Book Reviews

Our reviews of the latest in literature

Saturday

Sam Leith Sam Leith

A roll call of honour

‘This,’ announces Max Hast- ings at the outset, ‘is an old-fashioned book.’ So it is, and it is none the worse for it. As a schoolboy, Hastings thrilled to a 1920s’ anthology called Stirring Deeds of the Great War. His own book, a Brief Lives-style collection of essays on 14 of the most colourful or daring figures in (roughly) modern warfare, offers many of the pleasures those deeds must once have stirred, now overlaid with a more considered, war historian’s interest in what drives the very few people who turn out to be exceptionally brave in harm’s way. It is an old-fashioned book in other respects too. It expresses a

Saturday

Stephen Abell

Small-town screwballs and surprises

In a 1925 essay, Freud unearthed an important linguistic truth about the concept of the uncanny (unheimlich). He noticed that it had drifted very close to its apparent antonym heimlich, which starts out as ‘homely’ and can, via ‘private and personal’, become ‘secretive and repressed’. This enabled him to offer the more important psychological insight that things closest to home can be the most disconcerting, that often the familial is really the least familiar. J. Robert Lennon has written a book of 100 anecdotes — between a couple of paragraphs and a couple of pages long — that chart the unpredictable nature of small-town life in middling America. And his

James Buchan

Tom Tiddler’s ground

For many people in the West, the Middle East is a source of perplexity and foreboding. Home to morose despotisms, political violence and a thoroughly ruined natural environment, the Middle East now sends us its refugees, headscarves and, most notably since 11 September 2001, violence. The peoples of the Middle East reply that their lives and political arrangements have been mutilated beyond repair by Western exploitation and bullying. This conversation, never very illuminating, has become even less so of late. Western reporters in the Middle East, restricted in their movements but relatively safe in their persons till the early 1980s, now find some stories simply too dangerous to report. In

John Martin-Robinson

The inside story

This posthumous book is the summation of a lifetime’s research into aspects of the 18th-century interior in the British Isles by the leading historian of the subject. I say British Isles, for John Cornforth had strong interests in Irish and Scottish Georgian architecture, as well as English. As the former architectural editor of Country Life and co-author, with the decorator John Fowler, of English Decoration in the Eighteenth Century (1974), he had already aired some of the themes developed here, and many of the subjects have appeared in articles in Country Life. It is useful, however, to have them all melded together into a seamless celebration of the golden age

Interconnect

England’s greatest export

Shakespeare was the great glory of England. So wrote Victor Hugo. But he added that if you went to England to admire the statue of Shakespeare you would find instead the statue of Wellington. The English did not like Shakespeare. His fame came to England from overseas. And Hugo believed that the French played their part in making the English conscious of his greatness. There is a generation of English people to whom this will appeal. Those who went to France after the Liberation found themselves taking part in discussions about Shakespeare such as they never knew in England. Central was Jean-Louis Barrault with his production of Hamlet. Was he

Toby Lichtig

White-water trip towards wisdom

In his 12th novel, Tim Parks revisits a subject that has been dominating his writing of late: the middle-aged man, plunged into crisis, forced to re- evaluate his life. Destiny (1999) revolved around a suicidal son and a crumbling marriage, Judge Savage (2003) involved a crumbling marriage and a distressed daughter. In Rapids, the divorce has already taken place, though death, rather than emotional pestilence, is the cause. Vince’s wife, Gloria, died suddenly of a stroke, though she did manage to phone him in the process. Now he is haunted by her final words: ‘I’m so, so sorry.’ Gloria was a keen kayaker, and Vince has taken her place on

Anne Applebaum

Defending the Marxist citadel

In the last several years, English-speaking readers have been treated to a plethora of Soviet history books unlike others before them. The opening of Soviet archives has given us everything from Antony Beevor’s Stalingrad to Simon Sebag-Montefiore’s book on Stalin’s court, to new biographies of Rasputin, Lenin and Trotsky. Now, however, we have The Soviet Century, the work of a respected American academic. It is a book whose qualities are not easy to describe. Speaking frankly, my first reaction to Lewin’s book was one of puzzlement. Despite reading the introduction, which promised a ‘presentation of general aspects of the system’, it took me quite a long time to work out

