Book Reviews

Our reviews of the latest in literature

The higher the fewer

What to do if you plan a book whose essence is a single parachute drop? And what to do if, apparently, that particular parachutist was not deeply committed to the book? Similarly, if your two previous books have been Soup and Mushroom, and if your career has involved theology, minicab-driving, obituary writing, and founding a chain of soup bars, how can you detail the physics and technology embodied in such a subject as high-altitude parachuting? This actual drop was no casual tumble from the skies, being the highest ever such descent, starting at 102,000 feet above the earth and landing safely in New Mexico on 16 August 1960. No one

Off the straight and narrow

The picture of a maverick which emerges from this book is ever more strongly drawn. In this sequel to his auto- biographical No Voice from the Hall, published in 1998, John Harris takes us forwards, backwards and sideways around his earlier account. There is less fishing, and the kindly figure of ‘Snozzle’, his Uncle Sid, the upholsterer-cum-antique dealer who ‘took on’ Harris in his teenage years, appears only fleetingly. The anecdotes are more circumstantial, the edited and neatly dovetailed snapshots of the conservative upbringing against which Harris revolted, and subsequent revolts against authority in all its forms. Harris the putative anarchist, destined for grammar school and a red-brick university, takes

Mr Nice and Mr Nasty

Quentin Crisp was, among other delightful things, a human paradox. He loathed the Gay Liberation Movement as bitterly as he despised Oscar Wilde, yet he did more than anyone else to change people’s attitudes towards homosexuality. He was unashamedly flamboyant, yet spinsterish and celibate; the sex act, he explained, was like ‘undergoing a colostomy operation without anaesthetic’. He was flippant yet wise. He hated England, but became an English figure of affection. Born Denis Pratt, he ‘dyed’ his name Quentin in his early twenties. His childhood was spent in ‘middle-class, middling, middle-brow’ suburbia where his unusual appearance prompted his father to expostulate that he looked like a male whore. Andrew

Browsing for escape

The fine, rusty-gold building of the University Press presides over Walton Street in Oxford with its more monumental than collegiate presence. The touchstone of literacy in homes all over the world will be an Oxford dictionary, compact, shorter or the full, distinguished thing. The livery of the press is recognisable everywhere, ultramarine and gold. Reliably compendious, with such indiosyncratic flowerings as Quiller-Couch’s Oxford Book of Modern Verse, the backlist of the Press fills a worthy niche for the second-hand bookshop browser. The OUP’s own bookshop on the High in Oxford is, however, rather different. The assistants are young, helpful, conceivably not overlavishly paid. The beautifully printed Oxford University Gazette may

Out of the commonplace

The following extracts are taken from George Lyttelton’s Commonplace Book Zeuxis was said to have painted grapes on a boy’s head so well that the birds came and pecked them. Sir G. Kneller said that if the boy too had been well painted the birds wouldn’t have dared approach.An accurate daguerrotype portrait of a commonplace face, a carefully fenced, highly cultivated garden with neat borders and delicate flowers; but no glance of a vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen in their elegant but confined houses.C. Bront‘ (1848) on Pride and Prejudice

Home is where the snow is

Some songs are hits – Number One for a couple of weeks. Some songs are standards – they endure decade after decade. And a few very rare songs reach way beyond either category, to embed themselves so deeply in the collective consciousness they become part of the soundtrack of society. They start off the same as all the other numbers, written for a show or a movie, a singer or an event, but they float free of the writer, they outlast the singer, transcend the movie, change the event. In White Christmas: The Story of an American Song, Jody Rosen makes the case that the subject of his book transformed

Grand, ritzy and splendid

A consolation of being an international foot-in-the-door man in the 1970s, albeit one selling Monets and Moores, not Hoovers, was arriving from JFK at the Hotel Carlyle in Manhattan. You reached the superlative place at about 10 in the evening, and even though flesh complained that it was the middle of the night, spirit insisted on a Martini before bedtime in the Bemelmans Bar. Bobby Short would play a few Bogartish tunes on the piano, Ludwig’s own murals soothed the eye and the America you entered seemed a throwback: older and more elegant than still trendy London, or the rest of busy neurotic New York fighting off its post-Vietnam blues.

Uncle to the nation

It was only when David Attenborough’s autobiography arrived for review that I realised I had been dodging his television programmes for years. Nothing personal; it was just that a pigeon on the pavement is more interesting to me than a bird of paradise on a television screen, a peep-show, that seems to push me further from ‘nature’, not nearer. This perhaps snooty self-revelation is only intended to highlight the way, when I came to open his book, I found myself laughing delightedly, and greatly warming to him. He is just a jobbing tellyman after all, a ‘programme-maker’, with all the compromises that entails, and he fell into it by accident.

