Book Reviews

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Not a bad neighbour, just difficult

The French rarely read books by foreigners about their history. This is a pity, for their own historians have not always done the job well. The ideological fault-lines of French intellectual life have obstructed understanding of France’s 20th century. A francocentric view of the world has added to the problem. So, until recently, has the absence of the tradition of lacerating self-criticism and collective guilt common in the rest of Europe. Dreyfus, the fall of France, Vichy, Indo-China, the Algerian war, these are all difficult and delicate subjects in France. Things are beginning to improve, but much of the best work on the country’s modern history is still being written

House-building and husbandry

Bess of Hardwick has usually been viewed as a hard-hearted schemer, an unscrupulous woman who triumphed in male-dominated Tudor England by never allowing emotion to impede her ambition. Allegedly driven by acquisitiveness and a lust for power, she married four times, always moving on to a husband richer than the last. Having gained a sizeable fortune, she sought immortality by founding a dynasty and building great houses, and this, too, has been seen as evidence of her predatory nature and instinct for self-aggrandisement. While no one can deny the beauty of her most famous creation, Hardwick Hall, few have doubted that the woman who erected it was deeply unpleasant. Now,

Tunes played by an enchantress

Frankie Burnaby is 12. She lives on a remote farm in British Columbia, where ‘the clear turbulent Thompson River joins the vaster opaque Fraser’. This novella, first published in 1947, charts the two conflicting emotional currents that, like the rivers of Frankie’s birthplace, struggle for dominance. Any new arrival is exciting in this thinly populated neighbourhood, and when beautiful, mysterious Hetty Dorval moves in, she is the object of intense fascination. Mrs Dorval arrives for no discernible reason and with no immediately discernible husband, just a dour guardian called Mrs Broom, a dog called Sailor, and, it is whispered, an unsavoury past. She is a Jamesian character, tainted by the

Prickles and thorns

One of the oddest forms of contemporary masochism is our passion for surveys that reveal how ignorant and stupid we have become. Scarcely a week goes by without the publication of some poll telling us how many schoolchildren believe that Churchill was victorious at Waterloo or that Hornblower commanded at Trafalgar. The teaching of traditional history has all but disappeared, surviving in just the one area where it should have been abolished: the perpetuation of nationalist myths. In his wise and stimulating new book, Allan Massie recounts the recent story of a Fife councillor who was banned from his local pub for abusing some English visitors on the grounds that

Mid-life midsummer madness

Many things lead to addiction and obsessiveness, even madness, but one of the most surprising, and lasting, is cricket. You don’t even have to be any good (I know); it can still take over too much of your life. Marcus Berkmann, a writer (how he finds time to write anything during the summer is a puzzle) is no great shakes at the game. His account of his annual batting-average varies, but he never claims even to approach double-figures. At university he and other cricket failures founded a necessarily doomed team called, with student gallows-humour, the Captain Scott Invitation XI. Berkmann wrote a book about this team’s misadventures called Rain Men.

Payment on delivery

Picture this scene: in the delivery room of a Botswana hospital, a woman howls with the pain of childbirth and her midwife becomes increasingly bothered that she is disturbing the other patients. Whatever tension there is in this exchange — a woman suffering labour without drugs, an underpaid, overstretched health worker having a bad day — it is transformed by the fact that the nurse is African, the mother-to-be British. ‘White women,’ the midwife huffs in annoyance and, in the process, identifies the dilemma at the heart of this book. There is a strong tradition of European women writing about their experiences in Africa. What attracts them? The call of

Bogeyman but not bigot

Edward Carson: even today, almost 70 years after his death, the name of the barrister and Unionist leader has the power to inspire hatred or adulation. A short time ago Ian Paisley was photographed at the election count in Belfast City Hall touching a bust of Carson as though it was a sacred relic. To his detractors, Carson stands in the same relation to the rancorous, sectarian creed of Paisleyism as Hitler does to neo-Nazism. Carson has not lacked biographers, notwithstanding the dust-jacket’s puff for this as the first modern biography. The three-volume official biography, started by Edward Marjoribanks, half-brother of the late Lord Hailsham, and completed by Ian Colvin,

The day of the underdog

To a British reader who knows the subject, 1776 may seem pretty thin. To one who doesn’t, it may be confusing. It is an account of the military history of a single year of the American revolution, so the ambitions of the author are oddly limited. David McCullough doesn’t explain why the revolution began. He doesn’t explain why the Americans won. He doesn’t even delve much into the origins of the Declaration of Independence, which was proclaimed in 1776, or reveal much about the men who signed it. But McCullough nevertheless demonstrates, once again, why he is America’s best-selling historian. For his book does lend colour and interest to events

From the inside looking out

Consider this. Does lightning ever strike twice in the same place? Along the magnolia corridors of the most expensive prison ever built in England, in the sombre half-light of a locked-fast double cell, it struck fatally (if metaphorically) once and almost fatally another two times before an oblivious prison service woke up to what was occurring right under their noses — a bizarre sequence of events which they eventually exposed as the premeditated machinations of a serial killer. ‘The Strange Case of Glenn Wright’ (as David Wilson himself entitles this meandering tale of dastardly homicidal intent) constitutes the most sensational section of this trenchant polemic. Although the author stops short

