Book Reviews

Our reviews of the latest in literature

Saturday

Anne Chisholm

The limits of post-mortem knowledge

Not many collections of old reviews and lectures make worthwhile books, no matter how skilfully topped and tailed; but everything Hermione Lee, who both writes and teaches biography, has written about the state of the biographer’s art in recent years is worth re-reading. The title is off-putting, suggestive of the morgue, and there is something irritating about the subtitle as well: ‘life-writing’, apart from being clumsy, suggests that ‘biography’ is somehow old-fashioned, perhaps unlikely to lure students to a seminar. However, Professor Lee justifies the term by pointing out the incontrovertible fact that there are many different ways for writers to tell life stories — memoir, autobiography, journalism, diaries, letters,

Caroline Moore

Baby, it’s cold outside

The very title of Leaving Home announces a quintessential Brook- ner theme. A heroine in her novels will always face a struggle to escape, not only from an airless, restrictive upbringing (almost invariably embodied in a claustrophobically close relationship with her mother), but also from traits embedded in her own character. Her problem is that she has been so moulded by maternal genes and love, so bonded and bounded by her environment, that her character has become inseparable from her upbringing — and can, indeed, only be described as a ‘mindset’. Emma Roberts has been brought up by her widowed mother, cocooned in mutual love ‘so exclusive … that it

Raymond Carr

Micawber with a touch of Skimpole

Biographers, in their desperate search for a suitable subject hitherto undiscovered by their professional colleagues, sometimes light on a figure once well known, but who has fallen into disrepute. Such was the fate of Leigh Hunt, now resurrected in these two books. Anthony Holden is a professional biographer whose subjects have ranged from Olivier and the Prince of Wales to Tchaikovsky. Using the abundant written sources of the epoch, he has produced a long, well-researched life of Hunt from his fame as a schoolboy poet in 1800 to his death in 1859. Professor Roe is a distinguished literary critic and historian of the Romantic movement. His learned and perceptive book

Geoffrey Wheatcroft

Defeat and betrayal

When Paul Foot died last July, he was more widely and deeply mourned than any other journalist for years past, apart perhaps from his great friend Auberon Waugh. Born in 1937, he was a contemporary of the gang who founded Private Eye (and whose mortality rate has been frightening: few of the original group made it to 70, and many not even to 60). Although he wrote over the years for many papers, he always returned as if by instinct to Private Eye. He occupied a special place there, the proverbial piano player in the brothel. When anyone complained about the spiteful tittle-tattle or mean-spirited jokes (which is of course

Saturday

Brendan O’Neill Brendan O’Neill

A floating, maybe drowning voter

John Harris, the mop-topped commentator from Manchester, better known as a music journalist (and a very fine one) than a political correspondent, is in a pickle. Having voted Labour his entire adult life, he now finds himself horrified by the New Labour project, and by Blair and Blairism in particular, and wonders whether it isn’t time to swear allegiance to another party. In Harris’s childhood home ‘the Labour Party was like Church’, and that morning in 1985 when, as a 15-year-old, he came down to breakfast to find a Labour party membership form next to his cereal bowl it was the ‘equivalent of Confirmation’. In So Now Who Do We

Julia Neuberger

Huddled masses yearning to breathe free

As asylum looks like being a key election issue, Caroline Moore- head reminds us of one simple truth. No one wants to be a refugee. No one wants to leave their home. They do so out of desperation, tortured, raped, witnessing terrifying abuse, or in terrible, straitened circumstances. Of course not all would-be immigrants are in fear of their lives, but a remarkably large percentage turn out to be so, and some 40 per cent are eventually granted refugee status or given exceptional leave to remain. Before all that, they will have paid vast sums to people-traffickers for perilous and terrifying journeys. Then, on arrival, their lives are subject to