James Delingpole

The penis mightier than the sword

Next time you’re stuck for conversation at a dinner party, why not use one of these fascinating facts to break the ice? 1. In mammalian terms the male of Homo sapiens is spectacularly endowed – his penis, when erect, being roughly three times larger than a 400lb gorilla’s. 2. In Pharaonic Egypt, Egyptian men were so fearful of vaginal blood that they would hire Aethiops (famed for the blackness of their skin and the enormousness of their members) to deflower their brides. 3. The biblical ‘sin of Onan’ had nothing to do with every teenager’s favourite pastime but in fact referred originally to ‘coitus interruptus’. The reason onanism has for

A fine solo performance

The sort of young person who once drifted into publishing now fiddles about with computers instead. The trade has been transformed both by its wretched economics and by the wretched spirit of the times. Solo publishing in particular, an eccentric business or a business for eccentrics, should have died out many years ago. Michael Russell didn’t. He is vague about dates but seems to have been at it for about 35 years and is still going, perhaps even going strong. He puts it perfectly: ‘In publishing terms I know I’m largely out of touch, but I seem to keep in touch all right with that part of the book-buying market

Valuable second opinions

Professor Roger Louis’s own expertise is in British imperial history; he edited the three-volume Oxford History of the British Empire. For years past, he has run seminars at the Harry Ransome Humanities Research Center at Austin, Texas, which holds ample stores of British literary and historical manuscripts; he invites leading dons and critics from Great Britain to discuss their current work, and has secured some unusually fine papers. This is his third collection of their essays; it covers many aspects of the history of this country during the 20th century. Old-fashioned, party-centred, parliamentary history hardly appears. David Butler gives an account of how studies of general elections have developed, and

The doubting priest

As Schindler’s Ark shows, Thomas Keneally is at his best bringing the past to life undaunted either by the importance of the events or by the famous names at the centre of them. Two of his other novels that lie to hand, A Family Madness and Gossip from the Forest, confirm that he wastes no time in throwing the reader in at the deep end and keeping him there. In the first one it’s Belorussia scrabbling to preserve its identity as Germany, Russia and Poland fight over it during the last war; in the other we eavesdrop on the private conversations between the French, British and German delegates when they

Dogs in Greece, a nuisance

In ‘The Sussex Vampires’, Watson takes down from the shelf the great index volume for V; Holmes balances it on his knee and reads: Voyage of the Gloria Scott. Victor Lynch, the forger. Venomous lizard or gila … Vittoria, the circus belle. Vanderbilt and the Yeggman … Vipers. Vigor, the Hammersmith wonder… And then he gets to ‘Vampires’. The entries give some of that mysterious country outside the stories which, as with the nonsense verse of Edward Lear, make the oeuvre so compelling. As an index they are lacking. For a start they aren’t in strict alphabetical order, and if it was a ‘great volume’ it might take some time

Opportunists and tacticians, but poor strategists

On the back of the dust cover there proudly appears the following quote from the Sunday Times towards the end of last year: ‘Ed Moloney’s authoritative and devastating Penguin History of the IRA is just around the corner.’ Well, up to a point. Ed Moloney is a well respected journalist writing for a Dublin newspaper who, for many years, has specialised in making a close study of Irish republicanism. As far as I can tell he is a reliable guide to the machinations within the republican movement. These apparently different organisations respond to a single leadership group of about a score of persons, many of whom appear in various positions

The music of the language

Wodehouse, all in all, is lasting astonishingly well. His world is dated, but then it was always dated; it is basically Edwardian, and went on, barely changed, into the 1960s and 1970s. But his appeal is not the period charm of a Diary of a Nobody or a Saki; it is much more alive than that. By now we should probably start suspecting that he will prove one of the great novelists. Apart from England, I think the only country in the world which truly loves and understands Wodehouse is India. It seems bizarre, but there’s something illuminating in that. Indian English is passionately in love with English grammar at

Pure and impure genius

As Hamlet said, ‘Look here upon this picture and on this.’ Early this year Garry O’Connor produced a book about Paul Scofield. The actor’s personal life being famously uneventful, there is little there for lovers of theatre gossip. It is, despite a few pretentious notions about Scofield’s psyche, an admirably thoughtful book on the player’s art, combining a thorough knowledge of Scofield’s roles with a generous admiration for the man. Now O’Connor has written Alec Guinness’s biography, and a much less respectful piece of work it turns out to be. Having already written one study of Guinness during the actor’s lifetime with, it seems, minimal co-operation from his subject, O’Connor