Interconnect

The unease of the distant East

Defying the geographical promise of its title, The India House turns out to be set in Shropshire. Here, in sequest- ered, Eden-era retreat, two generations of a decayed rentier family — embittered grandma Mrs Covington and frosty daughter Evelyn — are doing their utmost to prevent any noxious post-war fall-out from contaminating the third. They are abetted in this mission by fey Mr Henry, a failed Georgian poet deprived of his school- mastering job after ‘The Incident’, whose educative brief it is to provide Mrs Covington’s grand-daughter Julia with a curriculum from which all traces of the 20th century have been removed. Above this mirthless near-zenana hangs the penetrating scent

Bevis Hillier

Fumbling with the raw materials

Most great artists begin as mimics. They do not, as Clara Schumann claimed Brahms did, come into the world ‘ready-made’. Manet prided himself on painting ‘straight from nature’, but he had spent many hours copying Old Masters in the Louvre, and his friend Degas thought they were guiding his brush as surely as they were guiding his own. Van Gogh copied engravings in the Illustrated London News. Oscar Wilde gave himself a crash course of Restoration comedies before writing plays himself. We cannot expect too much of Philip Larkin’s apprentice pieces, collected in this book (which of us would like his contributions to the school magazine disinterred?); but they show

Saturday

Alan Judd

The King’s detective

In 1850 when William Melville was born in Sneem, Co. Kerry, there was no British secret service. There was the Secret Vote, used by the Foreign Office to pay the pensions of retired agents, code-breakers and letter-openers and as an embassy slush fund; and there were intelligence departments of the War Office and the Admiralty that grew and shrank according to need. But there was no permanent, established capacity for espionage or counter-espionage, and no secret — or, as they came to be called, political — police. By the time Melville died in 1917 there was M15 for counter-espionage, MI6 for espionage and the police Special Branch for conducting investigations

Jonathan Keates

The lower slopes of the magic mountain

The English don’t read German literature. This is not, I suggest, because of our vulgar prejudice towards the Germans for being the people they are and having the history they do. That over-repeated Fawlty Towers episode, those ‘Vorsprung durch Technik’ commercials and endless how-we-won-World-War-II documentaries keep such unselective loathing robustly alive, but in the case of books and authors the reason for our indifference is altogether simpler. Since most of us don’t speak the language, where are we to get hold of them? When, outside a secondhand bookshop, did you last stumble across a translation of Annette von Droste Hulshoff’s 1842 novella Die Judenbuche, a highly original fusion of thriller-writing,

Lloyd Evans Lloyd Evans

The not so beautiful game

Same rubbish, new wrapper. This is the criticism usually levelled at those big bad soccer clubs who put out a new kit every season with minor alterations. Where the clubs lead, the publishers follow. David Winner, the author of this rambling and incoherent discussion of the national game, is a theoriser so prolific that he can prove his case on one page and refute it a few paragraphs later. To show that English football is bloodier than the continental game he quotes the Frenchman Robert Pires: ‘Some of the tackles are like rugby. People will run you over.’ A little further on we hear that Ravanelli and Zola came from

Victor Sebestyen

An elegy for Yugoslavia

The title of this charming book refers to the last summer the author spent in her native city of Belgrade in 1986, just before she married an Englishman and emigrated to London. Twenty-four-year-old Vesna Bjelogrlic, as she then was, picked berries in the hills near her home to make jam. Nearly two decades later, when she discovers she has breast cancer, she imagines that her illness had been caused by poisoned fruit. Ukrainian winds had borne fallout from the Chernobyl nuclear reactor to her favourite strawberry fields. As a medical diagnosis this may lack scientific rigour, but Goldsworthy could claim minor celebrity as a teenage poet and she makes the

