Book Reviews

Our reviews of the latest in literature

Huddled masses yearning to breathe free

As asylum looks like being a key election issue, Caroline Moore- head reminds us of one simple truth. No one wants to be a refugee. No one wants to leave their home. They do so out of desperation, tortured, raped, witnessing terrifying abuse, or in terrible, straitened circumstances. Of course not all would-be immigrants are in fear of their lives, but a remarkably large percentage turn out to be so, and some 40 per cent are eventually granted refugee status or given exceptional leave to remain. Before all that, they will have paid vast sums to people-traffickers for perilous and terrifying journeys. Then, on arrival, their lives are subject to

Fits and starts

A book with a title like Epileptic does not raise high expectations: will it be an account of suffering nobly borne, or a worthy medical treatise perhaps? Not a bit of it, this memoir is a graphics extravaganza spread over 361 pages, bursting with energy and wild imaginings, a comic tour de force that is as emotionally gut-wrenching as it is visually stunning. For those who associate the word ‘comic’ with Dan Dare and the Eagle, or the firm of D. C. Thomson, this book will be a revelation, an eloquent (probably more so in the original French than in this American English translation), moving and relentlessly honest dissection of

Tunnel of love vision

Tim Madden, the narrator of Norman Mailer’s Tough Guys Don’t Dance (1984), offers a perceptive instance of literary criticism when he recalls that ‘the best description of a pussy I ever came across was in a short piece by John Updike’. However, even that is not enough for him: what he would really like, he concludes presciently, would be ‘to have him guide me through the inside of a cunt’. It is perhaps too simplistic merely to remark that Villages grants Tim Madden’s wish several times over, or to spot that six of the 14 chapters are, accurately, as it turns out, entitled ‘Village Sex’. Certainly, it is easy to

The painter properly portrayed

We are continually told that biography is the dominant literary expression of the age, that Britain, in particular, is a nation of biographers, and that the new Oxford Dictionary of National Biography is the massive climax of this protracted love affair. Even our fiction suppurates with real-life figures both past and present, from Mrs Thrale and Charles Lamb to Henry James, Alma Cogan and Baroness Thatcher. Biographies of politicians and adventurers, duchesses and spies, consorts and comedians hog the limelight on the publishers’ seasonal lists. But artists receive only sporadic attention. It is true that most of the leading British painters and sculptors have been ‘done’, some more than once,

He didn’t linger

The Australian Robert Dessaix, a Russian scholar, chooses to regard himself, in relation to Western civilisation, as an ancient Greek might have considered a Phrygian or a Scythian — a barbarian outsider. This, he believes, brings him even closer to his beloved and Russian Turgenev, who spent most of his adult life outside Russia, but whom his lifelong love, the French opera singer Pauline Viardot, always regarded as ‘a barbarian’. This famous love leads Dessaix to speculate about the nature of love itself. It was ‘triangular’, in the sense that Viardot was married, and, in the manner of the 12th-century troubadours, it became a ‘courtly love’. Turgenev more or less

A celebration with a warning

Geoffrey Hill publishes books in verse rather than collections of poems. This is admirable but presents a reviewer with problems. You want to recommend him more or less unconditionally as England’s best hope for the Nobel Prize. At the same time, there is the risk that new readers, acquainted with the easy-going chattiness of Betjeman, say, or Larkin, may find this writer too dense and allusive. Scenes from Comus is a case in point. Read it once, by itself, and you may struggle. Read it as the envoi it really is to Hill’s previous books, the last four in particular, and you will discover clarity as well as density, as

A tongue that still wags

Among the unexpected pieces of information in this enjoyable ramble among the picturesque ruins of the Latin language is the name of a good restaurant if you should find yourself at Larroque in Tarn. The advice comes under B, for Bonum vinum laetificat cor hominis, ‘good wine cheers the heart of man’, an adage written calligraphically on the wall of the Restaurant Le Roucanel. (The thought comes from Psalm 104, though Mr Gray doesn’t mention that.) No great Latinist myself, I was glad to find Long Live Latin to be the welcoming Hampton Court Flower Show of Latin; Chelsea gold medallists might no longer care to walk among such (to

The case of the missing parrot

At the centre of Michael Chabon’s earlier novel, The Amazing Adventures of Kavalier and Clay, was a comic book hero known as the Escapist. That book weighed in at a portly 656 pages. The Final Solution revolves around Sherlock Holmes and is a mere stripling by comparison, scarcely more than a novella illustrated with stiff little line drawings. It is a slim novel with a fat one trying in vain to get in. In July 1944, the war is nearing its end and Holmes is teetering on the edge of dotage, a prospect that scares him far more than the Reichenbach Falls. Still keeping bees and smoking foul-smelling shag, he

