The Elephant and Castle shopping centre is more of an oddity than an eyesore. It lies like a stricken container ship opposite the dignified columns of the Metropolitan Tabernacle and the sweep of porticos leading to Kennington on the other side of the gyratory system. It was to be demolished as part of a redevelopment
One of the intriguing components of The Most Incredible Thing, Javier De Frutos’s latest creation, is its structure. One of the intriguing components of The Most Incredible Thing, Javier De Frutos’s latest creation, is its structure. Intentionally steering away from the aesthetic developments that informed theatre dance for more than a century, De Frutos has
According to some sources, the legendary impresario Sergei Diaghilev invented the mixed-bill formula for ballet. Whether or not this is true, there are times when one wishes he hadn’t. One century later, they increasingly come across as hurriedly and/or inharmoniously put together. Take, for instance, the most recent Royal Ballet triple bill. Frederick Ashton’s 1980
Big changes are happening to the airwaves, part of the frenetic technological revolution that’s been unleashed by the development of a digital language. Big changes are happening to the airwaves, part of the frenetic technological revolution that’s been unleashed by the development of a digital language. Radio, against expectations, is proving itself a vital force
If you like to pass an idle half-hour, as I do, reading random entries in Who’s Who, you will be struck by how many distinguished people include gardening among their recreations. If you like to pass an idle half-hour, as I do, reading random entries in Who’s Who, you will be struck by how many
‘We are humbled,’ said Keiichi Hayashi, ‘we are humbled by the power of nature.’ The Japanese ambassador to the UK was talking on Monday morning’s Today programme on Radio 4. ‘We are humbled,’ said Keiichi Hayashi, ‘we are humbled by the power of nature.’ The Japanese ambassador to the UK was talking on Monday morning’s
I was nervous as I approached the man in Paddington station on Saturday night. We Brits tend to assume that being addressed by a total stranger means one of two things: either they want our money, or they’re mad (and the 48 copies of Ben Macintyre’s Agent Zigzag in my bag might have suggested the
Christopher Wheeldon’s Alice’s Adventures in Wonderland is to ballet what Pixar and DreamWorks movies are to cinema. Christopher Wheeldon’s Alice’s Adventures in Wonderland is to ballet what Pixar and DreamWorks movies are to cinema. It takes a well-known children’s story and peppers it with references for an adult audience. And, like the Shrek saga or
The history of Western ballet over the past 40 years can easily be divided into two chapters: the pre- and post-William Forsythe eras. In the early Eighties, the multitalented American-born dance-maker brought Postmodernism into ballet, challenging formulae and tenets that were 400 years old. His radical approach to the old art made some scream with
Legend has it that when the Romantic ballerina Marie Taglioni gave her farewell performance in St Petersburg a group of wealthy fans bought a pair of her slippers, and cooked and ate them as a token of their admiration. Shoe-fetishism has since reached new heights, thanks to Sex — on heels — in the City.
‘Can we go to Alton Towers? Please?’ Is there any request that strikes more gloom into the heart of a parent during the half-term holiday than that? The idea of spending an expensive day queuing for terrifying rides, in an environment of tacky, non-sustainable and old-fashioned consumerism, ensured that I steadfastly deprived my children of
Those who believe that ballet today is often no more than a grotesque physical display ought to have seen American Ballet Theatre’s performance of Jardin aux Lilas last week. Those who believe that ballet today is often no more than a grotesque physical display ought to have seen American Ballet Theatre’s performance of Jardin aux
The pedants who say fly-on-the-wall documentaries are cheap, meaningless television could not be more wrong. They are the postmodernist answer to David Attenborough, the Life on Earth de nos jours. Anyone who doubts this should watch My Big Fat Gypsy Wedding on Channel 4 (Tuesdays, 9 p.m. and, if missed, on 4oD). Not since meerkats
Bridget Riley turns 80 this year, a fact easy to forget when looking at the surging energy and contemporaneity of her pictures. She is a remarkable artist who, although imposing severe formal restraints on her work, manages continually to surprise us with the richness of her invention. Perhaps it is because of the self-limitations she
In the recent EastEnders cot-death controversy, both sides behaved pretty much as you’d expect. The BBC-bashers denounced the ‘offensive’ suggestion that grieving mothers routinely steal other people’s babies. In the recent EastEnders cot-death controversy, both sides behaved pretty much as you’d expect. The BBC-bashers denounced the ‘offensive’ suggestion that grieving mothers routinely steal other people’s
There has already been a certain amount of controversy over this exhibition: not just the predictably ruffled feathers of Royal Academicians omitted from the selection, but also the kind of ill feeling among the Academy’s organisational staff which gives a museum a bad name. There has already been a certain amount of controversy over this
Several new facts have rocked me back on my heels recently: Alastair Cook garnered more runs at the Gabba in Brisbane than Don Bradman; there are 100,000 miles of blood vessels in your brain; more people in this country can recognise Simon Cowell than Pope Benedict; and we spend as much annually on ‘wild bird
An elderly gentleman prodding me in the face with his inflatable iguana might expect to command my full attention. As I found my seat in the Albert Hall, though, the gentleman in question had to turn away disheartened, as I was too busy taking in the spectacular set of Cirque du Soleil’s Totem to be
Ballet is a dying art, according to Jennifer Homans’s bestselling history of ballet, Apollo’s Angels. Ballet is a dying art, according to Jennifer Homans’s bestselling history of ballet, Apollo’s Angels. Sensationalist as it may sound, this claim is cogently argued at the end of the book, which turns dreary ballet history into an engaging narrative.
Simon Starling’s art often involves some form of recycling — his controversial ‘Shedboatshed’ won the 2005 Turner Prize – and his ‘new’ exhibition at Camden Arts Centre (until 20 February) is no different. Simon Starling’s art often involves some form of recycling — his controversial ‘Shedboatshed’ won the 2005 Turner Prize – and his ‘new’