Philip French

Sunset over the Boulevard

Betsy Blair was born Elizabeth Boger in 1923 into a middle-class episcopalian family in New Jersey, her mother a teacher, her father an insurance broker. By the age of 12, this prodigiously confident child performer was dancing before Eleanor Roosevelt in Washington. At the age of 16 she came to audition at Billy Rose’s Manhattan nightclub, the Diamond Horse- shoe and, as in a Hollywood musical, she mistook the resident choreographer for a waiter. He was Gene Kelly, 12 years her senior, of whom she says in her attractive and evocative biography, ‘He gave me — and the world — an unforgettable legacy of joy.’ When they married two years

Nicolas Barker

Royal taste in reading

Henry VIII is the first English monarch whose features everyone knows. The sharp little eyes in the massive head, the golden beard, above all the commanding stance in which Holbein painted him, are infinitely familiar and always terrifying. This is the man who sent More and Cromwell, two of his wives and many others to the scaffold, who dissolved the monasteries and proclaimed himself head of a new English church. He was also the man who built up the navy and created the new, rich, confident Britain with imperial ambitions, but that is not so obvious in the portraits. Nor is his intellect, although it was that which distinguished him

Patrick Skene-Catling

Hunting the French fox

Which of the acts of courage does the title mean? In the Peninsular War, there were so many it’s hard to choose. In the seventh volume of the Matthew Hervey saga (a novel well able to stand alone), Allan Mallinson’s protagonist is a hero among heroes, when the cavalry was the cavalry and his regiment, the 6th Light Dragoons, Princess Caroline’s Own, seems in retrospect to have been an order of chivalry. Young Matthew, son of a country parson, was recently ‘an ink-fingered boy at Shrewsbury School’. Now he is a cornet, the most junior cavalry officer, in Wellington’s army. He is already a veteran of the famous retreat to

Hugh Cecil

A season in Hell

This sensitive, outspoken diary begins during the dark last days of the ‘dead little, red little army’, the British Expeditionary Force which bolstered the French left flank in Flanders from mid-August 1914. With the desperate defence of Ypres, through Hallowe’en into December, when the Germans were repeatedly beaten off, began the stalemate of trench warfare. The war was expected to be over by Christmas, but all that was over was any movement. The diarist, the redoubtable Sir Morgan Crofton Bt., was a regular soldier from a line of military forebears. Wounded in South Africa, he had retired at 35, as a captain in the Second Life Guards, early in 1914,

Salley Vickers

Chekhov in the home counties

Dorothy Whipple was once a highly regarded bestselling novelist and it is typical of the excellent Persephone books that they have restored her glory within their elegant silver jackets and distinctive floral end papers. In They Were Sisters, with its, surely intentional, Chekhovian undertones, Whipple explores the fortunes of three sisters: Lucy, Charlotte and Vera. Lucy is clever and studious but must abandon her intellectual aspirations when their mother dies and, in the custom of the times (the novel is set in Thirties Britain), Lucy, as the eldest, becomes duty-bound to raise her siblings. Charlotte is sensitive but wilful and, dis- regarding all the signals, marries an out-and-out rotter, while

Robert Salisbury

Rumours of death somewhat exaggerated

Geoffrey Wheatcroft is rarely dull in print and this book is no exception. It is a rattling good read, although more because of its knowledge of insiders’ gossip, its pithy judgments of both men and measures and the rhythm of its prose than because of the force of its central thesis. His judgments of men may be pithy, but they also often hit the mark. For instance, he recognises the Tory party’s recurrent faiblesse for charming mountebanks. So, he has Disraeli and Macmillan bang to rights and, while acknowledging Churchill’s greatness in 1940, he can say with perfect accuracy, ‘Churchill may have been the grandson of a duke, an Old

Saturday

Allan Mallinson

Dicing with death

A book on Waterloo as short as this (the text proper is 100 pages, small format) tempts a rush to judgment; it has certainly been widely acclaimed already. Paul Johnson’s dust-jacket puff says that the battle ‘is both one of the most decisive in history and the most difficult to describe’. Decisiveness is important: Waterloo is the first in a series called ‘Making History’. The editors, Amanda Foreman and Lisa Jardine, claim that ‘there are moments when a single event topples the most apparently certain of outcomes, when one intervention changes the course of history. They are the landmarks along the horizon of the past.’ Mercifully, Andrew Roberts’s prose is