Book Reviews

The Americans come off the boat. They may come singly, or in couples or even in a threesome, but there is no safety in numbers, for their fate is sealed the moment they step down the gangplank. The Americans are innocent of course, but they are not very nice. As a rule in the world of Paul Bowles, they tend to be mean-spirited and tight-fisted, and there is also a kind of eerie blankness about them. They think of themselves — Porter Moresby in The Sheltering Sky for example — as travellers, not tourists, belonging no more to one place than another and moving slowly from one part of the

E. H. Gombrich was born in Vienna in 1909. As a boy he had seen the Emperor Franz Joseph walking in his garden. As a young man, himself a Jew, he had watched Jewish students being beaten up in the streets by Nazi thugs. In January 1936, two years before Hitler’s troops marched into Vienna in triumph, he arrived as an exile in London, to work as a research fellow at the Warburg Institute of which he became director in 1959. When he died, loaded with honours in 2001, the huge sales of his book The Story of Art, published in 1950, had made him the best known and most

United Italy was reluctant to honour authentic heroes of its national struggle. Apart from Garibaldi, its squares and street-names — as well as its bronze statues and marble plaques — commemorate incompetent generals, duplicitous statesmen, serial conspirators, an oafish monarch (Victor Emmanuel) and a number of crazy young patriots who dashed off to Calabria (or wherever), shouted ‘Viva Italia!’ at a bemused populace, and were quickly shot. One neglected figure was Daniele Manin, the protagonist of Jonathan Keates’s skilful and absorbing account of the Venetian Revolution of 1848-9. Manin did not fit the mould of the Risorgimento romantic. A middle-aged lawyer, he was short and bespectacled, rational and pragmatic, an

Do campus novels reflect the reality of university life? When I was a Fellow of Peterhouse, back in the Eighties, I was asked with tedious regularity whether the experience resembled Porterhouse Blue, Tom Sharpe’s grotesquely overblown satire. But even as I (truthfully) denied it, a few vignettes would slide past my mind’s eye — such as my very first Governing Body meeting, when, sombrely robed, the Fellows debated, hotly and with manifest ill-will, whether the vomit by the chapel was beer- or claret-based. This was, of course, a matter of college politics. In every faculty or university, you will find the progressives ranged against the traditionalists, the puritans against the