Book Reviews

Our reviews of the latest in literature

A late and furious flowering

Sceptical readers will immediately wonder whether 14 years of any composer’s life really deserve over 1,000 pages of biographical examination. The second volume of John Tyrell’s Janacek certainly goes into events in extraordinary detail — I had a definite sense of foreboding of things to come when, on page 361, it is reported that in December 1919, ‘a button flew off [Janacek’s] fur coat so that he had to have another sewn on’. If we agree that the significance of the life dictates the substance of the biography, however, it seems perfectly reasonable. The last decade of Janacek’s life is truly one of the most astonishing and important periods in

King of the lurid spectacle

What a strange, gifted little martinet he was, this celluloid Nixon who demanded that his every word, no matter how trite or banal, was preserved exactly by his ‘field secretary’ while another acolyte, the ‘chair boy’, ensured that wherever he was he could sit down without looking. Surrounded by these perpetual attendants and telling his crews, ‘You are here to please me, nothing else on earth matters,’ he forged a career that began with the silents and went on to encompass 70 films. In the process he became a household word for a heady mixture of religion and sex. This proved a potent box-office martini which made him a multimillionaire

The great misleader

In my intermittent career as an expert witness, I have observed that the most eminent men make the worst witnesses. Speaking from the lonely heights of their professional pre-eminence, they sometimes claim that what undoubtedly happened could not have happened, and what could not have happened undoubtedly did happen. Their intellectual distinction and busy schedules excuse them, in their own opinion, from the tiresome necessity to read the documents of the case with minute attention. Sir Bernard Spilsbury was the most eminent British forensic pathologist of his day, which is to say from Dr Crippen to the outbreak of the second war. The subject of a hagiographical biography whose paperback

A legend in his lifetime

There is a brand of Toscano cigars called Garibaldi. Until given a new design recently, the packet proclaimed him as ‘the hero of two worlds’ as well as a devoted smoker of cigars (‘naturalemente Toscani’). The description was fair. Garibaldi was the most famous man of his time, the most famous since Napoleon. His image was everywhere, like Che Guevara’s in our time. A Polish historian has called him ‘the symbol of popular revolution, and a model of a people’s military leader’. When he died a French newspaper described him as a citizen of the world. Like the knight errant, the medieval paladin, he had as many homelands as there

Not the place it used to be

Roy Foster’s new book has its origins in the Wiles Lectures delivered at Queen’s University Belfast in May 2004. This is a distinguished lecture series initiated in 1954 by Herbert Butterfield’s Man on his Past with such high points as Alfred Cobban’s The Social Interpretation of the French Revolution (1964) and Eric Hobsbawm’s Nations and Nationalism (1990), but it is fair to say that no previous set of Wiles lectures witnessed the excitement and large audiences attracted by the Carroll Professor of Irish History on his return to his home country. It may be that some of those attending were attracted by the guilty pleasure of seeing Dublin — after

All together now

In my English school our hymns were mostly in Latin which, despite years of instruction, rendered them sufficiently opaque to be appropriate. What few hymns we sang in English seemed rather weepy, which didn’t appeal. Therefore, emerging from that place into a wider England, it was a surprise to discover there was a culture of hymns in good English, some with marvellous tunes, and almost a lingua franca derived from them among those who had dutifully bellowed those tunes and words when young. Nor was this only middle-class — think of the Salvation Army. This little book is a selection of the best of them: 52 hymns, 15 carols, each

Prodigious from the word go

There is a wonderful set of medieval wall tiles from Tring Abbey in the British Museum depicting the legendary infancy of a particularly mutinous and unappealing Jesus. A charitable interpretation of the sequence might suggest that they are the chronicles of a Child Who Did Not Know His Own Strength, but as one wretched little schoolmate or interfering adult after another is struck dead or buried upside down for doing nothing more than annoy the little Infant, the one theological message to emerge from it is a tough and unambiguous Don’t mess with me. It is only on the persuasion of a weary- looking and long-suffering mother that the poor

Falling foul of fashion

J. B. Priestley described the forgotten interwar novelist Dorothy Whipple as the Jane Austen of the 20th century. Posterity has balked at this assessment — as indeed, within Whipple’s lifetime, did both publishers and readers. Although in 1932 her third novel, Greenbanks, topped the bestseller lists in the Observer and the Sunday Times, by the Fifties Whipple had fallen sufficiently foul of fashion to take an enforced extended break from writing, only later to be resumed with a series of low-key children’s books. Hers is a Barbara Pym story without the happy ending in the form of late-in-life rediscovery. Whipple’s re-emergence had to wait for the reissue of her final

