Cinema

The Room Next Door is Pedro Almodovar’s first film in the English language and if it is his last we can probably live with that. The film, which is adapted from a novel by Sigrid Nunez, stars Tilda Swinton and Julianne Moore, who are terrific whatever they do, and it is aesthetically divine (the knitwear,

The Apprentice is a dramatised biopic of Donald Trump, covering his early business years. He has called the film ‘FAKE and CLASSLESS’ and ‘garbage’ – but he wishes it well. I’m pulling your leg. ‘It will hopefully “bomb”,’ he has said. He hasn’t seen it, as far as anyone knows – I wish I could

Joker: Folie à Deux is the sequel to Joker (2019), and you have to admire Todd Phillips for returning with a jukebox musical, co-starring Lady Gaga, and not giving fans what they expected – or wanted. (There were quite a few walkouts where I saw it.) It feels like a film that hates its audience.

Aaron Schimberg’s A Different Man is ‘a darkly comic psychological thriller’ that plays like an inverted Beauty and the Beast. What happens when the handsome prince turns out to be not all that? The three central performances are magnificent, and there’s a wry absurdist humour at work but unless you’re a fan of body horror

Megalopolis, which draws parallels between the fall of the Roman empire and modern-day America, is a film by Francis Ford Coppola – and it couldn’t, in fact, be more by Francis Ford Coppola if it tried. He wrote, produced, directed and self-financed it ($120 million; ouch) and even found the time to be its greatest

Both horribly familiar and wonderfully shocking, this body-horror film written and directed by Coralie Fargeat does a very traditional thing – turning the scramble for youth and beauty into a monster of immeasurable disgust and immorality – in a huge way. There is nothing minimal or restrained or overly clever here; nothing of the nuance

The Critic is a period drama starring Ian McKellen as a newspaper theatre critic famed for his savagery and it did sound as if it had all the makings of an entertaining and nicely savage little film. But through a surfeit of plot, it rather loses the plot, and the result is a surprisingly bland

Firebrand is a period drama about Henry VIII’s sixth and final wife, Catherine Parr. It is sumptuously photographed – it’s as if Hans Holbein were behind the camera – and magnificently costumed. And Jude Law is tremendous as the monstrous, ailing Henry but be warned: it doesn’t play fast and loose with the facts so

The Terminator is James Cameron’s first film, made a star of Arnold Schwarzenegger, is celebrating its 40th anniversary – there’s a 4K restoration out in cinemas – and I’ve never seen it. I’m not wholly ignorant of 1980s action films, it may surprise you to hear. I’ve seen Diehard. I know a single fella in

August is known as ‘dump month’. It’s when the most forgettable films are released on the grounds that people don’t go to the cinema much in the summer. But maybe they don’t go because the films are so forgettable? Either way, the best film you probably won’t go and see this week is Widow Clicquot.

In the Alien films, a xenomorph is a monstrous, all-consuming life form that exists only to make more and more copies of itself. Once the first xenomorph appears, it’s only a matter of time until all those gleaming chrome walls will be covered in creepy black goo and the humans suspended lifeless from the ceiling

Caligula: The Ultimate Cut is a new version of the 1979 Caligula that is still banned in some countries (Belarus). The most expensive independent production of its time, it was intended to prove an adult film could be a Hollywood hit – but not everyone received it in that spirit. ‘Sickening, utterly worthless, shameful trash,’

Didi is a coming-of-age drama by the Taiwanese-American writer-director Sean Wang. It’s set in the summer of 2008 and based on his own adolescence – and here’s the bottom line: it’s an absolute joy. It’s funny, moving, authentic and takes you right back to being 13. (Agh!) The main character here is Chris (Izaac Wang),

About Dry Grasses is the latest film from Turkish auteur Nuri Bilge Ceylan and it had better – I thought to myself as the lights dimmed – have a great deal to say about dry grasses that is fascinating and insightful, given it has a formidable running time of 200 minutes. (That’s nearly three and

Twisters is an action-disaster film that follows ‘storm-chasers’ and is so relentless in its own pursuit of tornadoes that plot, character and dialogue are also thrown to the wind. It has a classy cast (Daisy Edgar-Jones, Glen Powell) and a classy director (Lee Isaac Chung) but if you believe, as I do, that once you’ve

Fly Me to the Moon is a romantic comedy starring Scarlett Johansson and Channing Tatum set during the 1960s space race but, unlike Apollo 11, this isn’t going anywhere we haven’t been before. The extent to which the film does take flight is largely thanks to Johansson’s charisma, even though I couldn’t help shake the

The Nature of Love is a French-Canadian film about an academic who considers herself happily married but then encounters a builder and sparks fly. I’ve made it sound like one of those Confessions… films, or an airport novel, but it isn’t. It’s sly, sexy and smart and, even though it’s billed as a romantic comedy

Horizon: An American Saga is a Western directed by Kevin Costner. It also stars Kevin Costner and is co-written by Kevin Costner and has been bankrolled by Kevin Costner – so if it’s Kevin Costner you’re after, happy days. This is Chapter One, and there are three more chapters to come, so even though it’s

Jeff Nichols’s The Bikeriders is based on the book by photojournalist Danny Lyon, first published in 1968, about his years embedded with a lawless motorcycle gang in Chicago. Nichols (Take Shelter, Mud, Loving) has imposed a fictional narrative arc and while it’s bogus in some respects and the arc quite familiar to anyone acquainted with