Unfinished business | 21 January 2012
The phrase ‘community drummers’ strikes fear into me. When I read it in the programme notes for Survivor, Antony Gormley’s collaboration with Hofesh Shechter, premièred at the Barbican, I paused a beat. The elder cerebral artist paired with the young passionate choreographer: so what exactly is this? In the ladies afterwards I heard the disparaging phrase ‘GCSE work’. Was it music? Was it theatre-making? Was it even dance? There is no narrative to speak of, but a series of sketches using 139 drummers, a band of string players, guitarists, a cameraman and six dancers, among others. A figure shelters in a bathtub. Cannonballs drop from a height on to the