Marriage à la mode

It is surely rare to find a book that describes a marriage with such breathtaking intimacy as Diana Melly does in her autobiography, Take a Girl Like Me. Not only are both the leading players very much alive, most of the varied cast are still vigorously kicking. Mrs Melly writes the story of her grippingly unconventional life as the wife of that monstre sucré George with an astonishing yet matter-of-fact frankness. In almost any more humdrum liaison, the facts she recounts would matter like mad, and frankly might deter, even prohibit, any hint of matrimonial harmony. On the contrary, theirs has lasted, is lasting, for a near half-century, despite a

The Emperor’s real clothes

Like Philip Mansel I am a passionate believer in the importance of trivia in history, or rather what most academic historians would regard as such. Years ago, at the close of the Sixties, I was the first chair of the newly formed Costume Society, in the main because I could keep the warring women gathered around the table from tearing each other’s hair out. That society has just celebrated its 40th anniversary and both it and the course on the subject at the Courtauld Institute signal that the topic at last has gained status. It is the one which first drew me to history when I was a child and

Bring on the Colander Girls

Like Groucho Marx I tend to be rather ambivalent about joining clubs, but last November — in fact, exactly 48 hours before Deborah Hutton, author of this brilliant book subtitled ‘75 Practical Ideas for Family and Friends from Cancer’s Frontline’ — I unexpectedly found myself a member of what Hutton calls the last club in the world anyone would ever choose to join: ‘The Cancer Club. The only club in the world I can think of that is both rigorously exclusive and has no waiting list.’ But hold your horses, don’t flip to another review; this isn’t going to be a ‘Me and My Cancer’ piece. (I remember a ghastly

The Schleswig- Holstein Question answered

To anyone who enjoyed Fernand Braudel’s masterly work on the Mediterranean or Neal Ascher- son’s wonderful Black Sea, the idea of a book on the Baltic is an appealing one. It is Europe’s other great inland sea, fed by the snows of Scandinavia and rivers such as the Elbe, the Vistula, the Niemen and the Neva, ringed with cities such as Copenhagen, Stockholm, Helsinki, St Petersburg, Riga, Gdansk and L

Recent first novels | 30 July 2005

In 1991, A.S. Byatt wrote an introduction to a reissue of her first novel, The Shadow of the Sun (1964), in which she recalls that she had: the eternal first novelist’s problem … I didn’t want to write a ‘me-novel’ [but] I didn’t know anything — about life, at least. Highly autobiographical first novels are still out of fashion and even budding writers are expected to cast their eye away from themselves. And yet in our culture of instant gratification and celebrity, a writer’s reputation can depend almost exclusively on the critical reception of a first novel. The eternal problem today, it seems, is twofold: we expect first novels to

Golden lads and girls

In the first century bc, the wrestler Nicophon of Miletus was said to have a physique which would have made Zeus himself tremble. He literally outstripped his rivals at the Olympic Games. Nicophon’s mere name, Victory Voice, announced a champion, just as that of Schwarzenegger did in the Mr Universe — and, more recently, in the Mr Governor of California — contests. He had only to flex himself for the rest of the field to wilt. Fantastic is the lid-off Arnie of Thal, an Austrian village in which his father, once of the Nazi party, was postwar police chief. Laurence Leamer’s low-down becomes a pedestal on which Arnie’s occasionally lovable

The lower end of the higher good

This superb novel takes place in the remote settlement of Yazyk, at the end of a 100-mile spur off the Trans-Siberian Railway. It is 1919. Most of the inhabitants belong to a bizarre Christian sect who desire no part in the political upheavals further west. But events have intruded upon them in the form of a detachment of the Czechoslovak Legion. The soldiers are commanded by the terrifying Matula, whose flesh was ‘coarsely flayed by heat and cold and fevers and jaundices and scurvies gone by.’ While his exhausted men dream of escaping from years of fighting to Vladivostock, and thence home to Prague, Matula seems to contemplate establishing a

The barbarians within the gates

Spectator readers have known of Dr Dalrymple for many years through his regular column in this magazine. Every week we muddled our way through, unreflectively finding life all right and other people not so bad. Then, on Fridays we took Dr Dalrymple’s little magic pill and suddenly saw that we were knee-high in a rising sewer. The column was short and usually followed a pattern. There was an abbreviated story of a patient who had tried to kill himself or someone else. The Doctor’s questions revealed a little more of the patient’s disgusting life, and it ended with a comment by the patient showing his total lack of moral responsibility

From dumb to singing pictures

Patrick Caulfield’s paintings look specific while giving us tantalisingly little to go on. Where are we? Seemingly, a spotlight moves, the disc of dislocated brightness slithering over tablecloth, tankard, swirly-plastered wall and simulated half-timber. Could this be a Vermeer-themed hostelry for the discriminating guest? Details punctuate the ambience. Take a pew, why don’t we, and let each picture absorb us. Things like chained pen sets and buttoned-effect wallpaper are stimulants for Caulfield, his eye-catchers, his wherewithal. Everything about them, the silhouettes they present, the shadows they cast, the angle they are seen from, the way they are painted, is calculated to clue us in; intense colour, deployed with verve, makes

In search of fresh villains

More than any other literary form, perhaps, the thriller is at the mercy of history — especially that branch of the genre that deals with the rise and fall of empires, the clash of ideologies and the dirty secrets of nations. In the past, most thriller writers, from Buchan to Fleming and beyond, dealt with clear and, above all, present dangers to the body politic. They were concerned, some more plausibly than others, with a world their authors and readers recognised as contemporary. But history has changed direction, and so has the thriller. With the end of the Cold War, the genre has been forced to come to terms with