Lloyd Evans Lloyd Evans

A guide who opens eyes

Is there a more charming literary companion than Al Alvarez? In this extended series of lectures he examines the writer’s creative method, or ‘voice’, as he metaphorically terms it. His own voice comes through loud and clear, a seasoned, colloquial, authoritative and highly polished channel for his telling insights and throwaway erudition. He flits with ease across the centuries. On one page he is in the 1920s, breathing new life into antique disputes about free verse and quoting Pound’s advice to Modernist poets ‘to compose in sequence of the musical phrase, not in sequence of the metronome’. On the next page he is deep in the 17th century, uncovering this

Tony Gould

Fits and starts

A book with a title like Epileptic does not raise high expectations: will it be an account of suffering nobly borne, or a worthy medical treatise perhaps? Not a bit of it, this memoir is a graphics extravaganza spread over 361 pages, bursting with energy and wild imaginings, a comic tour de force that is as emotionally gut-wrenching as it is visually stunning. For those who associate the word ‘comic’ with Dan Dare and the Eagle, or the firm of D. C. Thomson, this book will be a revelation, an eloquent (probably more so in the original French than in this American English translation), moving and relentlessly honest dissection of

Stephen Abell

Tunnel of love vision

Tim Madden, the narrator of Norman Mailer’s Tough Guys Don’t Dance (1984), offers a perceptive instance of literary criticism when he recalls that ‘the best description of a pussy I ever came across was in a short piece by John Updike’. However, even that is not enough for him: what he would really like, he concludes presciently, would be ‘to have him guide me through the inside of a cunt’. It is perhaps too simplistic merely to remark that Villages grants Tim Madden’s wish several times over, or to spot that six of the 14 chapters are, accurately, as it turns out, entitled ‘Village Sex’. Certainly, it is easy to

Richard Shone

The painter properly portrayed

We are continually told that biography is the dominant literary expression of the age, that Britain, in particular, is a nation of biographers, and that the new Oxford Dictionary of National Biography is the massive climax of this protracted love affair. Even our fiction suppurates with real-life figures both past and present, from Mrs Thrale and Charles Lamb to Henry James, Alma Cogan and Baroness Thatcher. Biographies of politicians and adventurers, duchesses and spies, consorts and comedians hog the limelight on the publishers’ seasonal lists. But artists receive only sporadic attention. It is true that most of the leading British painters and sculptors have been ‘done’, some more than once,

Saturday

Interconnect

He didn’t linger

The Australian Robert Dessaix, a Russian scholar, chooses to regard himself, in relation to Western civilisation, as an ancient Greek might have considered a Phrygian or a Scythian — a barbarian outsider. This, he believes, brings him even closer to his beloved and Russian Turgenev, who spent most of his adult life outside Russia, but whom his lifelong love, the French opera singer Pauline Viardot, always regarded as ‘a barbarian’. This famous love leads Dessaix to speculate about the nature of love itself. It was ‘triangular’, in the sense that Viardot was married, and, in the manner of the 12th-century troubadours, it became a ‘courtly love’. Turgenev more or less

Peter Jay

From heroes to hicks

The flavour of Stephen Graubard’s account of the American presidency in the 20th century may be quickly grasped from his comparison of the only two presidents to follow their fathers into the White House, John Quincy Adams (1825-29) and George W. Bush (2001-?): Adams, fluent in seven languages, accomplished in both science and mathematics, took pride in the cultivation he had acquired through years of living in close proximity to his gifted and influential father, benefitting from his schooling in Paris and service as a very young man as an additional secretary to the American negotiators that ended the war with Britain …. A student at the University of Leiden

Grey Gowrie

A celebration with a warning

Geoffrey Hill publishes books in verse rather than collections of poems. This is admirable but presents a reviewer with problems. You want to recommend him more or less unconditionally as England’s best hope for the Nobel Prize. At the same time, there is the risk that new readers, acquainted with the easy-going chattiness of Betjeman, say, or Larkin, may find this writer too dense and allusive. Scenes from Comus is a case in point. Read it once, by itself, and you may struggle. Read it as the envoi it really is to Hill’s previous books, the last four in particular, and you will discover clarity as well as density, as

