Columns

Is forgiveness a weapon in the war on terror?

Could you ever torture someone? Could you, under different circumstances, in a different world (I hope) than the one which led you to this Spectator, be as brutal as the fighters of the Islamic State? Your answer, I reckon, is most likely to be no. Most people these days talk of IS jihadis as if

The ‘no’ campaign’s problem was that it sounded like me

Journalistically speaking, it’s been a good year to be Scottish and Jewish. Had I been a Welsh Zoroastrian, say, I doubt I’d have had nearly so much to say. In recent months, obviously, it’s been the Scottish thing that has really taken off. I used to be marginally Scottish, irrelevantly Scottish; never realising that a

Matthew Parris

Yes or no, I’ll never feel the same about the Scots

I doubt I’m alone among English readers of this magazine in having felt uncomfortable with our last issue. ‘Please stay with us’ was a plea I found faintly offensive to us English. Not only did it have a plaintive ring, but there seemed to be something grovelling, almost self-abasing, in the pitch. Why beg? A

After a referendum campaign like this, will even no mean no?

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_11_Sept_2014_v4.mp3″ title=”James Forsyth, Isabel Hardman and Fraser Nelson discuss the crisis in Westminster” startat=1142] Listen [/audioplayer]This is really happening. The Scots could vote to end the greatest, most successful union in human history next week. Westminster has, at last, woken up to this threat and what it would mean for the United Kingdom as

It’s not just Ashya King’s parents who the authorities despise

My first act upon returning from my holiday was to sign the online petition to have the supremely irritating children’s cartoon figure Peppa Pig banned from television. I have always found the creature half-witted, arrogant and sinister, and the tune which accompanies her exploits is both grating and didactic. Further, even allowing for the usual

Hugo Rifkind

Is clicking on Jennifer Lawrence’s naked pictures really as bad as hacking and distributing them?

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_4_Sept_2014_v4.mp3″ title=”Isabel Hardman, Emma Barnett and Jamie Bartlett discuss the leaked photos” startat=1312] Listen [/audioplayer]‘If you click on Jennifer Lawrence’s naked pictures,’ said the headline on the Guardian’s website, ‘you’re perpetuating her abuse.’ That gave me pause. Even though I haven’t. In all honesty, I haven’t even had the opportunity, and I thought I

David Cameron’s next big European mistake

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_28_August_2014_v4.mp3″ title=”Isabel Hardman and Mats Persson discuss Cameron’s European way ” startat=830] Listen [/audioplayer]David Cameron loathes European Union summits, and with reason: they seldom go well for him. He has been ambushed by the French, betrayed by the Germans, seduced by the Swedes and even outsmarted by a Luxembourger — Jean-Claude Juncker, whom he

David Cameron’s fog of war

It was clear that things were going wrong for David Cameron when he had to say that his position on Iraq was ‘very, very simple’. To use that phrase was to admit that things had become very, very muddled. They remain so now. The Prime Minister started the week with a robust line on the

Julie Burchill

Romance isn’t a religion. Stop looking for The One and join The Queue

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_21_August_2014_v4.mp3″ title=”Julie Burchill and Louise Mensch discuss whether ‘The One’ exists” startat=1773] Listen [/audioplayer]Pity the modern starlet. Be she steaming-hot pop-tart or reality-show show-off, her range of emotional experiences will, thanks mostly to the gentlemen of the press, be strictly limited. She will have ‘lonely hells’ (often but not always linked to ‘drug hells’),

James Delingpole

You’re never too old, they say. But I am

For my 49th birthday treat, I went to see Shakespeare in Love at the Noël Coward theatre in London. Expensive but worth it: spry, funny, uplifting and moving but also, for all the surface froth, quite a deep meditation on the creative process and the enduring power of art. What everyone secretly loves best about