Saddam Hussein hanged: is Iraq a better place? A safer place? Gaddafi murdered in front of the viewers: is Libya a better place? Now we are demonising Assad. Can we try to draw lessons? — Sergei Lavrov, Russian foreign minister, United Nations, 1 October Russia was right about Iraq and Libya, and America and Britain
Pope Francis’s three-week Synod on the Family began on Sunday. Most of the 279 ‘Synod Fathers’ are senior bishops, many of them cardinals. They have no authority to change any aspect of Catholic teaching or pastoral practice. They are discussing the ‘hot button’ issues of communion for the divorced and remarried and the spiritual care
To my astonishment and delight, the phrase ‘virtue signalling’ has become part of the English language. I coined the phrase in an article here in The Spectator (18 April) in which I described the way in which many people say or write things to indicate that they are virtuous. Sometimes it is quite subtle. By
The Republican party is showing all the attention span of a hyperactive toddler this primary season, moving from one shiny toy to the next. Donald Trump still dominates the nursery, like some giant plastic fire engine. But the pieces are starting to look careworn and the battery is going on the siren. The former neurosurgeon
As a result of a ruptured appendix, I am infertile. The appendicitis was followed by gangrene and peritonitis, which permanently blocked my fallopian tubes and left me having to do IVF for a chance to have my own child. I have never felt shame about my situation but I have felt isolation and grief, both
I have a sinking feeling that Joe Biden might be the next president of the United States. In a brilliant essay published by the American Spectator in 2010, Angelo Codevilla of Boston University foresaw a popular revolt against ‘America’s ruling class’. What he calls ‘the Country party’ repudiates the co-option of the mainstream Republican party
What a fate it is to be hung next to the most famous painting in a gallery. To be overlooked, a framing device, just out of shot of every selfie taken in front of ‘The Ambassadors’ or ‘Mona Lisa’. The painting immediately to the left of Johannes Vermeer’s ‘Girl with a Pearl Earring’ in the
