Book Reviews

Raynor Winn’s first book, The Salt Path, was a genuine phenomenon. Having been evicted from their farm after 20 years, she and her husband Moth, who suffers from a degenerative disease, set off on a courageous walk around the south-west of England in the hope of restoring his health and finding a new life. It was a deserved international bestseller. Avoid this book if you want a cosy tartan-and-shortbread version of the Highlands Landlines picks up the story. Although walking proved a temporary respite for Moth, his corticobasal degeneration (CBD) – which the medics advised was without treatment or cure – takes a turn for the worse. Raynor decides to

British novelists love to diagnose the state of the nation. Few do it better than Jonathan Coe, who writes with warmth and subversive glee about social change and the comforting mundanities it imperils. Bournville, his 14th novel, lacks the caustic verve of What a Carve Up! (1994) or the wistful charm of The Rotters’ Club (2001), but it’s an affectionate work of social history in fictional form, tracking four generations of a West Midlands family whose dreams, successes, misadventures and divisions reflect the shifting contours of postwar Britain.  British chocolate is deemed by French and German bureaucrats to be greasy and unsuitable for adult palates It’s largely set in a

‘We look at the world once, in childhood. The rest is memory,’ is how Louise Glück closes her poem ‘Nostos’. The same sentiment guides Marigold and Rose, the latest book by the 2020 Nobel Prize winner and the poet’s first to be deemed ‘a fiction’. Marigold and Rose are babies – infant twin girls in the first year of their lives. They are also stand-ins for Glück’s own young granddaughters, not to mention for the author herself, in this piercing book in miniature that feels as if the former US Poet Laureate is mining her own preternatural memories to explore who she is. ‘I want experience to mean something,’ Glück

Volodymyr Zelensky is one of the few leaders of modern times whose charisma, determination and sheer cojones can be said, without exaggeration, to have changed the course of history. In the first hours of the Russian invasion the US famously offered to evacuate him from Kyiv to a safer location, to which his response was (in spirit, if not in actual words): ‘I need ammo, not a ride.’ His determination to remain in the heart of his besieged capital seriously confounded Putin’s invasion plans, which were predicated on quickly toppling or murdering him. And Zelensky’s idea to film himself and his top advisers on his iPhone strolling down Kyiv’s Bankova

It seems something of a disservice to a work of this seriousness to say how beautiful it is, but that is what will first strike the reader. Open this book and if you can prise yourself away from its wonderful marbled end papers, with their swirls and drifts of deepest blue, brilliant flashes of rusty orange, rivulets of ochre, inky spheres and floating masses of fiery red, you will find yourself taken back to the Enlightenment world of Johann Gabriel Doppelmayr’s Celestial Atlas and an age in which Europe’s polymaths were as interested in the discoveries of science as they were in the literary and artistic culture of the day.

These letters between Vera Brittain and Winifred Holtby cover 15 years of a remarkable friendship that began at Somerville College, Oxford in 1919 and ended only with Holtby’s premature death from kidney failure in 1935. Brittain went up to Oxford in 1914, but left to serve as a nurse in the first world war. She returned freighted with tragic experience, having lost both her lover and her brother and tended the wounds of horribly injured soldiers close to the front. She disconcerted younger undergraduates with her fiercely competitive and forthright views combined with fragile looks and a general air of suppressed trauma. Holtby, five years her junior, had also interrupted