The Tallis Scholars’ 50th concert in New York City — the first was in 1988 — took place in St Bartholomew’s Church, Park Avenue, on 26 March. The Tallis Scholars’ 50th concert in New York City — the first was in 1988 — took place in St Bartholomew’s Church, Park Avenue, on 26 March. Since
The Empire Royal Court, until 1 May Polar Bears Donmar, until 22 May The Royal Court’s stuffy little upstairs theatre is hosting a new play about cultural imperialism. D.C. Moore sets his scene in Helmand where a young English corporal finds himself morally compromised by his desire to torture a Taleban prisoner. The twist is
The Ghost 15, Nationwide Cemetery Junction 15, Nationwide The Ghost is Roman Polanski’s adaptation of Robert Harris’s best-selling political thriller, and while it’s probably tosh, it is top-notch, classy tosh of the most satisfying kind: taut, neatly plotted, atmospheric and exceedingly well acted. Pierce Brosnan even puts some effort in, for once — well done,
Cinderella Royal Opera House, in rep until 5 June I know that old fairy tales are not popular or fashionable any more. But last Saturday, at the opening of the Royal Ballet’s new run of Frederick Ashton’s Cinderella, I was shocked to overhear two nicely behaved children ask their grandparents why the good fairy had
After listening to an advance copy of tonight’s Archive on 4 I’m almost beginning to look forward to the general election of 2010. After listening to an advance copy of tonight’s Archive on 4 I’m almost beginning to look forward to the general election of 2010. A Night to Remember looks back over 60 years
I think it’s about time someone explained to women how to watch war films. I think it’s about time someone explained to women how to watch war films. They just don’t get them, in much the same way men don’t get handbags or expensive girl-shoes. They think it’s all boring and that the characters all
Richard Hamilton: Modern Moral Matters Serpentine Gallery, until 25 April This year is the 40th anniversary of the Serpentine Gallery, that most welcoming of exhibition venues — the gallery in the park — with its wide views and well-appointed rooms. Expectation rises as the visitor walks through gardens burgeoning with spring, even if it is
Götterdämmerung Salzburg Easter Festival Out of this nettle, danger, we pluck this flower, safety. Rather more than safety, if truth be known. The Salzburg Easter Festival, which concluded on Monday with a performance of Götterdämmerung, topping off a Ring cycle shared with the summer festival in Aix, was an event of considerable beauty. Given the
Angels in America Barbican Angels in America is the latest in the series of contemporary operas which are being mounted at the Barbican by the BBC Symphony Orchestra. The others have been semi-staged, this was three-quarter staged, with props, moved around by the performers, and an Angel crashing into the action at the close of
The Infidel 15, Nationwide I wish, wish, wish, wish, wish I had liked The Infidel better. I wanted to like it. I longed to like it. And I did think it would be a hoot. It’s written by David Baddiel, a thoughtful, clever and witty writer (usually). It stars Omid Djalili, who has a lovely,
London Assurance Olivier, in rep until 2 June Bedroom Farce Duke of York’s, booking to 10 July Trickster nature has been maliciously kind to Simon Russell Beale. It made him the leading actor of his generation and instilled in him a desire to perform Shakespeare’s awesome roll-call of warrior princes. It also built him like
Much — possibly too much — has already been written about the BBC’s plans to close down its digital stations, 6Music and the Asian Network, in a customarily pathetic attempt to placate its political enemies. Much — possibly too much — has already been written about the BBC’s plans to close down its digital stations,
The sublime Outnumbered (BBC1, Thursday) is back. It’s customary to compare it favourably to The Life of Riley, another BBC family sitcom, from this week shown on the previous night. I have declared an interest before: the onlie begetter of Riley is Georgia Pritchett, who years ago nannied for us. So I’m disposed to like
It’s all in the voice. It’s all in the voice. Some presenters have it. Others just don’t quite draw you in; the voice is too abrasive, too knowing. Edward Stourton definitely has it. A quiet authority, a questing intelligence, but more than that a willingness to share, to enter into a conversation with those whom
Further unpleasant surprises for motorists this month as the government seizes yet more money from us under threat of criminal sanction (what Gordon Brown calls ‘asking’) to help replace money wasted from earlier seizures. Further unpleasant surprises for motorists this month as the government seizes yet more money from us under threat of criminal sanction
That splendid old bruiser Michael Henderson, no stranger to Spectator readers, and as passionate about music and poetry as he is about cricket, has, as so often, a bee buzzing in his bonnet. Responding to last month’s winning entry in the ‘Olden but golden’ all-time top-ten competition, he notes that Roy Beagley included Mozart’s Die
Kick-Ass, 15, Nationwide Kick-Ass is a comic-book adventure that has already upset the Daily Mail — would you believe? — with its extreme violence and the fact that a 12-year-old girl uses the word that is See You Next Tuesday although, if you can’t make Tuesday, I’m thinking Thursday would also be fine. But is
Cunning Little Vixen Royal Opera House, in rep until 1 April Perhaps the most heartening feature of the British and especially the London operatic scene is the frequency with which Janacek’s operas are mounted now. His progress in that respect is comparable to that of Mahler, with whom he otherwise has mercifully little in common.
The Gods Weep Hampstead, until 3 April Mrs Warren’s Profession Comedy, booking to 19 June Finding fault with Shakespeare is one of the RSC’s favourite activities. It’s now so fed up with King Lear that it has decided it needs to be scrapped and rewritten. A tall order? Not a bit of it. The company
Royal Ballet Triple Bill Royal Opera House, in rep until 15 April The Royal Ballet’s new triple bill is a rare example of artistically enlightened programming. It is devoted to Kenneth MacMillan’s creative genius, and highlights his most distinctive and seminal choreographic aesthetic through a masterly game of contrasts. Concerto, created in 1966, provides a