cooper described her dressing ‘mostly in tinsel and leopard skins and baroque pearls and emeralds’. At Sutton Courtenay, the house where she lived through the early years of her marriage to Harry Lindsay, she entertained non-stop. Raymond Asquith, Julian and Billy Grenfell, Maurice Baring and Jasper Ridley all flocked to her table from Oxford. ‘Sutton Courtenay, roses, the river and the youth of England splashing in the Thames and Norah, the sublime Norah,’ wrote Chips Channon. She was never out of love, often with several young men at a time. ‘Norah sometimes vexes me,’ wrote her sister Madeline Whitbread. ‘How

The bad boy comes of age

As the biopic comes back into fashion — think Kinsey, think A Beautiful Mind — somebody might consider the life of Roman Polanski as perfect big-screen material. Its component elements are the stuff of box-office dreams. Holocaust survival, dodgy sex, motiveless murder, a liberal sprinkling of celebrity, plenty of photogenic locations — the Oscar-winning script is in the bag. Its star, as Christopher Sandford’s biography suggests, boasts unfathomable reserves of chutzpah, and his recent epiphany at the Venice Film Festival was a reminder of how much life the old dog still has left in him. Polanski’s resilience was tested early, with the dispatch of his Jewish parents to Auschwitz and

Deadened by shock

The Lovely Bones, Alice Sebold’s first novel, sold 2 ½ million copies, so it’s not surprising that Picador are calling the nation’s attention to its successor with posters on the Tube and ‘page-dominating full-colour national press advertising’. I remember finding The Lovely Bones original, even thought-provoking; why, then, did The Almost Moon provoke little more in me than weary irritation? Its essential flaw is contained in its opening sentence: ‘When all is said and done, killing my mother came easily.’ This is eye-catching, and reminds readers of the striking premise of The Lovely Bones — ‘I was fourteen when I was murdered on December 6, 1973.’ The sentence is given

The story behind the story

And so we enter the Christmas books season, a phase in the publishing calendar so terrifying, so utterly without hope, that more sensitive bookbuyers may wish to hide in second-hand bookshops, or under their beds, until it’s all over. But amidst the piles of useless non-books in Borders and Waterstones, probably right at the back where they think we won’t find them, there will be a handful of genuinely good titles. They may not be very serious books, you may not necessarily buy them for yourself, but if you were given them for Christmas you would be more than pleasantly surprised. You might even read them all the way to

People keep appearing

Susan Hill knows exactly how to please. This small, smart, elegantly printed little notepad of a book is a delicious Victorian ghost story, nostalgically and expertly comforting. It opens as smoothly as an M. R. James or Conan Doyle short story, over a good fire in a shadowy room on a winter’s night: The story was told me by my old friend, Theo Parmitter, as we sat in his college rooms one bitterly cold January night. There were still real fires in those days, the coals brought up by a servant in huge brass scuttles. . . . We know this room and we know the professor’s story, too. It