Signs and portents of the times
Only a fool would try to explain fashions and tendencies in novel-writing. Everything can change so quickly, and it only takes one really good novel to rescue a genre which we’d all thought consigned to the dustheap. A year ago, I would have laughed drily at the notion that the campus novel still had some life in it; the form seemed as dead as the concerto grosso. But Zadie Smith’s brilliant On Beauty revived it with fizzing energy. On the other hand, a fictional standby which has seemed perfectly serviceable for some years may suddenly start looking creaky. I would say that five years ago, the sort of English magic