Book Reviews

Our reviews of the latest in literature

‘I always made an awkward bow’: John Keats’s poignant farewell

On Sunday 17 September 1820, John Keats and his travelling companion, the young painter Joseph Severn, set sail for Italy, where it was hoped that the warmer climate would benefit the poet’s failing health. It didn’t. He died of tuberculosis in Rome the following February at the age of only 25. The last five months of Keats’s life – the sea voyage to Naples, including ten exhausting days stuck in the bay in quarantine; the overland journey to Rome; his last weeks spent in the rooms above the Spanish Steps that are now a museum – are the focus of this enthralling and original new study. Its author, Alessandro Gallenzi,

An empire crumbles: Nights of Plague, by Orhan Pamuk, reviewed

Welcome to Mingheria, ‘pearl of the Levant’. On a spring day, as the 20th century dawns, you disembark at this ‘calm and charming island’ south of Rhodes from a comfortable steamer after sailing from Smyrna, Piraeus or Alexandria. A crew of Greek or Muslim boatmen will row you to the picturesque harbour of Arkaz, flanked by the radiant White Mountain and the gloomy turrets of the medieval castle. The fragrances of honeysuckle, linden trees and the famous Mingherian roses waft over azure seas. Admire the ancient churches and newer mosques, the neo-classical State Hall, the grand buildings funded by the sultan’s government in faraway Istanbul. Savour figs, oil, nuts and

Was Nato expansion worth the risk?

This is an important and topical book. Mary Sarotte traces the difficult course of Russia’s relations with Europe and the United States during the decade which followed the fall of the Berlin wall in 1989, a period which saw Russia’s brief dalliance with democracy and Nato’s advance to the frontiers of the old Soviet Union. The story has been told before, but never so fully or so well. In a remarkable historical coup, Sarotte has persuaded the German foreign ministry to open its archives to her, and the Americans to declassify thousands of documents previously closed to researchers. When Vladimir Putin’s spokesman Dmitry Peskov was moved to denounce so much

Vaughan Williams’s genius is now beyond dispute

Classical music plays hell with people’s posthumous reputations, as any admirer of the works of Ralph Vaughan Williams will tell you. In 1972, on the centenary of his birth, ample respects were shown. Not only were there special concerts of his music but the Post Office, which is now more focused on commemorating gay pride, issued a stamp. Since the composer’s death in 1958 he and his works had gone into an eclipse, not least because of the atonalists who controlled the Third Programme and many of our concert halls. These were people who believed the British music-loving public should be fed on a diet of what Kathleen Ferrier called

Sam Leith

Rediscovering Josephine Tey

38 min listen

On this week’s Book Club podcast we’re talking about the best crime writer you’ve (probably) never heard of. As Penguin reissues three of Josephine Tey’s classic Golden Age novels, I’m joined by Nicola Upson, whose own detective stories (most recently Dear Little Corpses) feature Tey as a central character. She tells me about the unique character of Tey’s writing, her discreet private life, and about how she made possible the psychological crime fiction that we read now.

A translator’s responsibilities are as formidable as a transplant surgeon’s

When asked what it is we do, translators often resort to metaphors. We liken the act of translation to performing a piece of music, taking on a role in a play, kissing a bride through a veil or building bridges between cultures. But as the peerless Norwegian translator Damion Searls has said, when we sit down to work ‘there’s no metaphor at all really. The metaphors are just for interviews, or for talking with people about what translators do’. In this series of passionate, thoughtful essays, Jhumpa Lahiri uses metaphors, and more especially Ovid’s Metamorphoses, to explore the nebulous, almost ineffable nature of living between languages. The book is also

The sheer tedium of life at Colditz

They say each generation needs its own biographies of Cleopatra, Joan of Arc and Napoleon, not just when more evidence is unearthed but because the lens through which we view character and motive changes. The same is true for the great set pieces of history. According to Ben Macintyre, the story of Colditz and its second world war POWs with their ‘moustaches firmly set on stiff upper lips, defying the Nazis by tunnelling out of a grim Gothic castle on a German hilltop’ has been unchanged and unchallenged for more than 70 years. In his latest page-turner, Macintyre includes the stories of those heroes who were not straight, white, moustachioed

Emily Hill

A character assassination of Rudy Giuliani

Lord help me I love a hatchet job, and you’ll have to too if you want to make it through Giuliani before donating it to Oxfam. This is not just any old biography – it’s a 480-page character assassination. Born in 1944 to an ex-con who broke kneecaps for a living and a mother who was about as ambitious as Margaret Beaufort, Rudy Giuliani excelled at school, qualified as a lawyer and started making his mark as a prosecutor. Across 12 days in 1986, he won convictions against the heads of four New York crime families (the fifth was murdered before he came to trial), a politician from the Bronx

The Index of Prohibited Books makes a fine reading list

In a classic paradox of bureaucracy, the Index of Forbidden Books only really hit its stride when its original task became impossible. By the 17th century, Robin Vose relates in his new history of the Index Librorum Prohibitorum – established 1559, venerated and cursed for four centuries as ‘the Index’ – it was broadly accepted that censoring literature, senso stricto, was no longer possible. The ubiquity of printers, the ease of transportation and concealment and the sheer number of new books all made most texts available, most of the time, to those with time and cash to spare. The Index of Forbidden Books couldn’t, practically speaking, forbid. In other words,