Christopher Howse

A tongue that still wags

Among the unexpected pieces of information in this enjoyable ramble among the picturesque ruins of the Latin language is the name of a good restaurant if you should find yourself at Larroque in Tarn. The advice comes under B, for Bonum vinum laetificat cor hominis, ‘good wine cheers the heart of man’, an adage written calligraphically on the wall of the Restaurant Le Roucanel. (The thought comes from Psalm 104, though Mr Gray doesn’t mention that.) No great Latinist myself, I was glad to find Long Live Latin to be the welcoming Hampton Court Flower Show of Latin; Chelsea gold medallists might no longer care to walk among such (to

Andrew Taylor

The case of the missing parrot

At the centre of Michael Chabon’s earlier novel, The Amazing Adventures of Kavalier and Clay, was a comic book hero known as the Escapist. That book weighed in at a portly 656 pages. The Final Solution revolves around Sherlock Holmes and is a mere stripling by comparison, scarcely more than a novella illustrated with stiff little line drawings. It is a slim novel with a fat one trying in vain to get in. In July 1944, the war is nearing its end and Holmes is teetering on the edge of dotage, a prospect that scares him far more than the Reichenbach Falls. Still keeping bees and smoking foul-smelling shag, he

Saturday

Richard Ollard

From pirate to policeman

The subtitle of this large history, ‘How the British Navy Shaped the Modern World’, is a generous tribute from the American professor who wrote it. Based on very wide reading of secondary sources, the author has little new to say in a book which opens with Drake and closes with the Falklands campaign. He has, however, very much his own point of view and he supports it by notable narrative gifts. Ready always to give individuals credit and to disclose their personal idiosyncrasies, he does not hesitate to record the shortcomings or to criticise the misjudgments of those whom he admires. Thus while Drake is recognised for the bold and

Anita Brookner

A day in the life of a surgeon

As a foreword to this excellent novel Ian McEwan quotes a passage from Saul Bellow’s Herzog, in which the bedevilled protagonist launches a passionate indictment of the moral disorders of his time, extracting from them a small nugget of hope, or rather of value, to set against his justified despair. Bellow or Herzog is explicit: McEwan’s Henry Perowne is more measured, is even mandarin, in his survey of the life he is living. Like Herzog, Perowne lives in interesting times. It is February 2003, and the peace marchers are gathering in Gower Street, near to Perowne’s spacious Bloomsbury house and within walking distance of his hospital, which is presumably in

Eric Christiansen

A continent on a learning curve

Welshmen will know what Le Goff’s name means. To mediaevalists it conveys not only Smith, but all that is gracious, gilt-edged, and grandfatherly among French historians. Or, as one of the blurbs puts it, rather unkindly, ‘He is among France’s “great” historians.’ That means great in the special sense of an institutionally sanctified professor doomed in old age to confer imprimaturs on the work of others, to employ a ‘team’ of research assistants for his own, and to compose ponderous pensées such as ‘Today comes from yesterday and tomorrow emerges out of the past.’ Don’t laugh. He’s 80, and has written three thought-provoking books which shed light on three dark

Philip Ziegler

An endearing underachiever

‘I am beginning to see that brain counts for little but that character counts for everything,’ wrote Harold Nicolson, in one of those flashes of self-perception which from time to time brilliantly illuminated his life. ‘It is not a pleasant thought as my character is weak and easily influenced.’ He was only just 17 when he articulated that particular piece of self-deprecation; he would have said exactly the same 60 years later and been right on both occasions. His ability to diagnose his weaknesses, coupled with a total inability to do anything to rectify them, was one of his most endearing characteristics; it also explained why his various careers, in

Interconnect

Self-exiled by bad dreams

About Grace is about David Winkler, a man crippled and made fearful by the accuracy of his dreamed premonitions — a man who foresees future events and who is then constrained to watch them unfold. He dreams of a man killed in an accident and then witnesses that accident. He dreams of meeting his future wife and then encounters her exactly as foretold. And then he dreams of the death by drowning of their one-year-old daughter, Grace — a death in which David Winkler himself plays a large part. In an effort to forestall this, Winkler decides to leave the only two people he loves, escape to the Caribbean, and