The latest and the best
For once the publisher’s blurb has it right. This is a ‘sweepingly ambitious’ project, written by a ‘towering and often provocative figure in musicology’, ‘an accomplished performer as well as scholar’ who, while achieving numberless other things, contributed ‘160 articles on Russian composers’ to the New Grove. I can personally vouch for his toweringness, his provocativeness and his work as a performer, my experience of the latter commencing in Smoky Mary’s on 42nd Street in 1978 when he conducted a concert of Eton choirbook polyphony. It is perhaps comforting to know that the author of an epic like this both wrote up all those (largely 19th- and 20th-century) Russians and