Our legal system is pure theatre and always has been. Many barristers stand accused of being failed actors and vice versa. Judges love the dressing-up box and a chance to give their gavel a good bang. With murmuring galleries, shocking verdicts, swooning witnesses, cries of ‘all rise’ and ‘take him down’, the flummery and drama
Buddy, you can keep your Christmases and your Easters, your Hanukkahs and your Eids. For someone like me, the annual celebration that really matters is the one that falls on 31 October — Halloween. This isn’t because I’m an inveterate trick-or-treater, out for candy and larks. It isn’t because I own shares in a pumpkin
The Ashmolean Museum has taken the radical step of embracing contemporary art, and is currently hosting (until 30 March 2014) a mini-retrospective of Malcolm Morley’s work, curated by Sir Norman Rosenthal and borrowed entirely from the prestigious American-based Hall Art Foundation. Morley (born London 1931) was the first winner of the ever-controversial Turner Prize (apparently
Like almost everyone else in the insane world of musical theatre, I don’t know how to create a hit. This hasn’t prevented me from contributing to, even originating, some. Most of these successes have come about by happy accident and could so easily have been disasters or stillborn but for matters or events beyond my
Dame Edna is hanging up her tiara. From now on the ‘failed comedian’, as Edna calls her alter ego Barry Humphries, will have to make do without her. Her current tour includes a run at the London Palladium but after she’s graced the provinces, it’s adios, possums. Her last ever live show is currently bringing
Gaily into Ruislip Gardens runs the red electric train… Near the end of the Metropolitan Line, where London dwindles into woods and meadows, stands a Tudor manor house, built within the moat of a motte-and-bailey castle. Now a quaint museum, charting the history of the farms that once surrounded it, this modest landmark shares its
Chris Ingram is a silver-haired, incisive man, with an air of quiet authority and decided opinions about the art he so passionately collects. A media entrepreneur who started work at 16 as a messenger boy in an advertising agency, Ingram has the strength of his convictions. Over the past dozen years he has built up
The contrast could not have been more acute. It came the day after a press release from Christie’s New York pinged into my inbox announcing the forthcoming sale of Jeff Koons’s ‘Balloon Dog (Orange)’ on 12 November. Even by current auction-house standards, the hype was of heroic immoderation but it was the novel brazen pandering
Think of an art at which the English have excelled and I doubt you would come up with the word ‘embroidery’. As I muttered when my agent asked whether I should like to make a film for BBC4 about the golden age of this forgotten but brilliant native art form: ‘Embroidery? What, like sewing?’ But
As his father lay dying some six years ago, Julian Broke-Evans promised him that he would ‘keep telling the story’, the story being that of Scott’s ill-fated but heroic 1910–13 Terra Nova expedition to the South Pole. Julian’s grandfather was Teddy Evans (later Admiral Lord Mountevans), Scott’s second-in-command, who was to win fame in 1917
In the past ten years museums of modern and contemporary art have proliferated around the world. New institutions have appeared in Los Angeles, Venice, Doha and Beijing. Even Camden has seen a burst of activity — the Dairy Art Centre opened in April of this year, spread over the 12,500 sq ft of a former
I am standing on the deserted shop floor of a Victorian mill in Wakefield, with the industrial history of Yorkshire spread out before me like a map. Down below, the River Calder, once so busy, is now a leisurely, peaceful place. Children play beside the water. There are fishermen on the banks. It’s a lot
Gregory Doran has famously long glossy locks and is widely known to be a nice guy and an incurable Shakespeare nut. He has now taken over the reins at the Royal Shakespeare Company, with which he’s been associated for 26 years, working on both sides of the footlights, first as an actor and then a
São Paulo has a concert hall that London’s orchestras would kill for. It was originally a railway station, a mighty space bounded by Corinthian pilasters in the style of a French palace, built by Brazilian coffee barons. Now the tracks are buried beneath 800 seats on the main floor, plus another 700 on the balconies
In my career as a music hall artiste I travel the world, mostly in the Dominions, the United States and the cleaner countries of Europe. Aside from giving incalculable pleasure to thousands of people, I love, on my days off, to visit picture galleries: usually the porticoed kind, in search of those overlooked little masterpieces
Why are clever-clever people so rude about Birmingham? Bruce Chatwin dismissed his hometown as absolutely hideous, Kenneth Tynan called his birthplace a cemetery without walls. Britain’s second city has always been belittled, not least by those who’ve left it, and now the old slights have been revived in the current debate about HS2. Never mind
A dark afternoon in December, aged about ten, I was in a class waiting for double geography. Mr Blake breezed in, told us to put our books away and, as a treat, he read us a story. It was ‘Oh, Whistle, and I’ll Come to You, My Lad’, the famous ghost story by M.R. James.
Strict bylaws in Edinburgh prevent you from buying off-licence booze after ten at night. You can, however, buy all the sauce you want from ten in the morning. (This may explain why alcoholism is so rare up here.) When midnight tolls, Festival revellers pour forth and fill the air with chanting and singing of variable
Few come to Edinburgh in August for the art but this year they should. The line-up for the official Art Festival is impressive and, happily, rich in painters. Foremost among them is Peter Doig, whose semi-retrospective No Foreign Lands is the main event at the Scottish National Gallery (until 3 November). Doig was born in
Manet’s paintings were regularly rejected by the Salon, yet he continued to submit them and declined to exhibit with the Impressionists, who regarded him as a father figure. Even when his works were accepted by the Salon, they were routinely received with outrage among both critics and the public. This response baffled him. When his
