In Competition No. 3342 you were invited to submit a proposal of marriage in the style of a famous writer. The overall standard was high, and entries that impressed and amused include Bob Trewin’s Hemingway, Dorothy Pope’s Larkin and Nicholas Lee’s Conan Doyle. Janine Beacham’s Masefield’s also shone: I must go down on one knee
In Competition No. 3341 you were invited to submit a poem about a great work of art – a challenge prompted by George Steiner’s observation that ‘the best readings of art are art’. The writer Geoff Dyer has cited W.H. Auden’s 1938 ‘Musée des Beaux Arts’ – about Pieter Bruegel the Elder’s ‘Landscape with the Fall
In Competition No. 3340 you were asked to submit a poem calling for a particular food to be banned. It was Julie Bindel’s impassioned anti-balsamic vinegar piece that prompted me to invite you to share your culinary bêtes-noires (three of mine – Battenberg, tripe and Liquorice Allsorts – cropped up in the entry). Adrian Fry
In Competition No. 3339 you were invited to submit a crime story in sonnet form. Poems that have the suggestion of a criminal act at their heart – Robert Browning’s ‘My Last Duchess’, for example – were at the back of my mind when I set this challenge, and it attracted a terrific crop of
In Competition No. 3338 you were invited to submit an essay on the topic of evolution in the style of the writer of your choice. In a top-notch entry, Basil Ransome-Davies’s twist on Larkin’s ‘Annus Mirabilis’, Janine Beacham’s Edgar Allan Poe and Russell Chamberlain’s imagining of Kipling’s final Just So story, How Every Creature Got
In Competition No. 3337 you were invited to submit a soliloquy composed by Giovanni Fontana’s marble statue of Shakespeare, which has graced Leicester Square since 1874. Bill Greenwell, Alan Millard, Sylvia Fairley and Paul A. Freeman were star performers, but a standing ovation and £20 go to the winners below. Here stand I, with Lord
In Competition No. 3336 you were invited to supply the story behind the composition of a famous poem. This challenge drew a smart and diverse entry that proved tricky to whittle down to a prizewinning half-dozen. But after lengthy consideration, D.A. Prince, Brian Murdoch and Paul Voogt are awarded commendations and those printed below earn
In Competition No. 3335 you were invited to submit an acrostic poem for Valentine’s Day whose acrostic contains an unValentine-ish sentiment. The prize winners, printed below, pocket £20 apiece. Venus, darling, gorgeous snuggly-wuggly, Apple of my ever-loving eye, Let me kiss you, squeeze you, honey-bunny, Ever-treasured sugar, sweetie-pie, Nuzzle me, my gorgeous, hot stud muffin,
In Competition No. 3334 you were invited to submit a poem about conspiracy theories. Trawling the net for examples, I found, alongside the more familiar ones – a reptilian elite, JFK’s assassination, commie fluoridation – whispers of chemicals in the water to turn the frogs gay and that Finland is a myth. In a hotly
In Competition No. 3333 you were invited to submit a short story that features Donald Trump or another politician of your choice in a well-known fictional landscape. Joan Didion once observed that Ronald Reagan was the American politician to most fully embrace his own fictionality, making up stories in which he played the starring role. Didion
In Competition No. 3332 you were invited to supply, in verse form, a retraction of beliefs previously believed in passionately. You weren’t obliged to step into the shoes of a real poet but many chose to and some smart, entertaining about-turns included Robert Schechter’s ‘Palinode on a Grecian Urn’: ‘Truth is beauty,’I said smugly,but lived
In Competition No. 3331 you were invited to write a resentful note of departure on behalf of a well-known figure from the field of fact or fiction. This challenge, set some time ago owing to seasonal production deadlines, was prompted by Suella Braverman’s splenetic broadside, but I decided to widen the brief beyond the political
In Competition No. 3330 you were invited to submit some improbable forecasts, in verse, for the year ahead. Things you deemed unlikely to happen this year ranged from the predictable – peace in Ukraine, a reversal of climate change – to the whimsical: Donald Trump as the next Pope and Snoop Dogg eloping with Penny
In Competition No. 3329 you were invited to submit a villanelle on a festive theme. Artistry and variety abounded in a most enjoyable entry. Hats off, everyone, and thank you for your brilliance and versatility over the year. The winners below earn £30. Happy Christmas, one and all. It seems it was a century
In Competition No. 3328 you were invited to submit a poem on a topical theme in which the last two words of each line rhyme. Some competitors were unsure whetherI meant that the last two words in each line should rhyme with each other, or with the next line. I meant the former, but given
In Competition No. 3327 you were invited to submit a rough resumé of the plot of a Shakespeare play such as might have been attemptedby a well-known fictional character of your choice. Literary sleuths featured prominently in the entry, with Poirot, Miss Marple and Sherlock Holmes all making eye-catching appearances. A commendation to George Simmers
In Competition No. 3326 you were invited to submit a nursery rhyme recast in the style of a well-known poet. One of my favourite twists on a nursery rhyme is Lewis Carroll’s ‘Twinkle, Twinkle, Little Bat’, the Mad Hatter’s party piece in Alice’s Adventures in Wonderland. Twinkle, twinkle, little bat!How I wonder what you’re at!Up
In Competition No. 3325 you were invited to describe an encounter between Bertie Wooster and James Bond in the style of P.G. Wodehouse. The seed for this popular challenge was Ben Schott’s much-praised 2018 homage to P.G. Wodehouse, Jeeves and the King of Clubs, in which Jeeves and Wooster enter into the world of international
In Competition No. 3324 you were in-vited to submit nonsense verse on an autumnal theme. W.J. Webster confessed that ‘sense kept breaking in’ to his entry, but the line between sense and nonsense is not always clear. As Anthony Burgess observed, in a review of Geoffrey Grigson’s Faber Anthology of Nonsense Verse, Mr Grigson ‘wisely
In Competition No. 3323 you were invited to submit an extract from a book review written by a well-known author which trashes a work by another well-known author that is generally deemed to be a classic. Virginia Woolf took a dim view of Ulysses. In a 1922 diary entry, she wrote: ‘I finished Ulysses and
