Book Reviews

Our reviews of the latest in literature

Blake Morrison mourns the sister he lost to alcoholism

Blake Morrison’s previous memoirsAnd When Did You Last See Your Father? (1993) and Things My Mother Never Told Me (2002) examined his parents with the clear-eyed appraisal that only adulthood brings. In the first, he evoked the vigour of his father, Arthur: his sense of fun when rule-breaking for thrills, and the selfish entitlement which allowed him to follow his whims, oblivious of the feelings of others. The contrast between his energy when fit and his frailty when ill were stark – a dichotomy many face when a beloved parent ages and dies. The second memoir examined the life of his mother, Kim, who, like Arthur, was a doctor, but

Has Salman Rushdie become his own pastiche?

If there were ever a Spectator competition for the best pastiche of the opening words of a Salman Rushdie novel, a pretty good entry might be: ‘On the last day of her life, when she was two hundred and forty-seven years old, the blind poet, miracle worker and prophetess Pampa Kampana completed her immense narrative poem about Bisnaga.’ By coincidence, these are also the opening words of Victory City, a book Rushdie finished not long before last summer’s stabbing. And, as it turns out, that first sentence sets the scene for much of what follows – because the novel takes its place alongside the likes of John Updike’s Villages (about

Olivia Potts

Cosmo Landesman has no time for feel-good-grief memoirs

‘This is a book about how you don’t get over it,’ You Are Not Alone begins. If you’re new to bereavement, looking for a way through the death of a loved one, perhaps this doesn’t scream of optimism. But Cariad Lloyd’s warmth, generosity and gentle pragmatism makes her book one of the most reassuring I have read. She is a member of ‘the club’ – the Dead Dad Club. Her father died 24 years ago of pancreatic cancer when she was 15. She is also the host of the award-winning podcast Griefcast, through which she has interviewed many bereaved individuals – comedians, writers, actors, chefs, artists – who have suffered

The vexing problem of ancient Greek mathematics

The most important thing to know about ancient Greek mathematics is how little anyone knows about it. The scant evidence available today is tremendously indirect: reconstructions from unrepresentative survivals of fragments of translations of transcriptions of commentaries on compilations of summaries of allusions to refutations of excerpts of documents produced as part of an oral culture of learning in which the original writing may never have been expected to encapsulate what really mattered. Many centuries separate the people we want to know about and even the oldest materials we have to know them with, and most of what they did and thought is simply and definitively lost. But that is

Cold-blooded murder in Amazonia

Around dinner time on 21 November 2000, a nervous 19-year-old man knocked on the door of Maria Joel Dias da Costa’s house, located in the backcountry Amazonian town of Vila Rondon. The unknown man asked to see her husband Dezinho, a union leader, but he was out. She invited the visitor to wait, which he did for a while, but then he got up to go. As he was leaving, Dezinho was just arriving home. Seconds later, Maria Joel’s husband was lying dead in a ditch, the life blasted out of him by a .38-caliber revolver. So runs the centrepiece of Masters of the Lost Land, a compelling and forensically

The stone boats of Celtic saints inspire a bizarre pilgrimage

‘Islands of stone’ would have been a good name for the Orkney archipelago, George Mackay Brown once wrote. The salt Atlantic winds mean that very few trees grow there, so stone provides for the dead – in the burial chamber at Maeshowe, for example – and the living. Less than a century ago, there were Orcadians sleeping in stone box beds. For Beatrice Searle, one Orkney stone proved life-changing. While still a teenager, she felt the stirrings of a vocation to work with stone. It spoke to her, almost literally: ‘There is information to be found in the sound of the stone, just-audible messages from the deep past to be

Nursing grievances in the Crimean War

Most people know something about Florence Nightingale’s nursing expedition to Scutari and the Crimea during the Crimean War, and the ‘kingdom of horror’ that she and her nurses found there: unsanitary conditions in the hospitals, a broken-down supply system and British soldiers dropping like flies from disease rather than battle wounds. However, as Terry Tastard points out, one aspect of Nightingale’s Crimean nursing that is often overlooked is its reliance on the nuns who responded to the national outcry at the negligent care of the sick and dying. They were a familiar sight in the wards in their black hoods and habits, or ghostly white garments, sharing the hardships of

How the Muppets went to Moscow as ambassadors for democracy

In this engaging memoir, Natasha Lance Rogoff recounts the experience of bringing Sesame Street to Yeltsin’s Russia. A Russo-phile who changed her name from Susan to Natasha as a teenager, Lance Rogoff had been working in Moscow for more than a decade as a reporter and documentary filmmaker when she was approached to be the executive producer of Ulitsa Sezam in 1993. ‘No one can say no to Elmo,’ a Sesame/Children’s Television Workshop executive insisted. Launched in 1969 to bridge the socio-economic gap in education among American pre-schoolers, by the early 1990s Sesame Street had created nearly two dozen foreign co-productions, with programming adapted for cultural differences. In the wake

The Scarlet Pimpernel of the Vatican: My Father’s House, by Joseph O’Connor, reviewed

One of Joseph O’Connor’s strengths is his magpie-like approach to history: he plunders it for stories that he can rework as fiction. His new novel is based on the exploits of Monsignor Hugh O’Flaherty, a senior official at the Vatican, who, together with colleagues, was responsible for saving the lives of 6,500 Allied soldiers and Jews after the Nazis occupied Rome in 1943. It is by any standards an extraordinary tale. O Flaherty’s organisation called itself the Choir; the prisoners it sheltered were known as Books, and their hiding places, scattered across Rome, as Shelves. The priest was constantly at risk from the Gestapo, as were his helpers, who included

