Royal Ballet Triple Bill Royal Opera House The nurturing of home-grown choreographic talent has always played a central role in the history of the Royal Ballet. Undaunted by the possible ups and downs of the experimental approach, Ninette de Valois, the company’s founder, set up a unique platform for budding dance-makers. True, not everything was
The prospect was so inherently unlikely — Nikolaus Harnoncourt fulfilling in the latter days of his career the dream of a lifetime conducting Gershwin’s Porgy and Bess — that I tuned in to Radio Three with low expectations, though with curiosity on high alert. The prospect was so inherently unlikely — Nikolaus Harnoncourt fulfilling in
Serenading Louie Donmar, until 27 March Measure for Measure Almeida, until 10 April Genius detectors, busy in America, want us to meet the playwright Lanford Wilson. He hasn’t made much impact here possibly because his talent is so vast it can’t be hauled across the Atlantic. His 1970s play Serenading Louie focuses on marital infidelity
It was really difficult to tell where Paul Robeson ended and Lenny Henry began. The one-time stand-up comic was playing the black singer with the uniquely deep and passionate voice in Sunday night’s Drama on 3. Annie Caulfield’s intense, intimate play, I’m Still the Same Paul, looked at what happened to Robeson (1898–1976) after he
Things you never hear on Masterchef (BBC1, passim). The presenters: ‘Cooking doesn’t get more basic than this.’ The competitors: ‘Winning Masterchef would, frankly, make little difference to my already satisfactory life.’ And the chef in the restaurant kitchen where the contestants have to make lunch: ‘We’ve got very few people in today, so you lot
We have a picture hanging on a wall at home painted by Roger Fry about the time of the first world war and entitled ‘Pruning Trees’. We have a picture hanging on a wall at home painted by Roger Fry about the time of the first world war and entitled ‘Pruning Trees’. He portrays two
Last year, within the space of five weeks before Christmas, I lost two friends who had illumined the world for me and made it a more enlivening place. Both were artists, both were in their eighties and both were determined individualists who recognised each other’s work without being in any way close allies. John Craxton
Prokofiev’s opera The Gambler adapts Dostoevsky’s novella of the same name, an audacious enterprise. Prokofiev’s opera The Gambler adapts Dostoevsky’s novella of the same name, an audacious enterprise. Unfortunately, it fails, as I think all the composer’s operas do, apart perhaps from The Love for Three Oranges, and mainly because he gives no evidence of
There is something about the music of Arvo Pärt which does not sit well with Italian fascist architecture. There is something about the music of Arvo Pärt which does not sit well with Italian fascist architecture. Perhaps I am oversensitive, but vast stone lions and super-size friezes depicting epic battles conflict with Holy Minimalism in
11 and 12 Barbican, until 27 February A Life In Three Acts: Bette Bourne and Mark Ravenhill Soho, until 27 February Peter Brook, the world’s most maddening theatre director, returns to London with an adaptation of a novel set in the French colony of Mali in west Africa. Brook is never as bad as his
Crazy Heart 15, Nationwide Crazy Heart is the film in which Jeff Bridges plays a broken-down, washed-up, boozy country music singer who may or may not be saved by the love of a good woman (Maggie Gyllenhaal) and while I wanted to love this film, and strived to love this film, and hadn’t really contemplated
After weeks of waiting, it was all over in a matter of seconds. Weeks in which I’ve listened to every episode, just in case. Weeks of enduring night after night the awe-inspiringly-dull Annette and Helen saga. Weeks of wondering how The Archers’ scriptwriters would cope with the death last October of Norman Painting, the actor
The closer we get to the Great Disappointment — aka the forthcoming Heath administration — the more I miss Margaret Thatcher. The closer we get to the Great Disappointment — aka the forthcoming Heath administration — the more I miss Margaret Thatcher. Just how much I was reminded by Michael Cockerell’s new series The Great
Taxi touts outside greeted me with a hopeful ‘Bula’. Mynah birds squabbled in the jacarandas and teenagers on the nearby parkland were throwing long passes with a rugby ball. Not quite your average UK betting-shop setting, but this was the Fiji branch of Grants Waterhouse. I had stepped in seeking a little inspiration for the
Gillian Ayres at 80 Alan Cristea Gallery, 31 & 34 Cork Street, W1, until 13 March Claude Monet Helly Nahmad Gallery, 2 Cork Street, W1, until 26 February Birthday greetings are in order for Gillian Ayres, who has just celebrated her 80th with an exhibition of new work of undiminished vigour, inventiveness and sheer uplift.
This may seem a little late to be talking about albums of the year. You might even ask, which year? and with reason. (I have already read three times that beloved cliché of January album reviews: ‘early contender for album of the year’.) But everything is so cheap at the moment, and Amazon knows we
Really Old, Like Forty-Five Cottesloe, in rep until 20 April Stage Fright Canal Café, until 20 February This is what the National is for. A little-known writer Tamsin Oglesby has been given a chance to shine on the Cottesloe stage. Her Alzheimer’s play sets out to give the age-old issue of old age a brisk
A Single Man Nationwide, 12A A Single Man is noted fashion designer Tom Ford’s debut feature film and while it is distractingly over-designed — every table lamp looks as if it had its own personal stylist — it is also a true and proper account of bereavement, grief, loss and loneliness. I can see I
Lucia di Lammermoor English National Opera, in rep until 26 February When David Alden’s production of Donizetti’s Lucia di Lammermoor was first staged by ENO two years ago it was so beset by cast illnesses that it was difficult to tell to what extent the director’s intentions were executed. Even so, the musical side of
It’s only five years now until the big switchover from analogue radio to digital, yet the most recent audience figures suggest that the number of digital listeners is actually going down. It’s only five years now until the big switchover from analogue radio to digital, yet the most recent audience figures suggest that the number