Book Reviews

Our reviews of the latest in literature

Not the place it used to be

Roy Foster’s new book has its origins in the Wiles Lectures delivered at Queen’s University Belfast in May 2004. This is a distinguished lecture series initiated in 1954 by Herbert Butterfield’s Man on his Past with such high points as Alfred Cobban’s The Social Interpretation of the French Revolution (1964) and Eric Hobsbawm’s Nations and Nationalism (1990), but it is fair to say that no previous set of Wiles lectures witnessed the excitement and large audiences attracted by the Carroll Professor of Irish History on his return to his home country. It may be that some of those attending were attracted by the guilty pleasure of seeing Dublin — after

All together now

In my English school our hymns were mostly in Latin which, despite years of instruction, rendered them sufficiently opaque to be appropriate. What few hymns we sang in English seemed rather weepy, which didn’t appeal. Therefore, emerging from that place into a wider England, it was a surprise to discover there was a culture of hymns in good English, some with marvellous tunes, and almost a lingua franca derived from them among those who had dutifully bellowed those tunes and words when young. Nor was this only middle-class — think of the Salvation Army. This little book is a selection of the best of them: 52 hymns, 15 carols, each

Prodigious from the word go

There is a wonderful set of medieval wall tiles from Tring Abbey in the British Museum depicting the legendary infancy of a particularly mutinous and unappealing Jesus. A charitable interpretation of the sequence might suggest that they are the chronicles of a Child Who Did Not Know His Own Strength, but as one wretched little schoolmate or interfering adult after another is struck dead or buried upside down for doing nothing more than annoy the little Infant, the one theological message to emerge from it is a tough and unambiguous Don’t mess with me. It is only on the persuasion of a weary- looking and long-suffering mother that the poor

Falling foul of fashion

J. B. Priestley described the forgotten interwar novelist Dorothy Whipple as the Jane Austen of the 20th century. Posterity has balked at this assessment — as indeed, within Whipple’s lifetime, did both publishers and readers. Although in 1932 her third novel, Greenbanks, topped the bestseller lists in the Observer and the Sunday Times, by the Fifties Whipple had fallen sufficiently foul of fashion to take an enforced extended break from writing, only later to be resumed with a series of low-key children’s books. Hers is a Barbara Pym story without the happy ending in the form of late-in-life rediscovery. Whipple’s re-emergence had to wait for the reissue of her final

Keeping it green and pleasant

John Watkins is Head of English Heritage’s Gardens and Landscape Team. Tom Wright was for 25 years Senior Lecturer in Landscape Management at Wye College. They are two professionals who have made an immense contribution to gardening in this country and abroad. This book makes available their combined lifetimes’ knowledge and experience. The authors begin by reminding the reader that gardens, if neglected, will revert to woodland, which is the natural climate vegetation of the British Isles. Neglected lawns and borders become first scrub, then forest. Lakes and ponds silt up, then form swamps which are soon colonised by willow and alder. Without maintenance even garden buildings eventually decay, collapse,

The Godfather of the Steppes

First published in 1836, this novella shows Alexander Pushkin’s mastery of almost any form. The following year — after a miraculously productive short period — he died in a duel over the alleged adultery of his wife with the adopted son of the Dutch ambassador. Evocative, swashbuckling, romantic and sentimental, The Captain’s Daughter centres on the peasant rebellion, 1773-75, of the Cossack Yemelyan Pugachov. Pushkin had already written A History of the Pugachov Rebellion published in 1834 in two volumes, one describing the events, the second consisting of the source materials. A bear for work, in the year he was reading and travelling to inform himself about Pugachov, Pushkin also

The golden writer

Doris Lessing was last week awarded the Nobel Prize for Literature. Philip Hensher traces the career of ‘one of the greatest novelists in English’. Doris Lessing’s Nobel win came as a surprise to everyone, the author apparently included. Despite her enormous, decades-long international reputation, she was less fancied than dozens of patently smaller writers. That could only have been ascribed to a cynical estimate of the way the Swedish academy works. On literary merit, no one would have questioned her right to it. She is one of the greatest of novelists in English. Her career is a matter of savage breakthroughs into quite new territory, as if her searching, sceptical

Surprising literary ventures | 20 October 2007

John Cage was the composer of 4’33”, the piano performance piece that consists of 4 minutes and 33 seconds of complete silence — except for the mutterings of the audience — and Imaginary Landscape No. 4, in which 12 radios are played at the same time for several hours. He was also the inventor of the ‘prepared piano’, in which a grand piano is filled with nuts, bolts and scrap metal to alter its sound. But Cage once said that if he were to live his life over again, he would be a botanist rather than an artist. He was in fact an amateur mycologist of some distinction, helping to

Moving between philosophy and science

This is the latest in the long- running series of popular books that Steven Pinker, a professor in the Psychology Department at Harvard, has written about the human mind, particularly about the nature of thought and its relationship to language. Pinker is extremely interested not only in the nature of language, and the way in which languages work, but also in lots of odd or striking things about languages. As part of his attempt to make some highly complex and abstract ideas comprehensible and even attractive, he uses a huge number of examples. Sometimes you feel that his hope is that even if you don’t quite cotton on to his

