Music and Opera

One of my favourite blog features is Norm’s Friday blogger profiles. This week he profiles Willie George Haggard and, frankly, its a doozy. It reminds me that I’ve been a little slack in posting Saturday Morning Country lately. My bad. And I can’t quite believe we’ve got this far in the series without featuring Merle Haggard himself. Time to rectify that. So here, below the fold, is Merle singing his great song Mama Tried. Course she did; she’s your mama. But would you listen? Well, that’s the point of the song isn’t it? Note too the extraordinary set which seems to have come from a Saturday morning kids’ programme and

A shocking hiatus had turned this weekly tour along the dirt tracks of American folk and country music into just a more-or-less-weekly series. But we’re back this week and back with a good ‘un. I can’t believe it’s taken this long to get round to featuring Alison Krauss and her band Union Station. I know there are some people who find Krauss’s crossover appeal irritating and who’d prefer her to return to her bluegrass roots. But her collaborations with the likes of Robert Plant are interesting and just another string to her fiddle. Heck, AKUS are so good they can make even Genesis songs sound good. But here they are

Way back in carefree college days in Dublin, I had a friend who considered Dwight Yoakam one of the great artists of the late twentieth century. Since the glory of country music had yet to be revealed to me, I scoffed at this. Not that I was alone in doing so, mind you. Another friend earned much mockery for his devotion to the late John Denver. The rest of us were all far too sophisticated for all this hillbilly music. How wrong we were. That being so, it’s time to take leave Nashville and Texas and take a quick trip to California to pay homage to the west coast strain

Steve Earle belongs in the first rank of the great tradition of Texas singer-songwriters and he’s been in great form since his two-year “vacation” in the early 1990s. The good news is that he shows no signs of slackening off: his new album, Townes, is a loving15-track tribute to his friend and mentor Townes van Zandt. And the even better news is that Earle is touring Britain (and Ireland) later this year. Hurrah! Anyway, here’s a clip from way back in the day when the Hardcore Troubadour was earning his nickname The Hard Way. This is Steve Earle performing Billy Austin:

You can’t have a country music series without acknowledging the contribution church music has made to the genre. The thing about the gospel music that sprang from the this topsoil of the Appalachian mountains is that, for, or rather because of, all its desperation, there remains an essential glimmer of hope that, in the next world at least, things will be better and more comfortably arranged than they are in this. It’s the contrast between the fatalism of the present and the promise of the future that gives it a mighty, if mournful, punch. And one of the most famous of these hymns is “I’ll Fly Away” which has been

A slight disruption to the schedule this week postponed Saturday Morning Country by 24 hours. But not to worry, here’s the great Waylon Jennings in barnstorming form to make up for it all and get your sabbath off to a braw and brawlin’ start. So this was recorded at  the “Lost Outlaw” concert from back in 1978 and this is Waylon singing about how I’ve Always Been Crazy. Ain’t that the truth? But you wouldn’t want it any other way, would you? Previously: Dolly, Emmylou and Townes.

First we had Dolly Parton and then last week we featured Emmylou Harris singing Pancho & Lefty so this Saturday it makes sense to put Townes van Zandt in the spotlight. This video comes from towards the end of his life by which time his voice was even more ragged than it ever was. Then again, it’s not the voice that matters so much as the songwriting and the haunting, elegiac, melancholy that makes Townes van Zandt one of the great American songwriters of the past 50 years. In any genre. Here he is then, performing the classic Tecumseh Valley. Lean, spare and magnificent:

Last week it was Dolly Parton in this (newly created!) slot; this Saturday it’s the turn of another great country diva, Emmylou Harris. I saw her at the Royal Concert Hall in Glasgow last year and, truth to say, it was probably only a 6/10 gig. I think Norm’s assessment of her performance in Manchester on that tour is pretty fair. I also think you should read his album-by-album review of her fabulous career and his ranking of her albums here. Anyway, after the jump, here’s the great lady singing a great song by another great artist, Townes van Zandt. Yes, this is Emmylou Harris performing Pancho and Lefty on

Matthaüs-Passion Barbican ‘God save us…it’s just as if one were at an opera!’ a woman is quoted as saying at a performance of Bach’s Matthaüs-Passion in the 18th century. If she meant that it is hard to imagine a more intensely dramatic experience — it is other kinds of experience, too, of course — then she was right. It was fashionable 40 years or so ago to say that the St Matthew Passion is less dramatic than the St John Passion, a view argued by Britten and his acolytes. I think they were wrong: the Matthaüs-Passion is at least as dramatic as its shorter twin, but it has other elements,

The super-talented Lisa Hannigan and her band gather in Dick Mac’s pub in Dingle, Co Kerry for a charming wee session that is just the ticket for a lovely spring weekend…  

Hänsel und Gretel Royal Academy of Music Jenufa Birmingham Hippodrome Pelléas et Mélisande Sadler’s Wells Humperdinck’s Hänsel und Gretel loses none of its charm with repeated viewings, a good thing since there are plenty of productions of it around this year in the UK, the latest being at the Royal Academy of Music. I saw the first and almost wholly excellent cast, with the two children cast more plausibly than I have ever seen them before, though both Robyn Kirk, the Gretel, and Charlotte Stephenson, the Hänsel, are in their twenties. Both their singing and acting were ideal, worthy of DVD-ing, our version of immortality. The casting was strong throughout,