From pirate to policeman

The subtitle of this large history, ‘How the British Navy Shaped the Modern World’, is a generous tribute from the American professor who wrote it. Based on very wide reading of secondary sources, the author has little new to say in a book which opens with Drake and closes with the Falklands campaign. He has, however, very much his own point of view and he supports it by notable narrative gifts. Ready always to give individuals credit and to disclose their personal idiosyncrasies, he does not hesitate to record the shortcomings or to criticise the misjudgments of those whom he admires. Thus while Drake is recognised for the bold and

A day in the life of a surgeon

As a foreword to this excellent novel Ian McEwan quotes a passage from Saul Bellow’s Herzog, in which the bedevilled protagonist launches a passionate indictment of the moral disorders of his time, extracting from them a small nugget of hope, or rather of value, to set against his justified despair. Bellow or Herzog is explicit: McEwan’s Henry Perowne is more measured, is even mandarin, in his survey of the life he is living. Like Herzog, Perowne lives in interesting times. It is February 2003, and the peace marchers are gathering in Gower Street, near to Perowne’s spacious Bloomsbury house and within walking distance of his hospital, which is presumably in

A continent on a learning curve

Welshmen will know what Le Goff’s name means. To mediaevalists it conveys not only Smith, but all that is gracious, gilt-edged, and grandfatherly among French historians. Or, as one of the blurbs puts it, rather unkindly, ‘He is among France’s “great” historians.’ That means great in the special sense of an institutionally sanctified professor doomed in old age to confer imprimaturs on the work of others, to employ a ‘team’ of research assistants for his own, and to compose ponderous pensées such as ‘Today comes from yesterday and tomorrow emerges out of the past.’ Don’t laugh. He’s 80, and has written three thought-provoking books which shed light on three dark

An endearing underachiever

‘I am beginning to see that brain counts for little but that character counts for everything,’ wrote Harold Nicolson, in one of those flashes of self-perception which from time to time brilliantly illuminated his life. ‘It is not a pleasant thought as my character is weak and easily influenced.’ He was only just 17 when he articulated that particular piece of self-deprecation; he would have said exactly the same 60 years later and been right on both occasions. His ability to diagnose his weaknesses, coupled with a total inability to do anything to rectify them, was one of his most endearing characteristics; it also explained why his various careers, in

A woman of some importance

The writer William Mayne has said, ‘I don’t know why there are supposed to be only two sexes. I can think of at least eight, even before you get to women.’ Mary Wollstonecraft, though no wit, would have been pleased with this. She saw herself as neither male nor female but ‘a new genus’, one who must always ‘follow her own track’, and be ‘tender’ but intransigent. She could not see herself as of the same species as other girls who seemed to live for marriage — any marriage — to escape the shame of poverty and spinsterhood. She herself had been the child of a terrible marriage; her father

He was the first to blink

This book illuminates Brown and his circle: they appear paranoid and anyone who challenges them has to be done in. Robert Peston acknowledges some of this, and is occasionally critical of Brown but more often laudatory. It is typical of the Brown camp to co-operate on the book and then dismiss its contents as tittle-tattle. The purported betrayal of Brown by Blair over the leadership is familiar, but the evidence weak. Much of the ‘proof’ is based on unattributed or second-hand comments. Blair is a master of ambiguity and, as Peston points out, Brown’s wishes could sometimes be father to the thought and his reports of conversations with Blair are

The weedy wanderer

The biographers, like eager heirs round a deathbed, were amassing by Robert Louis Stevenson’s side while he was still breathing. The story, they could tell, was going to be just too good. The age loved a youthful demise, and anyone could see that Stevenson was not going to make old bones. They were quite right, and the myth of Stevenson has gone on inspiring countless biographers ever since. It’s very surprising that Claire Harman’s publishers claim that ‘no biography has yet done justice’ to Stevenson. This ground has been gone over so many times, and it is a bold biographer who thinks that a small change in circumstances — in

Life and letters | 29 January 2005

In this week’s Cease and Desist Department, it’s Grange Hill. For many tens of thousands of grown men and women worldwide, the names Tucker, Zammo and Mrs McCluskey are enough to induce an instant rapture of nostalgia: the mind’s ear fills with the sardonic, boingy guitar of the theme tune; the mind’s eye with the single sausage of the cartoon title sequence, wobbling forever on the end of its fork. For some time now, this constituency has been catered for by the existence of a non-profit website called www.grangehillfans.co.uk. Now, however, creator Phil Redmond’s Mersey TV, who took over production duties from the Beeb two years ago, are worried about

Per ardua ad . . . ?

Seeing from my window the other day a Eurofighter manoeuvring at low level over the Moray glens, I was reminded once more of the Royal Air Force’s certainty when it comes to knowing what it wants. For here is an aircraft superbly optimised for its role: air-to-air combat against the best the Soviet air force could put up. That there is now no need of such a fighter hardly seems important when you see its sheer flying quality. What does it matter that, say, the Queen’s Lancashire Regiment (and others) will be axed to make room for this magnificent cuckoo in the Defence nest when so many jobs at BAE