Book Reviews

Our reviews of the latest in literature

A beastly upbringing

Minotaur in Love is Fraser Harrison’s second novel. His first, High on the Hog, published in 1991, set around a family Christmas in the country, was funny and moving. Minotaur in Love is altogether odder. Written in epistolary form, the Minotaur of the title is Bruno, a publisher, who tries to explain his strangeness to a female former colleague. He does this in a journal, starting with his birth shortly after the accidental death of his five-year-old sister. He has the distinct feeling that his father dislikes him, and he attributes this to his father’s unassuageable grief. Their estrangement becomes obvious when the ten-year-old Bruno, on his brand- new birthday

Protesting too much

Christopher Hitchins writes with exuberance and a sense of the great emancipation which he supposes modern knowledge offers humanity. ‘Scepticism and discovery have freed them from the burden of having to defend their god as a footling, clumsy, straws-in-the-hair mad scientist,’ he says of religious believers, whom he invites to abandon their faith and to embrace ‘reason’ — though should they choose not to do so, he insists, they are at liberty to believe whatever they like, ‘as long as they make no further attempt to inculcate religion by any form of coercion’. This book is a lengthy denial of religious belief, and an advocacy of atheism rendered in the

The good ended happily

The most difficult task for a novelist is to engage the reader in an account of happiness. In Consequences, Penelope Lively manages to pull this off. She examines happiness as ‘a state of being that lifts you above ordinary existence, that pervades every moment, that confers immunity’. This ‘sublime content’ is achieved by Lorna, the first of three generations of women; the consequences of Lorna’s idyll shape the lives of her daughter Molly and grand-daughter Ruth.There is another set of consequences, however; Lorna’s beloved husband Matt is killed in Crete in 1941; the consequences of loss are intertwined with those of fulfilled love for these succeeding generations. The damage sends

Sam Leith

The biography of a soul

This is a book that really ought not to work. Being Shelley is not quite a biography and not quite a critical reader and not quite anything most people will have seen before. If you want to know, in order, what happened in the life of Percy Bysshe Shelley — where he went, who he met, what he did — you’d be best off looking elsewhere. If you’re an undergraduate looking for a line-by-line interpretive guide to his canon, likewise this is not your book.Yet I think Being Shelley will grow to be indispensible to anyone writing or thinking about the poet from now on — a vital companion to

Two views on the Fourth

The late David Halberstam—author of The Best and the Brightest—has a posthumously published essay in Vanity Fair on Bush’s misuse of history. He charges that the Bush administration lives in “a world where other nations admire America or damned well ought to, and America is always right, always on the side of good, in a world of evil, and it’s just a matter of getting the rest of the world to understand this.” Ironically, I don’t think the Bush administration would actually dissent this much from that analysis. Just consider this op-ed in today’s Washington Post by Michael Gerson, the man responsible for Bush’s most memorable speeches but who has

Familiar but fascinating

Princess Diana was two years my junior and eight years younger than her most recent biographer Tina Brown. Our collective generation was one in search of someone or something to provide the soundtrack to our lives. We hadn’t lived through the second world war, we were too young to have connected with Vietnam or fallen for Kennedy, Sinatra was already old and our own royal family appeared atrophied, boringly embalmed in pomp and circumstance. We were Thatcher’s kids, who may well have been raised on a gentle diet of Mallory Towers and Jackie magazine but we were also seduced by punk and possibilities and ready for a seismic change. It was

In the steps of Stanley

Of all the world’s under- developed and misruled countries few can compete with the Democratic Republic of Congo (DRC). The former Belgian Congo, more recently known as Zaire, has lived for so long with lawlessness, brute violence and neglect, with Belgian colonial and Mobutu’s post-colonial exploitation, that it seems to have justified Joseph Conrad’s selection of this particular slice of land to serve as the continent’s heart of darkness. Recently it has seemed as if someone had switched the lights off altogether: it comes as a surprise, in our Google-mapped age, to discover that somewhere has disappeared from sight. The DRC has managed this. So why, then, would a sane,

A boy lost in Africa

What is the What cuts through the strata of criticism, and gets straight to a fundamental question, one which echoes the title: What is a novel? The plot is the journey to Ethiopia, Kenya and finally America of a Sudanese refugee, Valentino Achak Deng, but what makes this ‘novel’ unusual is that Valentino is a real person, who told his story to Dave Eggers over a number of years. Eggers now presents it in a voice pitched to approximate that of his subject. The reason this is not called a memoir, however, is that some passages are fictional, although the real Valentino himself states in the preface that they are

Boos and hurrahs

The problem about contemporary history is that we know both too little about it and too much. The archives of the state are closed to the public for 30 years, leaving us dependent on those famous sources of myth and misinformation, political diarists, memoir writers and journalists. At the bottom end, a history of our own age can so easily turn out to be nothing more than a million newspaper cuttings placed end to end. But would we be better off if we knew everything? I doubt it. It is difficult for an author to think dispassionately about times which he has lived through, and no easier for his readers.

