Film

Left-Handed Girl is a Taiwanese drama about a single mother who moves back to Taipei with her two daughters to run a noodle stand in the night market. It’s one of those films where the stakes don’t appear that high – will the mother make the rent this month?; will the littlest daughter settle at

Guillermo del Toro’s Frankenstein stars Oscar Isaac (Baron Victor Frankenstein) and Jacob Elordi (‘the creature’) and retells the basics of Mary Shelley’s story – man creates monster, man rejects monster, monster goes off on one – with high-camp sumptuousness. Del Toro’s spin is to include a redemptive arc, plus he throws in some invented characters.

Scoop is a dramatised account of the events leading up to the BBC’s 2019 Newsnight interview with Prince Andrew. The one he imagined would allow him to put Jeffrey Epstein behind him, but instead put Pizza Express (Woking) on the map, made us want to claw our own faces off with the horror of it,

Red, White & Royal Blue is a rom-com based on the LGBT bestselling novel by Casey McQuiston. Nope, me neither, but the New York Times reviewed it as ‘a brilliant, wonderful book’ and on Amazon UK it has garnered nearly 44,000 reviews, with an average of 4.5 stars, so let’s not be hasty. The romance

Peter Pan & Wendy is Disney’s latest live-action remake (the animated version was in 1953) and it’s quite the sombre affair. It takes itself and its story so seriously that I kept waiting for it to be fun and it never was. There is an underlying sadness to J.M. Barrie’s original story, but it is

Bank of Dave is the ‘true(ish)’ story, as this puts it, of Dave Fishwick, the Burnley businessman who wanted to set up a high street bank to help the local community. He was, Fishwick said in a recent interview, at home when the call came from Piers Ashworth in LA. ‘He’s the writer of Mission

You may already have read early reviews of Netflix’s adaptation of Jane Austen’s Persuasion saying it’s ‘the worst adaptation ever’ as well as ‘mortifying’ and ‘a travesty’, but I know you won’t believe it unless you hear it from me, so here you are: it is truly horrible. I would also add that everyone involved

This year the Oscar for best film went to the drama Coda – ‘Child of Deaf Adults’ – but the ceremony will now probably only be remembered for Wsscrfmhw (‘Will Smith Slapping Chris Rock For Mocking His Wife’). And we thought that mix-up over envelopes was exciting! But back to the film, which beat the

As there are no stand-out films this week aside from Kenneth Branagh’s adaptation of Death on the Nile — is that the one where they all did it? Or is that the train one? — I thought I’d alert you to a film that may have slipped under your radar: After Love. It was released

Jane Campion’s The Power of the Dog could also be called The Power of Benedict Cumberbatch, as he’s so spectacular. He plays a ruggedly masculine cowboy with an inner life that isn’t written, but that we somehow still see. It is also clearly Campion’s best film since The Piano or my own favourite, An Angel

The Forgotten Battle is a Dutch feature film commemorating the desperate and relatively little-known Allied assault on the Scheldt estuary in October and November 1944. When I went to the battlefield decades later with veterans of 47 RM Commando, they told me it was worse than D-Day because the Germans knew they were coming and

This week, an excellent film (Moving On) and a film that isn’t at all, but is entirely worth it as it’s one of the super bad ones that don’t come along too often. It’s the kind that, if it were any better, it would actually be a terrible pity. (See also: Cats.) It’s Diana: The

Some Kind of Heaven is a documentary set in The Villages, Florida, which is often described as a ‘Disneyland for retirees’ — it, too, has its own faux-historical town centre — and is the fastest-growing metropolitan area in America. (Current pop: 130,000.) The vibe is, I would say, cruise ship, but with golf. Hell, in

Nomadland won multiple Oscars including Best Picture, Best Director and Best Actress, and if there’d been an award for Best Film In Which The Woman In Her Sixties Isn’t The Least Developed Character In The Screenplay, Hallelujah, About Time, it would have scooped that too. Not much competition, regrettably, but you have to admire the

Black Bear is one of those indie dramas that is meta on so many levels you can either sit with it afterwards or, if you’re weak like me, you’ll immediately turn to the internet for an explanation and may even find yourself buried deep in one of those Reddit threads that will make you wish

Promising Young Woman is a rape-revenge-thriller that has already proved divisive but is a wonderfully clever, darkly funny, stomach-knotting — my stomach may never unknot — exploration of what #notallmen seem to get: it isn’t OK to have sex with a woman who has had a few too many and isn’t in a position to

In the summer of 2018, when film-maker Lee Isaac Chung was on the brink of giving up filmmaking and had accepted a teaching job, he found himself writing a list of what he remembered growing up as a Korean-American in rural America in the 1980s. These ‘little visual memories’ included, for example, the lunch pails

Ammonite is writer-director Francis Lee’s second film after God’s Own Country, one of the best films of 2017, and possibly the best film about a closeted gay Yorkshire sheep farmer falling for a migrant worker ever. This is another unlikely romance, but set in the 19th century between the real-life palaeontologist Mary Anning (Kate Winslet)

The premise for the unsnappily titled Preparations to be Together for an Unknown Period of Time is this: a Hungarian neurosurgeon meets a fellow Hungarian neurosurgeon at a medical conference, falls in love, and gives up her shiny life and career in America to be with him in Budapest. They had agreed to meet on