Book Reviews

Our reviews of the latest in literature

Saturday

Byron Rogers

From the sublime to the ridiculous

Hah, that’s had you fumbling with your bi-focals, but no, there is no printing error. It is £375. The Gregynog Press, which in 1923 started its eventful history with a volume of poems by George Herbert, has now 80 years later published a selection chosen by his kinsman the Earl of Powis, with engravings by Sarah van Nierkerk. This appears on the eve of the UK Fine Press Book Fair in the Oxford Brookes University on 1 November and it would require a battalion of the British Army to prise its purple quarter leather and gold lettering from hands which have never held anything like this before. My hands. And

Jonathan Mirsky

More honest than most

It is a mark of the excellence of this memoir by the highest-ranking woman in American history, ex-Secretary of State Madeleine Albright, that it could not have been written by a man. Imagine Douglas Hurd saying that the happiest years of his life were with a spouse who dumped him for a younger woman and that if he could have kept his wife he would have given up a public career. In his recent memoir, in fact, Mr Hurd skates past his divorce, while the serialisation of her book and recent interviews with Ms Albright have mentioned barely anything else. Or imagine a male foreign minister saying, after days and

Adam Zamoyski

Solving the Polish conundrum

The Warsaw uprising of August 1944 was one of the most tragic episodes of the second world war, resulting in the destruction of the city and some 200,000 of its inhabitants. It is also one of the least well known. The fact that the Red Army had stood by while the city was pounded to rubble by the Germans meant that the subject was a touchy one in postwar communist Poland. And it was no less embarrassing to Poland’s wartime allies in the West, who had also failed to help. It was avoided by historians, as it aroused unease in those who liked to see the war as a straight-

Saturday

Lucy Moore

From chrysalis to butterfly

John Fowles’s diaries — or ‘disjoints’, as he calls them — are evidence of his own theory that while some writers have a genius for a specific genre, others ‘have merely a universal mind’. ‘I’m a mind-writer … I feel master of none, yet at home in all,’ he wrote in 1954, about halfway through this first volume which runs from his student days in 1949 until 1965. And why not present all one’s work — if one is a mind-writer (much more occupied with ideas than with words) — as it comes out; in years, or periods of time; short stories, fragments of plays, poems, essays, notes, criticisms, journals;

Jonathan Sumption

Politically almost too correct

Douglas Hurd’s political career ended only eight years ago, but it already seems to belong to another world. When he entered the House of Commons in 1974, at the age of 44, after a career in the diplomatic service, politics was still available as a second career. It had not yet been wholly professionalised. Overpowering ambition was not necessarily a qualification for the job. There was still a handful of fine political orators in the House, but Hurd felt no pressing need to add to their number. He was thoughtful without being original. He founded no movements. He joined no factions. He broke no moulds. Douglas Hurd built a distinguished

John Martin-Robinson

The stateliest and the starriest

This elegant synthesis (you can tell immediately that Simon Jenkins is an Oxford man and not a product of the other place) is intended to complement the author’s successful Thousand Best Churches. It could be argued that England’s houses are much better known than its churches and that this sister volume is hardly essential. ‘Not another book on country houses!’ Such an attitude would be graceless. For those who do not know their houses, this is an excellent general guide: it is impressively comprehensive in its coverage, and the entries are clearly written. For those who are already house buffs, Jenkins’s Best Houses should be regarded as an intelligent conversation

Jonathan Keates

Tidings of comfort and joy

He was born to a virgin honoured with the attentions of the most high god. He assumed human form and gathered disciples around him who were derided for their adoration. Having performed a variety of miracles and made a journey to the underworld, he ascended to heaven, where he joined his father, president of the immortals, as the latest manifestation of personified divinity. In some versions of the story he took his mother with him. Was it embarrassment at the uncanny similarities between the myth of Dionysus (a.k.a. Bacchus) and the life of Jesus which caused early Christian writers to anathematise the cult of the pagan deity so vigorously? In

David Crane

The sea monster that never was

It is never easy to tell a story that everyone knows and still harder to tell one that everybody thinks he knows. For more than 200 years the mutiny on the Bounty has been part of British folklore, and its main protagonists — William Bligh and Fletcher Christian — enshrined in myth as types of brutal oppression and romantic defiance. The interesting thing about the Bounty story, too, is just how early this popular caricature of events succeeded in passing itself off as history. For a brief period on his return to England Bligh found himself widely feted, but even before he had completed his second journey in search of

Robert Edric

Tales of the expected

Introducing the first true Dave Eggers’ McSweeney production (and it is a production — jacket, binding, illustrations, chapter headings and all) to be published here, Michael Chabon explains that the starting point for this eclectic collection is the notion that all the short genre fiction which once supported American magazines of the Fifties should be considered no less valid a part of the present literary landscape as the ‘sparkling, plotless and epiphanic’ stories of which it is all too often currently comprised. Where today, he asks — and here one has to wonder how hard he actually looked — is the ghost story, the horror story, the detective story, the

Roger Lewis

A clump of plinths

The joke surely with Monty Python is that these trainee doctors, accountants, solicitors and bank managers, who met at college when they were reading law or medicine, never really stopped being those respect- able middle-class things. There’s an air of put-on daftness about the Pythons; this is an end-of-term cabaret by the chumps from Management and Personnel. They remind me of those prats in the front row of the last night of the Proms who think it wildly funny to bob up and down in time to Henry Wood’s ‘Fantasia on British Sea Songs’; or they are the committee of the Goon Show Preservation Society, eating damp sandwiches and ordering

Matthew Dennison

A group of noble dames

‘Lucy could have wished that Florence were not quite so ingenuous. One should not seize on a delicate implication and put a pin through it,’ writes Frances Towers in ‘The Chosen and the Rejected’, one of ten short stories published in 1949, the year after the author’s death, as Tea with Mr Rochester, here reprinted by Persephone. Frances Towers’s writing is full of delicate implications; happily for the reader, each is neatly pinned. Such is the deftness of her touch, her elegant leger- demain, that she conceals the building blocks of her artistry, simply nudging the reader towards recognition of that implication that repeatedly in her stories provides the denouement.