Love in a time of chaos

We are promised a true American love story, but the lovers of this romance do not so much make love as f***, even in their tenderest moments. The couple in question are Rosalie, Duchess de la Rochefoucauld and William Short, Thomas Jefferson’s adoptive son and secretary at the Paris embassy in the 1780s and ’90s. The long-burning affair did happen, and here, in Ferdinand Mount’s translation, are their letters which criss-crossed Revolutionary Europe, between legations, palaces and prisons. Jefferson promised the American people life, liberty and the pursuit of happiness. His protégé is determined to live up to the ideal, as are the glittering circle of aristocrats and intellectuals with

No dilly- dallying

I have a hazy memory of a 1950s television series on stately homes in which Richard Dimbleby (dubbed ‘Gold-Microphone-in-Waiting’ by Malcolm Muggeridge) would respectfully prompt their Wode- housian owners into trotting out seasoned anecdotes. ‘And this of course is the celebrated Red Drawing-room. Your Grace, I think, ahem, you have a story about that curious portrait over the fireplace?’ ‘Eh? What? Ah yes . . .’ Half a century on, his eldest son David adopts a different approach. We see him turning up in his Land-Rover at eerily empty houses, with no sign of the present proprietor or (more usually) the National Trust manager, and proceed to poke about. Informally

Return of the native

We know the pressures the steady flow of immigrants has caused in our society though we hear less about the benefits of having them here; nor do we have much idea what they think about us. Lev, the Polish migrant in Rose Tremain’s new book, expected to find men who looked like Alec Guinness in The Bridge on the River Kwai but found they were slovenly geezers with shaven heads and garish tattoos and not so different from those he worked alongside in the sawmills back home before losing his job. The early death of his wife, his responsibility for his adored small daughter and his ageing mother, the need of money

Just the one regret

Is he a monster, saint, genius or lunatic? In this massive book Naim Attallah attempts to lay to rest the gossip, slander and misconceptions that have dogged him for much of his life, while also coming clean about his own mistakes and failures. I have to declare an interest. I was, in the 1980s, one of ‘Naim’s girls’; I am very fond of him indeed, and for several years my father, Auberon Waugh, edited the magazine he once owned, the Literary Review. ‘Naim’s girls’ were a part of London’s social scene and provided Private Eye with one of many reasons to mock ‘Naim Attallah-Disgusting’. We were young, pretty, had ‘names’

The children of Marx

Italian intellectuals, Cambodian peasants, Hungarian workers, Russian colonels, Angolan insurgents, French philosophes, American actors, British miners, Chinese craftsmen, Nicaraguan labourers: over the years, the adherents of the international communist movement have been so geographically and socially diverse as to defy classification. During the 100-odd years of the movement’s existence, nations as different as Czarist Russia, semi-feudal China and post- colonial Cuba subsequently developed into communist states. Marxist literature has been translated into hundreds of languages and read, by somebody, in all of them. Perhaps as a result of this diversity, the literature on the international communist movement is stunningly weak. Though communism was of central importance to the 20th century,

Decryption and deception

Two books just out from small publishers throw interesting light on the more secret corners of the British handling of the world war against Hitler’s Germany. Each covers a subject that was deadly secret at the time, but of critical importance for winning the war. Joan Bright Astley’s war autobiography, published to much less acclaim than it deserved in 1971, is now reprinted for a fresh generation to read; Robin Denniston describes his father’s life’s work in decipher. The Reverend Robin Denniston, publisher turned country priest, has written a work of filial piety — a charming, even old-fashioned gesture, but one that deals with a subject of both topical and

Lloyd Evans

The food of love

‘Painting with money’ is how Michael Winner described making films. And if the money runs out you can always turn your script into a novel. Ken Russell’s Beethoven Confidential was to have starred Anthony Hopkins in the title role with Glenda Jackson and Jodie Foster as a couple of swooning aristos eager to sponsor the fuming maestro. Quite how that Oscar-encrusted team ran out of backers is a mystery Russell doesn’t address. And his prose still bears the traces of its celluloid origins: Chapter Two. Moonlight filtering through elegant windows hints at surroundings of great luxury. In silhouette, a pretty teenager is seated at the piano playing music that seems