Book Reviews

Our reviews of the latest in literature

Recent gardening books | 26 November 2005

Twenty years ago, gardening books never made it to the coffee table. The reader had to supply the glamorous illustrations. It was a bit like the difference between listening to the wireless and watching telly. I remember Mark Boxer, who was a publisher then, saying, ‘Once garden books start using pictures, they will sell in big numbers.’ They do, but they date and yesterday’s aspirational title is soon remaindered. This year, there are some picture books which should last longer than most, if only because they provide records of important gardens. The Country Life archive has been a good source of images, although only those that have been featured in

Books of the Year II | 26 November 2005

Robert Salisbury It is difficult to look beyond three biographies this year: Jung Chang and Jon Halliday’s Mao (Cape, £25), William Hague’s Pitt the Younger (HarperCollins, £8.99) and Max Egremont’s Siegfried Sassoon (Picador, £25). Mao is a standing indictment not only of Mao himself but also of the self-hating Left of the Sixties and Seventies who bought his Little Red Book and worshipped at his feet. William Hague on Pitt is elegant, readable and, with admirable clarity and concision, brings a politician’s understanding of the world of Whitehall and Westminster to the service of his scholarship. His return to the Conservative front bench is long overdue. It is risky to

The discreet charm of sewers

Public visits to the sewers of Vienna are rare: the clammy atmosphere can cause breathing problems. Nevertheless in 1994 I visited them with a local Graham Greene enthusiast, Brigitte Timmer- mann. Greene’s darkest entertainment, The Third Man, ends with a shoot-out in the Vienna sewers and the death of the penicillin racketeer Harry Lime. With his alley-rat amorality, Lime is a familiar Greene character; I wanted to catch a glimpse of his life down a manhole. The sewer entrance by the Stadtpark U-bahn was apparently much as it had been in Greene’s day. (I half expected to see the Austrian police in pursuit of Lime.) As we descended into the

East and West — when the twain meet

As far as love affairs go, the relationship between British travel writers and Islam has been both intense and long-lasting. From Orientalists such as Richard Burton and Edward Lane installed à la turque in 19th-century Cairo and Damascus to Wilfred Thesiger in the Empty Quarter, Bruce Chatwin in Sudan, Colin Thubron in Syria, Jan Morris in Oman and Egypt, Muslim ways and means have inspired some of our best travellers to produce some of their finest writing. But the nature of the exchange between these writers and their Muslim subject-matter was transformed by the destruction of the World Trade Center and the ensuing war in Iraq. One of the most

A wheelbarrow full of surprises

The people in Rose Tremain’s brisk short stories tend to be hooked on highly symbolic artefacts. Thus the East German border guard of ‘The Beauty of the Dawn Shift’, cycling off to illusory salvation in Russia, takes with him a solitary lemon, ‘a precious possession’ turned up in an otherwise fruit-free grocery store. A middle-aged woman working in a Norfolk haberdashery shop covets the unclenched wooden fist of the glove display. The chef in ‘Nativity Story’ nurtures a gleaming oyster shell which he aims to bestow on his absent son. Our minds, as asylum resident Victor in ‘The Ebony Hand’ informs his anxious sister-in-law, are ‘held together by peculiar things’.

Facts and fables of the New World

The Amazon can drive you mad. In Werner Herzog’s cult movie Aguirre: Wrath of God, Klaus Kinski affected a crazed stare that bordered on self-caricature. But the real-life explorer he portrayed was a first-class, unquestionable, copper-bottomed maniac, who systematically murdered his companions, as they drifted downriver in torrid, febrile paranoia in 1560. He recast himself as both pope and king, and, when he at last emerged from the rivermouth, launched an ill-starred attempt to conquer the Spanish empire. His was an extreme case, but the strange, overpowering environment is unnerving to outsiders even to this day. The first Spanish explorers who navigated the river in 1540-2 showed some of the

The Times it is a-changin’

Because the Times is, or was, a newspaper like no other, it has enjoyed the distinction of successive volumes of official history. The last, written by John Grigg, covered the years 1966 to 1981, when the Times was bought by Rupert Murdoch. Volume seven, entitled ‘The Murdoch Years’, takes us up almost to the present day. Graham Stewart, a historian of the 1930s, should be congratulated on agreeing to undertake the task. For although earlier chroniclers have had to deal with controversial or painful passages in the newspaper’s history, such as its prewar embrace of appeasement or its postwar emollience towards the Soviet Union, none has been asked to wade

Cheeps, tweets and warbles

In his old age John Ruskin lamented, ‘I have made a great mistake. I have wasted my life with mineralogy, which has led to nothing. Had I devoted myself to birds, their life and plumage, I might have produced something worth doing.’ Here are two bird books which have been eminently worth doing. Both are by North Americans but their sweep is global. David Rothenberg is a musician, composer, author and professor; the Canadian, Graeme Gibson, is a renown- ed novelist and chairman of the Pelee Island Bird Observatory. Gibson only succumbed to the charm of birds at 37, which is why he begins his book with the Ruskin quotation.