Mad men plotting: The Unfolding, by A.M. Homes, reviewed

Fifteen years ago, A.M. Homes published The Mistress’s Daughter, an explosive, painful account of how she met her birth mother, Ellen, who had placed her for adoption as a baby when, as a very young woman, she became pregnant in the course of an affair with an older, married man. Perhaps the most memorable scene depicts her mother, who had instigated the contact between them when Homes was in her early thirties, appearing without warning at a reading Homes was giving in a bookshop. The writer’s panic and discomfort at this unexpected ambush, and her sense of what it might foreshadow, were palpable (and she was not wrong. Ellen’s desperate,

Back on the road: Less is Lost, by Andrew Sean Greer, reviewed

Get ready for more of Less: Andrew Sean Greer’s hapless novelist is back on the road. First things first: you need to have read Less, Greer’s Pulitzer-winning first outing for his creation, to appreciate this slighter but equally charming sequel. That’s no hardship. Less was hilarious and humane: a hymn to second acts. In it, Arthur Less – a tentative, faded Battenberg blond-and-pink man, around whom embarrassments and misunderstandings coalesce – scuttled across the world to avoid facing his 50th birthday and the wedding of his long-time lover Freddy to someone else, both imminent. In Less is Lost, Arthur has a stranger and scarier destination for a West Coast homosexual:

James Bond and the Beatles at war for Britain’s soul

‘Better use your sense,’ advised Bob Dylan: ‘take what you have gathered from coincidence.’ John Higgs is a master of taking what he can gather from coincidence – or, as he would insist, synchronicity. From the filigree of connections and echoes in the KLF (Discordianism through the lens of 1990s pop provocateurs) to the psychogeography of Watling Street to more recent deep dives into William Blake, he confronts the modern Matter of Britain: who wields power, and who resists it? Love and Let Die starts with another perfect coincidence, namely that it was 60 years ago – to be precise, 5 October 1962 – that saw the first Beatles single

Sam Leith

A. M. Homes: The Unfolding

30 min listen

My guest on this week’s Book Club podcast is A. M. Homes. She talks about her new novel The Unfolding, which imagines a conspiracy of angry Republicans forming after John McCain’s 2008 election defeat in the hopes of taking their America back. She talks about her history of prescience, about the deep weirdness of the Washington she grew up in, and why there’s more than one ‘deep state’.

Robert Harris’s gripping Act of Oblivion is let down by anachronisms

When Charles II became king of England in 1660, he pardoned most of those who’d committed crimes during the civil war and Commonwealth. The Act of Indemnity and Oblivion, from which Robert Harris’s propulsive new novel takes its title, promised to wipe the slate clean and ‘bury all seeds of future discords’. But the monarch, generally tolerant, made an exception of the 59 men who, 11 years earlier, had signed his father Charles I’s death warrant. Act of Oblivion opens on a drowsy midsummer day as two of those 59, having fled across the Atlantic, arrive in Boston. One is Oliver Cromwell’s cousin, Edward Whalley, and the other Whalley’s son-in-law,

Ballet comes of age with Sergei Diaghilev

‘What exactly is it you do?’ asked a bamboozled King Alfonso XIII of Spain upon meeting Sergei Diaghilev at a reception in Madrid, while the Great War raged on in Europe. ‘Your Majesty, I am like you,’ came the impresario’s quick-witted reply. ‘I don’t work, I do nothing. But I am indispensable.’ At first glance, the Russian expatriate’s estimation of his own worth may seem theatrically grandiose, but as the dance critic Rupert Christiansen shows in Diaghilev’s Empire, his new history of the Ballets Russes and their buccaneering onlie begetter, ‘indispensable’ was really no overstatement. Now, 150 years after Diaghilev’s birth, the story of the Ballets Russes, its temperamental director

Finally, the Sherpas are heroes of their own story

John Keay has for many years been a key historian and prolific contributor to the romance attaching to the highest mountains on Earth. His latest book is described as a summation of that lifetime’s contribution, offering an overview of the Himālaya – the Sanskrit version (‘Abode of Snow’) that Keay bids us use – both as a physical place and as a realm of intellectual inquiry. The book opens with a bang. Its first theme is the astonishing mountain-making forces that created the region. Specifically, Keay gives us the prolonged intellectual skirmishes among geologists as they tried to piece together the formative processes. The one who unpicked their genesis was

A single meal in Rome is a lesson in Italian history

Farmer, restaurateur, critic, foodie activist, traveller (he’s worked in Zimbabwe as well as South Africa), cookery book writer, longtime TV presenter of New Scandinavian Cooking, food columnist for a couple of Norwegian papers as well as formerly for the Washington Post, Andreas Viestad’s belt has many notches. He lives between Oslo and Cape Town and for 25 years has been a regular visitor to Rome. His favourite restaurant there is La Carbonara, by the Campo de’ Fiori, and he has had the strikingly good idea of writing a foodie history of the world by examining a single meal eaten there. Early in the narrative we get a few lessons in

A ghoulish afterlife: The Seven Moons of Maali Almeida, by Shehan Karunatilaka, reviewed

Ten years ago Shehan Karunatilaka’s first novel, Chinaman, was published and I raved about it, as did many others. Set in the 1980s, it intertwined the stories of a vanished, forgotten cricketer who was able to bowl unplayable deliveries and the particularly brutal war that was ravaging Sri Lanka. My review ended with the words: ‘Karunatilaka is, I gather, writing another novel, but how it can be as good as this I can hardly imagine.’ We now have that novel, and I was right: it isn’t as good. Which is not to say it’s bad. In fact, there are parts of its design and telling that are very good indeed.