America’s confessional cinema
Two big movies on release at the moment – Michael Moore’s Sicko and the thriller Rendition – have in common a deep strand of American self-loathing. Say what you like about Moore: his films are awesomely powerful and well-constructed. And who can doubt that his target this time – the US health system – is a soft one? But his travels to Britain to see the NHS, France, Canada and even Cuba – all to demonstrate the wickedness of America – are spectacularly credulous. In one scene, he interviews a British GP about how terrific his pay is, how brilliant the system is and (wait for it) how little the
