Double fianchetto
In my pantheon of heroes a particular place of honour is occupied by the hypermodern grandmaster Richard Réti, the first to adopt the double fianchetto since the days of Howard Staunton. Réti-Yates: New York 1924; Réti Opening (See diagram 1) 12 Rc2 This manoeuvre connected with this rook move must have struck onlookers as nothing short of revolutionary. Réti is planning to place his queen, the most powerful piece, on the extreme flank at a1. This is consistent with his theory that occupying the centre with pawns in classical style, as Black has chosen to do, exposes the pawns to pressure from the wings. 12 … Bd7 13 Qa1 Ng6