Book Reviews

Our reviews of the latest in literature

Tuesday

Susie Mesure

Women keep disappearing: A Dangerous Business, by Jane Smiley, reviewed

Jane Smiley has form with mining classics for plots. Her 1991 Pulitzer winner A Thousand Acres was based on King Lear. Boccaccio’s The Decameron and Mark Twain’s The Adventures of Huckleberry Finn also inspired two of her previous 15 novels. In A Dangerous Business, which is set in a brothel in lawless 1850s California, she does something slightly different, using Edgar Allan Poe’s fictional detective C. Auguste Dupin to prompt her protagonist Eliza Cargill into action when women start disappearing from Monterrey. No one cares enough about the missing women – who, like Eliza, are prostitutes – to investigate. Monterrey has no constables, only vigilantes, who are more interested in

Felipe Fernández-Armesto

What did indigenous Americans make of Europe?

The most influential Native American visitor to Europe in colonial times was a fiction. The protagonist of L’Ingénu, Voltaire’s novel of 1767, and of a dramatisation by the sage’s acolyte Jean-François Marmontel, was the very model of a noble Huron. He fought the British with distinction, fell in love with an imprisoned French lady and assaulted the Bastille to liberate her. The strikingly prescient central event makes his story excel even the Great Cat Massacre as a prefiguration of the French Revolution. Indeed, the discovery of the natural wisdom of the savage facilitated the philosophes’ esteem for the common man. By empowering the massesthey imperilled themselves – but that is

Jude Cook

A treasury of wisdom about the writing life

In the penultimate entry of Toby Litt’s A Writer’s Diary, an autofictional daily record of a writer named Toby Litt (which first appeared from Substack), he admits he began the project wanting to write ‘the best book that has ever been written about writing – about the physical act of writing, and the metaphysical act’. He may not have succeeded (Norman Mailer’s The Spooky Art might fit this description), but substitute the word ‘living’ for ‘writing’ and he might be closer to an apt summary. It’s an extraordinary record of life’s minutiae, oscillating from the trivial to the transcendent, often on the same page. Which isn’t to say the book

Emma Beddington

Tears and laughter: We All Want Impossible Things, by Catherine Newman, reviewed

Edi is dying of ovarian cancer and she’s craving the lemon cake she once got from Dean & Deluca deli in New York in the mid-1990s. Her forever best friend Ash is keeping vigil by Eli’s bedside in the Graceful Shepherd Hospice in western Massachusetts, trying to track down that elusive cake and keep Edi happy and comfortable with juice, lip balm and company. She’s also ‘whoring around’ (Ash’s words) with a variety of inappropriate people: the palliative care doctor, a substitute teacher from her daughters’ old school, and Edi’s brother. Then there’s her own not-quite-ex-husband, Honey… That’s the set up for the US memoirist and journalist Catherine Newman’s first

Clare Mulley

Sidney Reilly, Ace of Spies, remains an enigma

‘James Bond is just a piece of nonsense I dreamt up,’ the former naval intelligence officer Ian Fleming once said. ‘He’s nota Sidney Reilly you know.’ Sidney Reilly was not really Sidney Reilly either; but he was certainly a James Bond. Born Sigmund or Schlomo Rosenblum (this is a book full of caveats), he spoke possibly six languages and identified at different times as an Englishman, an Irishman, a Greek or Turkish merchant, a German machine-tool operator and a Tsarist officer. In fact he came from a Ukrainian Jewish family, but ignored his heritage as much as prevailing anti-Semitism would permit, and devoted his life to making love and money

Lucy Hughes-Hallett

The radicals of 17th-century England began to think the unthinkable

It was the best of times. It was the worst of times. It was the century, as the historian Kevin Sharpe wrote, summing up the Whig view, ‘in which the champions of law and liberty, property and Protestantism triumphed over absolute monarchy and popery and laid the foundations for parliamentary government’. It was a century of recurring plagues and fire and bloody civil war. It saw successive waves of witch hunts, the beginnings of the Enlightenment and the founding of the Royal Society. It saw revolution and regicide followed by restoration and revolution again. In its first years, Shakespeare, Webster and Donne were working, contemplating mortality and anatomising passion in