Sam Leith

The very best of bad verse

In the mid-1930s, the poet Ogden Nash visited a rodeo, where the star attraction was a handsome cowboy parading with his wife and son. ‘This is Monty Montana,’ the announcer declared, ‘who is a great example to American young men and young women. He has never smoked a cigarette, he has never touched liquor.’ Nash’s voice rang out from the bleachers: ‘And that little boy is adopted.’ The chief thing about Ogden Nash was that he was funny. Though he wrote a handful of straightforward and affecting simple lyric poems, what he will be remembered for is his light verse. As well as, at its best, being very entertaining, it

Books of the Year | 19 November 2005

A selection of the best and worst books of the year, chosen by some of our regular contributors Jonathan Sumption Niall Ferguson’s Empire: How Britain Made the Modern World (Allen Lane, £25) is a marvel of objective iconoclasm, much better than the associated TV series, which presents one of the world’s great liberal empires without the usual overtones of Pecksniffian disapproval. Fran

Toeing the party line

John Brockman, the New York literary agent and science writer, had an artist friend, James Byars, who had a grand idea. It was ‘to gather the 100 most brilliant minds in the world together in a room, lock them in and have them ask each other the questions they were asking themselves’. The result, he supposed, would be a ‘synthesis of all thought’. He drew up his list of minds and telephoned them all. Seventy per cent of them proved their brilliance by hanging up on him. Brockman, undeterred, carried on where Byars had left off. He started a website, Edge, where he invited fellow-thinkers to answer the question, ‘What

Small is beautiful | 12 November 2005

The British, publishers and booksellers regularly tell us, have an antipathy to the short story; they respond unfavourably to even a well-known writer coming up with a collection, and for an emergent one to devote creative energy principally to the medium would be regarded as literary suicide. And this despite determined efforts by certain key literary editors, competition-setters and indeed the South Bank itself to keep the art-form alive. Elsewhere the short story is differently regarded. In the English-speaking world, Ireland, the American South, and, thanks to Raymond Carver and Tobias Wolff, the Pacific North-West of the US have long exhibited short stories as supreme expressions of their culture’s genius.

The boy done bad

One of Sir Mark Thatcher’s friends once told him he was ‘born guilty’. Many, including the two authors of this book, would contend that he has done his best to live up to his billing. Apparently, in moments of persecution, he has taken to quoting this observation about himself in the most rueful of tones. If he can bring himself to read this book he will feel far more persecuted by the end of it. The authors are unquestionably experienced investigative journalists, with various scalps to their name. They are suited to their subject remarkably well, in that their style and approach are almost as unattractive as they claim their

The thinking man’s poet

‘The most intellectual British poet of the 19th century’ is Anthony Kenny’s judgment of Arthur Hugh Clough — a tribute which implies the absence of Tennysonian musi- cality in his verse as well as a prescient understanding of contemporary philosophical and scientific issues that far exceeds Browning’s or Arnold’s. Kenny’s study of this still underrated figure takes the refreshingly old-fashioned form of a ‘life and works’. Biographically, it has no sensational revelations to offer, and, in terms of fact, it doesn’t substantially advance on the mid-20th-century researches of Katherine Chorley and R.K. Biswas. But Kenny has been thinking about Clough for over a quarter of a century, and it shows.

The still unwithered laurel wreath

In the reviewer’s childhood, Scott was a national hero, almost as revered as Nelson. Revisionists did what they could in the 1960s and 1970s to cut him down to size; generations have been brought up to despise him. David Crane’s new life seeks to restore the balance, to show the man as he was and to explain why he behaved as he did. He emerges a hero after all, even if a limited one. He was trained as a naval officer in the rigid school of the old Britannia, under stiff discipline, with the watchwords of conformity and obedience. No one was encouraged to think for himself; but it was

Chipps with everything

Commander Chipps Selby Bennett was a traditional officer and a gentleman; a Dorset dandy with a monocle, tartan trews and size 12 shoes. He’s a man whose life experience encompasses the navy, hunting and the Conservative party. His autobiography, Seahorse! Between the Sea and the Saddle, reflects with characteristic eloquence his surprisingly wide-ranging life, and chronicles the highs and lows of a man who has navigated his way through all levels of society. The memoirs start with an unusual upbringing and the Spanish Civil War and continue with adventurous travels in the wartime and peacetime navy. One moment Chipps is nearly drowned as a midshipman in Scapa Flow and again

A billionaire at bay

In the late 1990s it began to look as if the media were gunning for millionaire Tories in alphabetical order. First Jonathan Aitken, a joint target of Granada and the Guardian. Then Jeffrey Archer, jailed after a sting operation by the News of the World. Next in line seemed to be the mysterious Michael Ashcroft, appointed Conservative party treasurer by William Hague, donor of many millions to the party, and victim of the strange, new alliance between New Labour and the Times. In 1999 Hague tried to nominate Ashcroft as a ‘working’ member of the House of Lords, only for the nomination initially to be blocked by Tony Blair on

Elusive brothers in arms

History and fiction have their differences. The most obvious and the most important is that scrupulous historians hesitate to say anything for which they cannot provide some form of documentary evidence. But history and fiction are also more alike than is usually acknowledged. Both historians and novelists seek to show how the world operates (or operated) and both do so on the basis of fragmentary knowledge, the one chiefly from whatever survives in the various forms of historical record, the other chiefly from perceptions acquired from life in the world. The demarcation is less clearly defined than it once was. For some time — at least since the publication of