Lloyd Evans

The importance of being earnest

Michael Billington is the Val Doonican of theatre criticism. He’s been at it since the days of black and white telly and he shows no sign of giving up. Starting at the Times in 1965, he moved to the Guardian in 1971 and there he remains, rocking, crooning and warbling. He reckons he’s spent 8,000 nights in the theatre, so he probably knows more about the subject than anyone alive apart from Peter Hall. State of the Nation is his overview of the last six decades and he opens the book on a strident note. British post-war theatre, he announces, began not on VE Day, nor in 1955 with the

The Godfather of the Steppes

First published in 1836, this novella shows Alexander Pushkin’s mastery of almost any form. The following year — after a miraculously productive short period — he died in a duel over the alleged adultery of his wife with the adopted son of the Dutch ambassador. Evocative, swashbuckling, romantic and sentimental, The Captain’s Daughter centres on the peasant rebellion, 1773-75, of the Cossack Yemelyan Pugachov. Pushkin had already written A History of the Pugachov Rebellion published in 1834 in two volumes, one describing the events, the second consisting of the source materials. A bear for work, in the year he was reading and travelling to inform himself about Pugachov, Pushkin also

The golden writer

Doris Lessing was last week awarded the Nobel Prize for Literature. Philip Hensher traces the career of ‘one of the greatest novelists in English’. Doris Lessing’s Nobel win came as a surprise to everyone, the author apparently included. Despite her enormous, decades-long international reputation, she was less fancied than dozens of patently smaller writers. That could only have been ascribed to a cynical estimate of the way the Swedish academy works. On literary merit, no one would have questioned her right to it. She is one of the greatest of novelists in English. Her career is a matter of savage breakthroughs into quite new territory, as if her searching, sceptical

Surprising literary ventures | 20 October 2007

John Cage was the composer of 4’33”, the piano performance piece that consists of 4 minutes and 33 seconds of complete silence — except for the mutterings of the audience — and Imaginary Landscape No. 4, in which 12 radios are played at the same time for several hours. He was also the inventor of the ‘prepared piano’, in which a grand piano is filled with nuts, bolts and scrap metal to alter its sound. But Cage once said that if he were to live his life over again, he would be a botanist rather than an artist. He was in fact an amateur mycologist of some distinction, helping to

Moving between philosophy and science

This is the latest in the long- running series of popular books that Steven Pinker, a professor in the Psychology Department at Harvard, has written about the human mind, particularly about the nature of thought and its relationship to language. Pinker is extremely interested not only in the nature of language, and the way in which languages work, but also in lots of odd or striking things about languages. As part of his attempt to make some highly complex and abstract ideas comprehensible and even attractive, he uses a huge number of examples. Sometimes you feel that his hope is that even if you don’t quite cotton on to his

Scenting the storm

One of the stories that haunted my childhood (I can’t remember where it came from) was the ancient conundrum of the mandarin, which I later found retold by Eça de Queiroz and Ursula K. Le Guin and goes like this: If you can get anything you want by pressing a bell and killing an unknown mandarin in China, would you do it? Moral qualms aside, what terrified me was the idea that a seemingly innocuous act could have such far-reaching consequences. Because if pressing a bell could fatally touch someone oceans away, what trite and distant event might affect my own life without my knowing it? I think this was

War-war and jaw-jaw

Much of The Painter of Battles takes place in a crumbling watchtower on the Spanish coast, its silence broken only by the respectful commentary issuing from the daily tourist boat. Here on the circular wall of the tower a veteran war photographer, Faulques, is painting a gigantic mural on the theme of conflict through the ages: ‘the photo I was never able to take’, he explains. His routines include occasional supply-trips to the local town, morning swims out to sea and back and, less agreeably, ‘a sharp stab in his side over his right hip’ that comes on every eight hours or so and requires dousing with analgesics. Into this

The line of least resistance

This is a book about drugs, drug addicts, and the people who try to help drug addicts — and the author, a prison doctor, thinks we’ve got it all wrong. For instance, most people think of heroin addiction as something like a terrible disease. We also tend to think that withdrawal from heroin is an appalling physical ordeal. Not so, says Theodore Dalrymple. ‘Addiction to opiates,’ he tells us, ‘is a pretend rather than a real illness, treatment of which is pretend rather than real treatment.’ This is a bold assertion, and I know some people who find it offensive, but it’s worth following Dalrymple’s logic. As a prison doctor,

Triumph of the clerks

To the outside world, France has always seemed monolithic. The richest and most powerful of Europe’s nation-states until the 19th century, intellectually and artistically insular at most times, intensely nationalist throughout, the French have been fascinating neighbours but never easy ones. Yet until the revolutionary wars of the 1790s, few of its inhabitants felt truly French as opposed to, say, Auvergnat or Périgourdin. They lived in a geographically isolated and highly diverse provincial communities. They spoke many languages and dialects, venerated different saints and observed a variety of possessive local customs. Until well into the 18th century, most Frenchmen used the word ‘France’ to refer to the region around Paris.