Thursday

Olivia Potts Olivia Potts

When street hawkers were a vital part of London life

If you read only the title of Charlie Taverner’s book Street Food you could be forgiven for assuming it was an exploration of the stalls that line the trendier streets of our cities, offering bibimbap and bao, jerk chicken and jian bing. But the author’s focus predates brightly coloured gazebo hoardings and polystyrene packaging and looks instead at the working lives of the itinerant traders who populated London before 1900, touting everything from oysters to milk, and what their work meant for a changing capital city. By placing these vendors at the centre of the story rather than as faintly comic support acts, Tavener provides something that goes beyond individual

Wednesday

John Maier

The films of Quentin Tarantino’s childhood

Explaining how she managed to kick her cocaine habit, the singer Fiona Apple recalled ‘one excruciating night’ she spent trapped in Quentin Tarantino’s home cinema with Paul Thomas Anderson listening to the two Hollywood directors brag competitively, and apparently indefatigably, about their professional achievements. ‘Every addict should just get locked in a private movie theatre with QT and PTA on coke, and they’ll never want to do it again,’ she informed the New Yorker some years later. I suppose that’s one accolade the pair will have to agree to share: conversation so unstimulating it undoes all the good effects of hard drugs. Part of his problem – as the reader

Sean Mcglynn

Singeing the King of Spain’s beard was one provocation too many

In the 1964 Hammer film The Devil-Ship Pirates, a privateer of the defeated Spanish Armada escapes the English fleet and puts in for repairs at an isolated coastal village whose inhabitants have not received news of the battle’s outcome. There the Spanish convince the villagers that Spain was victorious, and so impose submission on them. Historical verisimilitude was not exactly a priority. However, two weeks after the Armada was defeated in August 1588, a printer in Seville published glad rejoicings at Spain’s victory. The problems of extended lines of communications and poor intelligence bedevilled the Spanish throughout the whole enterprise, contributing notably to their defeat. The tale of the Spanish

Kavita Puri

Nehru’s plans for a new India were sadly short-lived

In Jawaharlal Nehru’s final will and testament he asked for most of his ashes be taken in an aeroplane and scattered ‘over the fields where the peasants of India toil, so they might mingle with the dust and soil of India and become an indistinguishable part of India’. Taylor C. Sherman says this ‘request was a humble acknowledgement of his own relative insignificance’, but that it also makes India indistinguishable from Nehru. The iconography of the man was already indistinguishable from India. He was there at the moment the country gained its hard- fought independence. In a well known image, he stands at the Red Fort in New Delhi before

Francesca Peacock

Hiding out in wartime Italy: A Silence Shared, by Lalla Romano

The name Lalla Romano is not familiar to English readers. Despite being much acclaimed during her lifetime (and the recipient of Italy’s Strega Prize), works by the novelist, poet and painter have rarely made it out of her native language. Prior to A Silence Shared, masterfully translated by Brian Robert Moore, only one of Romano’s novels had been published in English: the quiet, eerie tale of a childhood revisited, The Penumbra. In A Silence Shared Romano demonstrates with understated economy why her work deserves to be read alongside other titans of 20th-century Italian literature such as Natalia Ginzburg, Cesare Pavese and Italo Calvino (all of whom knew and revered her).

Frances Cahill

Not just wet, but ‘dripping wet’ – how the tabloids viewed Lord Woolf

Senior judges are often seen as being cloistered and aloof, carrying the heavy responsibility of incarcerating hundreds of people every year without having heard the clang of prison doors themselves. Lord Woolf is an exception. The former Lord Chief Justice (2000-5) was not only banged up as a student – after protesting over the banning of rag day – but volunteered as a senior judge to spend a night in jail. He and his wife surrendered their personal belongings and were shown into a cell in Brixton prison: ‘We then had the difficult decision to make as to who would occupy the top bunk and who the lower.’ It was,

Philip Marsden

The Hope Diamond brought nothing but despair

Nothing is less animate than a stone. There is little of significance in the random compounds that make up the Earth’s surface. They are useful, yes – for building, for metals and chemical yields – but they’re just stones. Yet throughout human history, the pebbles at our feet have exerted a fascination that goes far beyond the utilitarian. In Lapidarium, Hettie Judah delivers 60 far-reaching essays that explore the bizarre and revealing relationship between people and rocks. It begins with ochre, a ferrous pigment derived from clay and used in the earliest known example of expressive painting – a few lines on the wall of Blombos cave in South Africa,

