In Competition No. 3181 you were invited to submit a letter by a publisher rejecting a well-known literary classic. The authors of Lolita and The Bell Jar (‘an ill-conceived, poorly written novel’) are among distinguished recipients of multiple rejections. And T.S. Eliot famously turned down George Orwell’s Animal Farm (its shortcomings included the wrong type
In Competition No. 3180 you were invited to submit a Belloc-esque cautionary tale featuring a high-profile public figure. Cautionary Tales for Children, published in 1907 and ‘designed for the admonition of children between the ages of eight and fourteen years’, featured such cruel and hideous comeuppances as being eaten, feet upwards, by a lion and
In Competition No. 3179 you were invited to submit a Christmas hit single rewritten as a sonnet. This seasonal challenge was embraced with gusto, and highlights, in a magnificent entry, ranged from Ian Barker’s version of Jona Lewie’s catchy and affecting ‘Stop the Cavalry’ to Basil Ransome-Davies’s reworking of the peerless Eartha Kitt’s innuendo-laden ‘Santa
In Competition No. 3178 you were invited to submit an extract from a Dickensian novel based around the name of someone in political life. Inspired titles, in a modestly sized but accomplished entry, included A Tale of Two Pritis (David Silverman and Joe Houlihan) and Paul A. Freeman’s Barnier Fudge. The winners below take £25
In Competition No. 3177 you were invited to submit a well-known fictional person’s view of their author. Highlights in a varied and engaging entry included Janine Beacham’s Mrs Malaprop: ‘I am indelibly proud to be the procreation of Richard Brinsley Sheridan, a calibrated writer of plagues…’; Anthony Blanche’s withering verdict on Evelyn Waugh as told
In Competition No. 3176 you were invited to write a poem to a city. This challenge was inspired by both Simon Armitage’s letter to London (‘Dear London, I’ve applied for a restraining order requiring that you remain 200 miles from Huddersfield at all times…’), and William McGonagall’s inadvertently hilarious ‘Jottings of New York’, of which
In Competition No. 3175 you were invited to submit a prequel to a well-known poem. C. Paul Evans’s opening to a prequel to the nation’s favourite poem caught my eye: My publishers had telephoned to askFor something inspirational and spiffy:I told them I would think about the task,But mentioned I was feeling somewhat iffy… As
In Competition No. 3174 you were invited to write a poem in which each line begins with the letters A S D F G H J K L Z X C V B N M, in that order. One entry began: ‘Asinine/ Stupid/ Dumb/ Fatuous…’, and continued in a similar vein; a comment, perhaps, on
In Competition No. 3173 you were invited to give a fresh twist to a well-known single line of poetry by adding a line of your own to it. This was a wildly popular competition, and my inbox was flooded with entries. Many of you were thinking along the same lines, which produced a fair amount
In Competition No. 3172 you were invited to submit a poem about the government’s coronavirus messaging. Many of you, nudged no doubt by the title of the challenge, went for Milne pastiche. Take a bow, Martin Brinkworth: ‘When R was 1/ It had just begun…’; Brian Murdoch: ‘Boris Boris de Pfeffel Johnson, when he became
In Competition No. 3171, a challenge suggested by a kind reader, you were invited to submit a requiem in verse for the pangolin. One competitor pointed out that my request for a requiem seemed somewhat premature given that pangolins are still very much with us. Well, for the moment they are. But these shy, solitary,
In Competition No. 3170, a challenge inspired by Shelley’s assertion that ‘poets are the unacknowledged legislators of the world’, you were invited to step into the shoes of a well-known poet and write their own law in verse. The above quotation is from Shelley’s 1821 essay A Defence of Poetry, written in response to his
In Competition No. 3169 you were invited to submit a poem about autumn in which the last letter of each line becomes the first of the following line. Many of you wrote in praise of what the novelist Charlotte Mendelson has described as ‘the loveliness of rotting nature’; a time when nature feels at its
In Competition No. 3168 you were invited to compose a response on the part of a well-known writer to an inappropriate suggestion about the future direction of their work. This Austen-inspired challenge produced a terrific entry, so high fives to you all. Dorothy Pope’s Philip Larkin, giving short shrift to the suggestion that he venture
In Competition No. 3167 you were invited to submit a rhymed poem that is leadenly prosaic in tone and content. When it comes to the joys of bad poetry, McGonagall tends to steal the show. But I also have a soft spot for Amanda McKittrick Ros, whose novels — and verse — provide passages of
In Competition No. 3166 you were invited to supply a poem either celebrating or lamenting the cancellation of Philadelphia’s annual naked cycle ride. This enormously popular event, whose aim is to promote body positivity and eco-awareness, sees throngs of cyclists, in varying degrees of undress (total nudity optional), complete a ten-mile course around the streets
In Competition No. 3165 you were invited to supply a job reference for a well-known public figure, past or present, that while seemingly positive reveals the failings of the candidate in question. Robert Schechter discerns a streak of modesty in Donald Trump: ‘His reluctance to boast about his great wealth has driven him to take
In Competition No. 3164 you were invited to submit a poem in which each line comes from a different well-known poem. The cento form — the stitching together of lines from existing poems — is an ancient one, around since at least the days of Virgil and Homer. ‘Cento Nuptialis’, by the Roman poet and
In Competition No. 3163 you were invited to submit well-known poems encapsulated in four lines. Now that the internet has all but destroyed our attention spans, who has the mental wherewithal to plough through Paradise Lost or The Faerie Queene? Well, thanks to the cracking four-liners below, you don’t have to. Props to David Harris,
In Competition No. 3162 you were invited to submit double dactyls on stars of popular or classical music. Fans of ‘higgledy-piggledies’, as they are also known, should check out Jiggery Pokery, the terrific 1967 compendium of the form, edited by Anthony Hecht and John Hollander, who, in case anyone is wondering exactly what a double