James Richard-Palmer

Lonely confessions

The 2003 Shiva Naipaul Memorial Prize winner.There were more than 100 entries from a total of seven countries. The runners-up were Henry John Elsby Sanderson, Enrico Boerger, Gregory Lourens, Matthew Lawrence Holmes, Simon Rew, Kevin Barry and Joanna Elizabeth Streetly. Harry was eight, and he bore the mark of a victim. It wasn’t that he was especially stupid or clumsy or weak; it was a perpetual feeling of shame. His walk was slow and slightly stuttering, as though he was trespassing somewhere far above his station and expected to be exposed at any minute. He’d chosen his English name in imitation of the wizard hero, and found that every third

Saturday

Andro Linklater

That land is their land

In 1961 the anthropologist Richard Mason was exploring a river in southern Amazonia when he was ambushed by a hitherto unknown tribe of Indians, later identified as the Panar

Brian Masters

Aches and aphorisms

It is difficult to demonstrate why the Lees-Milne diaries, of which this is the tenth volume, are among the best of the 20th century. Easy to feel why, for you race through the pages with addictive passion, not wishing to miss a word, but awkward to justify the excitement. These are not records of momentous events (Greville or Nicolson or Channon), nor cleverly turned insults (overrated Alan Clark). They are simply the thoughts of an educated, emotional, rueful man with his eyes and ears perpetually on the alert for what makes human beings interesting or foolish, written with such tasteful ease one swallows them like Belgian truffles. They are nearer

Julie Burchill Julie Burchill

Youth, I do adore thee

At the risk of being vulgar, I can’t help thinking that Dr Greer’s (‘At least she’s got an “ology!”’, I always say in her defence, when callow acquaintances mock her) attitude to matters sexual goes up and down like a bride’s nightie. Whereas most of us, thanks to our helpful male classmates, learn whether we are ‘frigid’ or ‘nympho’ back in Big School, and more or less manage to stick to these guidelines for the rest of our natural lives, the good professor’s libido has historically been all over the shop. Starting out as a young blood who was happy to pose not just in the altogether for underground magazines,

Stephen Abell

The play’s the thing

The early life of Arthur Miller reads a bit like the first chapters of The Adventures of Augie March by Saul Bellow: a precocious Jewish boy during the Great Depression, an influential older brother, an adolescent sexual awakening with a prostitute. Indeed, his life as a whole — in which he was to marry and divorce Marilyn Monroe, be found in contempt of Congress for refusing to name (fellow) communists and write his century’s greatest play — contains narrative, novelistic elements that cannot fail to compel: sex and celebrity, politics and theatrics, tragedy and Tragedy. In 1987, Arthur Miller turned it into a narrative work in the sprawling, creatively crafted

Ray Monk

When physicists don’t see eye to eye

When Michael Frayn wrote Copenhagen, he could surely scarcely have imagined the interest it would generate and the furore it would cause. A play that consists almost entirely of erudite conversations between two eminent physicists (Niels Bohr and Werner Heisenberg) about the development of quantum theory and the moral responsibilities of nuclear scientists is not obviously a crowd-puller. And yet, five years after its première, the play is still being performed and is still the subject of hotly contested academic debates at conferences throughout the world. Apart from the concern of scientists and historians in getting the facts right about Heisenberg’s visit to Copenhagen in 1941, the interest roused by

Ian Garrick-Mason

A regiment to reckon with

In the spring of 1990, at the age of 21, I found myself sitting on an English hillside in the sun as one member of a brand-new training platoon of British squaddies. Having been marched up hill and down dale for a couple of hours that afternoon, we were handed large cans of beer by the corporals and told to stand up one by one — in front of the platoon, its NCOs, and its lieutenant — to explain what motivated us to join the Light Division. As a university-educated Canadian, my own reasons were odd-sounding and faintly naive, while the other soldiers’ reasons had an enviable clarity: ‘I got

James Delingpole James Delingpole

Ideas received or rejected

Until I read his enthralling account of what it’s like to be a middle-class sixtysomething crack addict, I’d never quite appreciated the genius of William Donaldson. I know his Henry Root letters are supposed to be very satirical but I found them a bit hard going myself — like a complex in-joke that you really need to have been somewhere weird like Harrow to understand. Initially, I felt the same way about I’m Leaving You Simon, You Disgust Me. Like Root, it’s sure to be found in every middle-class downstairs loo everywhere by the time Christmas is over, but on my first flick-through it seemed to me to fail in

Sebastian Smee

A great painter’s likeness perfectly caught

Robert Hughes has suffered no shortage of appalling things over the past five years. He has experienced deep depression and a second divorce; he suffered atrocious injuries in a car crash which came within inches of killing him, and has had to undergo 12 operations to piece his body back together again; a feeble attempt was made to blackmail him; he was tried for reckless driving; a scathing attack on his character was conducted in the Australian media on account of his perceived arrogance; he became an unwelcome figure of contempt in his own country, and his estranged only son committed suicide. From an outside perspective, all this has been