
Why is a West End theatre putting on ‘black only’ performances?
Why would the producers of a new West End play think it a good idea to put on select performances for all-black audiences, effectively telling white theatregoers they’re not welcome on those nights? The idea of Black Out nights (as they have become known) amounts to segregation by race and skin colour. Yet this is exactly what will take place when Slave Play, written by American playwright Jeremy O Harris, starts its run at the Noël Coward Theatre this summer. Is he suggesting black people can only feel safe with other black people? Two nights – 17 July and 17 September – have been allocated to all-black audiences to watch