Simon Heffer

The Britain Elizabeth II acceded to was barely recognisable within a decade

The writer of contemporary history has a number of advantages over his colleagues who deal with the more distant past. It is not only that the profusion of media in recent decades supplies abundant first drafts of that history. There are also the twin forces of living witnesses and the author’s own memory. In this entertainingly written and generally even-handed account of roughly the first third of the reign of the late Queen – from her accession in 1952 to the arrival in Downing Street of Margaret Thatcher in 1979 – Matthew Engel deploys all of those forces. In a narrative into which is woven the events of high politics

Caspar Henderson

Britain’s lost rainforests

One of the most beautiful spots I know in Britain is a steep-sided gorge in Devon where the River Dart carves through the Dartmoor rock on its way to the sea. The trees on either side are small, twisted and covered in ferns, mosses and lichens, so that even on a dull day the colours, shapes and textures are vibrant and dynamic. It was here that I took my wife shortly before she gave birth to our daughter. Nowhere I have been is more utterly beautiful and alive. This extraordinary place is a fragment of temperate rainforest: a rich assemblage of life made possible by ample rainfall, mild winters and

Adam Begley

Man on the run: Sugar Street, by Jonathan Dee, reviewed

A man is driving alone across America, under the passenger seat is an envelope containing a large chunk of cash. For reasons unclear, he’s desperate to erase himself; he avoids surveillance with the inspired agility of the truly paranoid. His urge to disappear, ‘to leave as illegible a mark as possible on the Earth’, leads him to a city, ‘big enough to be anonymous in’. The clever premise hooks the reader. Will our unnamed narrator contrive to live an untraced life? And why does he want to make this new life ‘a kind of spacewalk: to step outside the capsule, to cut the tether’? What, as he would say, is

Nick Spencer

The true meaning of Jesus’s radical message

Biblical scholars, one of the greatest of them once remarked, go looking for Jesus only to find themselves staring at their own reflection down the bottom of a very deep well. As with scholars, so with cultures. The Victorian Jesus was meek and mild and proper and principled. There’s a rather good sketch of ‘GOP Jesus’ doing the rounds on Twitter in which Our Lord tells his followers: ‘I was hungry and you gave me something to eat… And behold, now I’m all lazy and entitled.’ In our own politically troubled times, however, it is Jesus the zealous revolutionary who has risen. There is much to recommend this intense, radical

Tuesday

Philip Hensher

Spare reviewed: Harry is completely disingenuous – or an idiot

A surprising number of royal personages have published books under their own names, and sometimes they have even been written by the purported authors. The first, I think, was the Eikon Basilike, published shortly after Charles I’s execution and presented as his account of himself and of events. The authorship of this highly effective piece of propaganda has been questioned, but its simple, direct, haughty tone is very similar to the king’s recorded speech at his trial. After Prince Albert’s death, Queen Victoria published two journals of her life in the Highlands. We know that she was an enchantingly vivid writer from her diaries and letters, with a novelist’s ear

Thursday

Orlando Bird

There are no ‘correct’ recipes when it comes to pasta

A few years ago I was feeling peckish at Catania airport. I wandered over to the main café and spotted – beyond the stacks of panini stuffed with wilting prosciutto – a sign promising pasta. I assumed they’d be doling it out ready-made from a hulking pot, school-canteen style. But no: they were carefully blanching each portion of rigatoni, then finishing it in the sauce (a humble pomodoro). Who cares about foot-tapping customers on the verge of missing their flights? There were more noble priorities. The celebrity chef Carlo Cracco caused an uproar when he included garlic in his amatriciana sauce This national pedantry – more interesting than the British

Tuesday

Nicholas Lezard

The art of exclamation marks!

This is a short book, but it carries a punch, as does its subject, the exclamation mark – or shriek, or bang, as it is occasionally and graphically called. I use the word ‘graphically’ advisedly, for the punctuation mark falls into an ambiguous territory overlapping orthography and illustration. I say to myself that I don’t like it, but I do on occasion. I recently used it to describe the noise of my horrible doorbell (‘BZZZT!’) to convey the sensation of panic that occurs when I hear it. I also love it when the speech bubble above a cartoon character’s head contains nothing but an exclamation mark: pure surprise. My favourite