Book Reviews

Our reviews of the latest in literature

Marriage à la mode

It is surely rare to find a book that describes a marriage with such breathtaking intimacy as Diana Melly does in her autobiography, Take a Girl Like Me. Not only are both the leading players very much alive, most of the varied cast are still vigorously kicking. Mrs Melly writes the story of her grippingly unconventional life as the wife of that monstre sucré George with an astonishing yet matter-of-fact frankness. In almost any more humdrum liaison, the facts she recounts would matter like mad, and frankly might deter, even prohibit, any hint of matrimonial harmony. On the contrary, theirs has lasted, is lasting, for a near half-century, despite a

The Emperor’s real clothes

Like Philip Mansel I am a passionate believer in the importance of trivia in history, or rather what most academic historians would regard as such. Years ago, at the close of the Sixties, I was the first chair of the newly formed Costume Society, in the main because I could keep the warring women gathered around the table from tearing each other’s hair out. That society has just celebrated its 40th anniversary and both it and the course on the subject at the Courtauld Institute signal that the topic at last has gained status. It is the one which first drew me to history when I was a child and

Bring on the Colander Girls

Like Groucho Marx I tend to be rather ambivalent about joining clubs, but last November — in fact, exactly 48 hours before Deborah Hutton, author of this brilliant book subtitled ‘75 Practical Ideas for Family and Friends from Cancer’s Frontline’ — I unexpectedly found myself a member of what Hutton calls the last club in the world anyone would ever choose to join: ‘The Cancer Club. The only club in the world I can think of that is both rigorously exclusive and has no waiting list.’ But hold your horses, don’t flip to another review; this isn’t going to be a ‘Me and My Cancer’ piece. (I remember a ghastly

The Schleswig- Holstein Question answered

To anyone who enjoyed Fernand Braudel’s masterly work on the Mediterranean or Neal Ascher- son’s wonderful Black Sea, the idea of a book on the Baltic is an appealing one. It is Europe’s other great inland sea, fed by the snows of Scandinavia and rivers such as the Elbe, the Vistula, the Niemen and the Neva, ringed with cities such as Copenhagen, Stockholm, Helsinki, St Petersburg, Riga, Gdansk and L

Recent first novels | 30 July 2005

In 1991, A.S. Byatt wrote an introduction to a reissue of her first novel, The Shadow of the Sun (1964), in which she recalls that she had: the eternal first novelist’s problem … I didn’t want to write a ‘me-novel’ [but] I didn’t know anything — about life, at least. Highly autobiographical first novels are still out of fashion and even budding writers are expected to cast their eye away from themselves. And yet in our culture of instant gratification and celebrity, a writer’s reputation can depend almost exclusively on the critical reception of a first novel. The eternal problem today, it seems, is twofold: we expect first novels to

Golden lads and girls

In the first century bc, the wrestler Nicophon of Miletus was said to have a physique which would have made Zeus himself tremble. He literally outstripped his rivals at the Olympic Games. Nicophon’s mere name, Victory Voice, announced a champion, just as that of Schwarzenegger did in the Mr Universe — and, more recently, in the Mr Governor of California — contests. He had only to flex himself for the rest of the field to wilt. Fantastic is the lid-off Arnie of Thal, an Austrian village in which his father, once of the Nazi party, was postwar police chief. Laurence Leamer’s low-down becomes a pedestal on which Arnie’s occasionally lovable

The lower end of the higher good

This superb novel takes place in the remote settlement of Yazyk, at the end of a 100-mile spur off the Trans-Siberian Railway. It is 1919. Most of the inhabitants belong to a bizarre Christian sect who desire no part in the political upheavals further west. But events have intruded upon them in the form of a detachment of the Czechoslovak Legion. The soldiers are commanded by the terrifying Matula, whose flesh was ‘coarsely flayed by heat and cold and fevers and jaundices and scurvies gone by.’ While his exhausted men dream of escaping from years of fighting to Vladivostock, and thence home to Prague, Matula seems to contemplate establishing a

The barbarians within the gates

Spectator readers have known of Dr Dalrymple for many years through his regular column in this magazine. Every week we muddled our way through, unreflectively finding life all right and other people not so bad. Then, on Fridays we took Dr Dalrymple’s little magic pill and suddenly saw that we were knee-high in a rising sewer. The column was short and usually followed a pattern. There was an abbreviated story of a patient who had tried to kill himself or someone else. The Doctor’s questions revealed a little more of the patient’s disgusting life, and it ended with a comment by the patient showing his total lack of moral responsibility

From dumb to singing pictures

Patrick Caulfield’s paintings look specific while giving us tantalisingly little to go on. Where are we? Seemingly, a spotlight moves, the disc of dislocated brightness slithering over tablecloth, tankard, swirly-plastered wall and simulated half-timber. Could this be a Vermeer-themed hostelry for the discriminating guest? Details punctuate the ambience. Take a pew, why don’t we, and let each picture absorb us. Things like chained pen sets and buttoned-effect wallpaper are stimulants for Caulfield, his eye-catchers, his wherewithal. Everything about them, the silhouettes they present, the shadows they cast, the angle they are seen from, the way they are painted, is calculated to clue us in; intense colour, deployed with verve, makes