The name of the game

Between 1997 and the passing of the Hunting with Dogs Act in 2004, parliament spent 700 hours debating hunting. Over 250,000 people took part in the Countryside March through London in 1998. Why such an apparently marginal issue, involving a tiny minority of rural troglodytes, should have mattered so much in the modern age of New Labour is a question well worth asking. Emma Griffin is an admirably even-handed historian with very long sight. By casting back to 1066 her study gives a fresh perspective, and she achieves the difficult feat of saying something new about hunting. Her argument goes like this. From the time of the Normans all the

Scenting the storm

One of the stories that haunted my childhood (I can’t remember where it came from) was the ancient conundrum of the mandarin, which I later found retold by Eça de Queiroz and Ursula K. Le Guin and goes like this: If you can get anything you want by pressing a bell and killing an unknown mandarin in China, would you do it? Moral qualms aside, what terrified me was the idea that a seemingly innocuous act could have such far-reaching consequences. Because if pressing a bell could fatally touch someone oceans away, what trite and distant event might affect my own life without my knowing it? I think this was

War-war and jaw-jaw

Much of The Painter of Battles takes place in a crumbling watchtower on the Spanish coast, its silence broken only by the respectful commentary issuing from the daily tourist boat. Here on the circular wall of the tower a veteran war photographer, Faulques, is painting a gigantic mural on the theme of conflict through the ages: ‘the photo I was never able to take’, he explains. His routines include occasional supply-trips to the local town, morning swims out to sea and back and, less agreeably, ‘a sharp stab in his side over his right hip’ that comes on every eight hours or so and requires dousing with analgesics. Into this

Triumph of the clerks

To the outside world, France has always seemed monolithic. The richest and most powerful of Europe’s nation-states until the 19th century, intellectually and artistically insular at most times, intensely nationalist throughout, the French have been fascinating neighbours but never easy ones. Yet until the revolutionary wars of the 1790s, few of its inhabitants felt truly French as opposed to, say, Auvergnat or Périgourdin. They lived in a geographically isolated and highly diverse provincial communities. They spoke many languages and dialects, venerated different saints and observed a variety of possessive local customs. Until well into the 18th century, most Frenchmen used the word ‘France’ to refer to the region around Paris.

James Delingpole

The road to Yorktown

James Delingpole The American War of Independence is one of my least favourite periods and I expect it’s the same for a lot of Englishmen. For a start, the wrong side lost. Also, it’s fiendishly complicated, what with all the Whigs, Tories, Loyalists, Patriots, Frenchmen, Indians, Militia, Virginians, Marylanders, Light Bobs, Fusiliers and Continentals biffing one another in a confusing melee. And there is the lurking suspicion that, as Michael Rose has recently argued, it has depressing things to tell us about the US’s (and her allies’) current involvement in Iraq. Indeed, about the only thing that persuaded me to read a book on the subject is that it was

Handing your life to a stranger

Adam Lang, until recently Prime Minister, is keen to write his memoirs as soon as possible. He employs for this task a hulking apparatchik who was part of his inner team at 10 Downing Street. He takes his wife Ruth, his secretarial staff and this ghost-writer to a luxurious house made available by a millionaire at Martha’s Vineyard in New England. He has an argument with the ghost-writer; the writer gets drunk, falls off a ferry and is washed up on the shore. After he has identified the body Adam Lang quickly recruits a replacement ghost-writer through his lawyer. This replacement, whose name we never hear, is the hero and

And when they ask us how dangerous it was . . .

As every biographer knows, all evidence is suspect. Probably the diary comes nearer to the truth than any other source: it is subjective and no doubt biased but a least it usually reflects what the author really thought at the time. Letters are second-best. They too are contemporary but they contain what the writer wanted someone else to think, not necessarily what he or she thought themselves. Most problematical of all is oral testimony. Memory plays fearful tricks. With the late Tom Harrisson I once conducted an experiment. From the diaries kept by Mass Observation volunteers during the second world war we picked a few which contained particularly vivid Blitz

Shifting hearts, shifting sands

A man of about 60 who had read the American edition of this novel — it was published there a couple of months ago — told me lately that it was a ‘grown-up book’. Among other things, I take him to mean that besides recognising the difficulties of love, it embraces them; and that love is not the exclusive domain of the young and frisky. Toby Maytree is a poet who lives by the beach on Cape Cod. He ‘hauls houses’ for a living, but he has an insatiably inquisitive mind: ‘He pitched into the world for plunder, probed it with torches, filled his arms and brain with pieces botched

Brief encounters with the dubious

Volume five — or is it six? — in the Simpson autobiography series. For many people, one volume tends to be enough, but Simpson has a lot to tell. In this latest doorstopper, he offers us an engaging collection of ‘snapshots’, essays on a lively and eclectic bunch of characters he’s run into over the years. There’s a crooked extortioner, the maddeningly elusive Japanese emperor and empress, Saddam awaiting execution, film stars, Serbian contract killers, a child sorcerer in the Congo, Chinese tomb-raiders and ‘a variety of other thoroughly dubious people including Robert Mugabe and Alastair Campbell’. The last few words of that sentence, not buried midway through the book