Book Reviews

When he was little, John McGahern’s mother took him with her to the school where she taught, through the lanes with flowering hedges linking the small reedy lakes of Co Leitrim, in the lee of the Iron Mountains. This physical and emotional geography is in his bones, and the source of ‘an extraordinary sense of security, of deep peace’. Over and over, in this memoir as in childhood, he goes up the cinder path to the little iron gate, past Brady’s house and pool and the house where the old Mahon brothers lived, past the dark, deep quarry and across the railway bridge and up the hill past Mahon’s shop.

The reason one heads straight for the obituary column when one is confronted by the Daily Telegraph is the abundance of rarefied mischievousness one finds therein. If it is grovelling hero-worship you crave, then Telegraph obituaries will disappoint. In Chin Up, Girls! we delight in a portrait of Dame Barbara Cartland: ‘In her later years, she cut an unmistakeable figure in a froth of pink ball gown with extravagant, almost clown-like make-up — her cheeks pulled back with sadly visible bits of sticking plaster … She was a formidable fairy queen.’ Ah! A morning devoid of sunny Telegraph obituaries is a morning misspent. I was slightly apprehensive about the idea

On the very first page of Peter Ackroyd’s biography, you learn something strange and interesting about the first few moments of Shake- speare’s life: ‘A small portion of butter and honey was usually placed in the baby’s mouth. It was the custom in Warwickshire to give the suckling child hare’s brains reduced to jelly.’ Who knew that the first food our greatest dramatist tasted was jellied hare’s brains? Yuck. On page after page that follows, he dishes out similar morsels. At the excavation of the site of the Rose theatre in 1989 he tells us that there were discovered ‘orange pips, Tudor shoes, a human skull, a bear skull, the

The twin graves lie side-by-side in the Protestant cemetery in Rome, much visited, much photographed; one decorated with the lyre of the poet, the other with the palette of the painter. Beneath the first lie the remains of one of England’s greatest poets, who died at the age of 25. Beneath the second lies a minor artist and consular official who survived into old age, and whose stone is inscribed: ‘Joseph Severn, devoted friend and death-bed companion of JOHN KEATS.’ Severn’s grave would be forgotten and unvisited if it were not for the pilgrims who come to venerate Keats. In the same way, his life would be forgotten and unvisited

The regional novel in England sounds like a dull and worthy research topic; investigating it might be entertaining at times, but I suspect that one would just end by concluding that it existed once, and does so no more. People still write novels about life in various regions, of course; some writers still specialise in a particular area, but the glory days are over. When Cold Comfort Farm came out in 1932 to deal it a death-blow, there were still dozens of writers making an honest living in this way; it is often said to mock Mary Webb’s books, but Sheila Kaye-Smith, Eden Phillpotts, Alice Dudeney and many others were

There is now an established tradition of busy stars not reading the books to which they put their names. It stretches from Hedy Lamarr, who 40 years ago sued the ghostwriters of Ecstasy and Me for misrepresentation some while after publication, to Victoria Beckham who claims never to have read a book, not even her autobiography. According to the distinguished film historian, David Thomson, who licked Fan-Tan into shape for publication, it seems likely that the dyslexic Brando belonged to this elite company and never read this posthumously published novel. Without his name on it, the book would never have appeared under the imprint of a reputable publisher. Fan-Tan is