In search of fresh villains

More than any other literary form, perhaps, the thriller is at the mercy of history — especially that branch of the genre that deals with the rise and fall of empires, the clash of ideologies and the dirty secrets of nations. In the past, most thriller writers, from Buchan to Fleming and beyond, dealt with clear and, above all, present dangers to the body politic. They were concerned, some more plausibly than others, with a world their authors and readers recognised as contemporary. But history has changed direction, and so has the thriller. With the end of the Cold War, the genre has been forced to come to terms with

The man we love to love

The life and death of Nelson grip the imagination, not just because of the bicentenary of Trafalgar but because more is known about him than any other major figure in British history. He was a tireless correspondent, writing for hours with his left hand letters that would be kept in their hundreds because he was famous in his lifetime. These illuminate the complicated, contra- dictory character that continues to entice biographers, whether revisionists, hagio- graphers, bodice-rippers, amateur psychoanalysts, spinners of rattling good yarns, or serious historians, amongst the last being Roger Knight. As the author was for many years deputy director and chief curator of the National Maritime Museum and

The gospel according to Lukes

From: ChristopherBland@bt.comTo: Lit Ed@spectator.co.ukSubject: Book Review Dear Mark, Delighted to review Martin’s book; I seem to remember meeting him with Rupert, Conrad and Bill at the Allen and Co. Sun Valley media bash two years ago. He’s clearly put his learning about my rebranding achievements at BBC and BT into practice at a-b global. Now that you’re taking business books seriously, I’ve asked Canongate to send you an early proof of my latest Degreasing the Pole: 10 Tested Ways to Stay on Top. Although it’s too late for poor Conrad. Perhaps a reciprocal review from Lukes?? Best, Christopher BT: No. 1 Telecommunications Company in the Dow Jones Sustainability Index 2002-03-04-05

Goings-on after sunset

After 20 years of hard labour Professor Ekirch has produced an absorbing social history of nighttime in pre-industrial society from the Balkans to the British colonies of North America. His vast accumulation of quotations from diverse sources — he has employed ‘a legion of translators’ — threatens, at times, to overwhelm the reader, but they are linked together in a narrative of clear prose. Nighttime for our ancestors 300 years ago had a significance and an importance we have lost. ‘Rather than a backdrop to daily existence, or a natural hiatus,’ Ekirch writes, ‘nighttime in the early modern age instead embodies a distinct culture, with many of its own rituals

The fake’s progress

Ever since Dixon’s pie-eyed lecture on Merrie England in Kingsley Amis’s Lucky Jim there’s been a hunger for more exposures of the pretentious absurdities and backbiting jealousies of academia. Here’s another from a distinguished professor of English at London University who’s presumably seen a great deal of it. Perhaps it’s because of this that David Nokes’s book is much closer to farce than to the reality you find, say, in C. P. Snow’s novels set in a Cambridge college or Malcolm Bradbury’s satires on life at the redbrick and new plate-glass universities. In these books people must have seen glimpses of themselves or at least recognised others, but I can’t

Findings of the Dismal Science

This is the sort of book we can expect to see a great deal more of in the future. After Malcolm Gladwell’s The Tipping Point — a study of the way products or ideas move from niche positions to mass markets — economists and journalists have been racking their brains to come up with usefully saleable theories. Each one begins with profiles in New York magazines; the book, largely made up of stories, follows; and then, no doubt, a lucrative career spinning this highly anecdotal material to CEOs. An amusing book, this one, certainly more so than the works of most practitioners of the Dismal Science. It’s best enjoyed, though,

An operation for fistula and its creative aftermath

My book Creators was finished some weeks ago and whizzed off to the publishers without my having fixed on any theory of the creative process. But the problem continues to nag at me. Take this example. In October 1841, Dickens was operated on for fistula. This piece of surgery was then horrific and extremely painful, performed without anaesthetic, of course, and often unsuccessful. Macvey Napier, editor of the Edinburgh Review, told Dickens that he had twice been ‘done’ for fistula but twice ‘bungled’, and only on the third shot had it worked: ‘My flesh still creeps at the recollection.’ Dickens was lucky for his surgeon was the remarkable Frederick Salmon

Of fulmars and fleams

Kathleen Jamie is a poet. This might be described as her occasional book, in the sense of being a record of what she saw, smelt, heard or felt during these various experiences and expeditions. Most are concerned, loosely, with natural history —ospreys, wild salmon, corncrakes, whales; all of them pertain to Scotland (of which she is a fine-voiced native). There is nothing fey or arty about her writing. She has an inquisitive, unpredictable, generous mind that she speaks firmly. In this connection, much of one chapter discusses a pair of peregrines trying to nest nearby. It is notorious that J. A. Baker’s The Peregrine (1967) is the last word on

Hanged on a legal quibble

Who killed Lord Haw-Haw? It was I, said Hartley Shawcross. I was the attorney general who led his prosecution personally under the Treason Act, even though my constitutional expert advised me that we did not have a case in law, and one of my predecessors in office had confessed himself ‘incredulous’ at its being brought at all against someone who was not, and had never been, a British subject. It was I, said Frederick Tucker. I was the high court judge who heard the case even though six years earlier I had described the accused as ‘a traitor’, and should thus have considered myself ineligible. It was I who, instead