Butchered to make a Roman holiday: cruelty to animals in and out of the Colosseum

Did you know that the elephant was the most written about animal in the Roman world? Pyrrhus of Epirus, of victory fame, was the first to introduce it to Italy as an engine of war when he invaded in 280 BC. Roman soldiers could not decide whether it was an animal or a machine. Eventually they plumped for luca bos (‘Lucanian cow’), though the creatures came from India rather than Italian Lucania and were more inclined to trumpet than moo. And did you know that the people of Roman Cyrene in Libya were legally obliged to declare war on locusts three times a year? The swarms were so deadly that

Sam Leith

Thomas Halliday: Otherlands

54 min listen

My guest on this week’s Book Club podcast is the palaeobiologist Thomas Halliday, whose book Otherlands: A World In The Making takes us on an extraordinary journey through the whole history of life on earth. Thomas tells me why tyrannosaurus rex didn’t eat diplodocus, why if you had to live in a swamp the carboniferous might be a good time to do it, and gives a jaw-dropping sense of what the night sky looked like when the earth was young.

From precocious child to polymath – Stephen Hough’s life is full of singularity

At what point did the ponderous autobiography get edged out by the slinky elliptical memoir? Perhaps around the stage we all realised that, as Stephen Hough puts it, ‘a complete autobiography is usually boring or indecent. It’s the person at the dinner table who just won’t stop talking’. There’s certainly no holding forth (though perhaps just a little indecency) here. Hough, one senses, is more likely to be the man at the table looking on wryly, silent until, pressed,  he’ll mention the time he just happened to end up playing the vibraphone ‘with Oscar Peterson’s trio on the telly’ or the two occasions he ‘seriously considered leaving the piano behind

A bleak vision of adolescence: The Shards, by Bret Easton Ellis, reviewed

Bret Easton Ellis’s novels were my literary gateway drug when I was young, the stylised bleakness of his debut Less Than Zero a model for my own writerly aspirations. He was a wunderkind. The fact that he’d written his first novel while still a teenager seemed incredible to me as I read and re-read it: a book with little plot but with so much life. The Shards can be usefully thought of as both a prequel to Less Than Zero and a presentation of the atmosphere and circumstances that brought that novel into being. Ellis has spent much of his career exploring the territory between fiction and autobiography. Lunar Park

If Lady Mendl didn’t exist, it would be necessary to invent her

It is Hollywood, in perpetual summer, and Ludwig Bemelmans has driven past some unusually well-groomed eucalyptus trees for a meeting with Elsie de Wolfe, Lady Mendl, interior decorator to the stars. In her salon is a footstool that once belonged to Madame de Pompadour. Lady Mendl’s husband comes into the room and trips over the stool. ‘My God, he’s dead,’ says Lady Mendl. He isn’t, of course. He’s the classic English booby beloved by Hollywood, so is immortal. Death hangs over this book in a way I’ll return to later, but at this point it’s mainly because Lady Mendl is old, old. 80? 90? No one knows for certain. But

What the Wife of Bath teaches us about misogyny

Marion Turner has written a superb biography of a woman who never lived. Alison, the Wife of Bath in Chaucer’s Canterbury Tales, is one of the most famous of all medieval women, even though she has only ever existed on the page. But Turner’s beautifully written, rewarding and thought-provoking book about this imaginary woman shows how much her literary existence has to say about actual women’s lives.   The book is divided into two main sections. In the first, Turner examines four different aspects of Alison – the worker, married woman, storyteller and traveller – and expertly conceptualises the late medieval English world and its attitudes to, and treatment of,

Mario Vargas Llosa’s Damascene conversion to liberalism

Mario Vargas Llosa wasn’t always a liberal. From his youth until his early thirties the Peruvian writer, born in 1936, was enthused by the utopian promises of socialism. He joined a communist cell at university, and in the 1950s spent half his salary on a subscription to Les Temps Modernes, the leftist journal founded by Jean-Paul Sartre and Simone de Beauvoir. Vargas Llosa’s world view changed radically in the late 1960s, as he watched the Cuban revolution silence local writers and put homosexuals in forced labour camps. During a visit to the USSR in 1968, he realised that had he been a Soviet citizen his disregard for authority would have

Henri Christophe, King of Haiti, was not such a ridiculous figure

In January 1804 the West Indian island of Saint-Domingue became the world’s first black republic after the slaves toiling in the sugar fields rose up against their French masters and, at the end of a 13-year insurgency, proclaimed independence. Saint-Domingue was renamed Haiti (an aboriginal Taino-Arawak Indian word meaning ‘mountainous land’) and the Haitian flag created when the white band was solemnly removed from the French tricolore. Haiti’s is the only successful slave revolt in recorded human history. It was led by Toussaint Louverture, a Haitian former slave himself and emblem of slavery’s hoped-for abolition throughout the Americas. Thousands of French settler colonists were massacred during the Louverturian struggle. The

A gripping psychological thriller: The Birthday Party, by Laurent Mauvignier, reviewed

Imagine a Stephen King thriller hijacked by Proust. Clammy-handed suspense, nerve-shredding tension, but related in serpentine, elegant prose, each climax held suspended – deferred gratification. What Javier Marías did for the spy story, Laurent Mauvignier does for terror. It begins quietly, with an ominous sense of something waiting to happen. An isolated hamlet in deep rural France; just three houses, one empty, one occupied by a family – Patrice, a farmer, his wife Marion and ten-year-old daughter Ida. In the third, Christine, an elderly bohemian artist, enjoys the seclusion with her dog for company. Each of these characters in turn will take up the narrative in a tortuous relay race.