Four couples but only three available bedrooms is the brilliant stratagem devised by Alan Ayckbourn for his 1975 relationship comedy Bedroom Farce. Four couples but only three available bedrooms is the brilliant stratagem devised by Alan Ayckbourn for his 1975 relationship comedy Bedroom Farce. It’s being revived at the Rose Theatre in Kingston in repertory
Mark Morris Dance Group Sadler’s Wells Michael Clark Company The Barbican Sleeping Beauty Royal Opera House Last week, the 2009 Dance Umbrella season rolled merrily towards its end with performances by two former ‘bad boys’ of the choreographic world. Luckily, neither event looked anything like those boyband comebacks the music industry thrives on these days.
Porgy and Bess Royal Festival Hall Artaxerxes Linbury Studio Cape Town Opera has been on tour in the last ten days, taking its production of Gershwin’s Porgy and Bess to Cardiff, the Southbank Centre and Edinburgh. I went to the first of the two London performances, staged but without scenery. The action took place behind
Bright Star PG, Nationwide The most curious thing about Jane Campion’s Bright Star is that I did not cry, even though I was certain I would. I always cry in films. I cry at the drop of a hat. I cry when it only looks as if a hat might drop. I am continually alert
An old friend of mine has a list of books he wants to buy. It’s very long and he is very disciplined (so he tells me), so when he goes into a bookshop and sees something else he wants, something that isn’t on his list, he doesn’t buy it, as anyone else would. No, he
When did you last hear something on the TV that was so true, so direct, so resonant that it keeps popping back into your mind? If you’re anything like me you’ll have a struggle to remember anything. When did you last hear something on the TV that was so true, so direct, so resonant that
Damien Hirst: the Blue Paintings The Wallace Collection, until 24 January 2010 John Walker: Incoming Tide Offer Waterman & Co, 11 Langton Street, SW10, until 14 November Weeks ago, when the review schedules were first plotted, I had thought to include here a feature on Damien Hirst. Although I find his work unremittingly thin, I
What Fatima Did… Hampstead Mrs Klein Almeida What Fatima Did… is billed as a play. Really, it’s a fugue, a variation on a theme, a crude and boisterous tone poem. The plot is deliberately small-scale. A gang of fun-loving inner-city sixth-formers are shocked to learn that one of their pals, Fatima, has forsaken Western values
A few months ago my wife said something to me so awful and shocking I contemplated divorce. ‘I don’t want to watch any more war programmes with you,’ she said. ‘It’s like watching paint dry.’ Imagine, then, my secret joy when, right near the end of Into the Storm (BBC2, Monday), I detected beside me
Two visitors this month. One, the latest iteration of the VW Polo, now in its fifth generation and with ten million Polo ancestors. The other, a 1968 Bristol 410 whose ancestors can probably be numbered in the hundreds and siblings in scores, maybe dozens. The first was for a week, courtesy of VW, the second
Twelfth Night Courtyard Theatre, Stratford-upon-Avon It’s a welcome refreshment after the RSC’s recent dramatisations of hard drinking and mass starvation in Russia to be landed on the sun-soaked coast of Mediterranean Illyria, and especially so in the company of a new and exquisitely beguiling Viola. Director Gregory Doran has been to much scholarly trouble in
The new Wexford Opera House has certainly raised the profile of opera in Ireland. You cannot argue with a prize-winning building that is one of just four large purpose-built opera auditoriums in these islands, alongside Glyndebourne, Covent Garden and the Wales Millennium Centre. Built with Irish taxpayers’ money, it would be a sick Irish joke
Wonderland: The British in Bed (BBC2, Thursday) consists of long periods of boredom interrupted by moments of extreme embarrassment. The notion is to get couples — old, young, black, Sikh, gay — to sit up in bed next to each other, in nighties and jimjams, and talk about their lives as partners. Presumably, the notion
Ben Whishaw sits unrecognised, wearing a black T-shirt and drinking red wine in a dark corner of the Royal Court’s café. He has just come off stage from rehearsing Mike Bartlett’s new play Cock — in which he plays a chap who takes a break from his boyfriend and accidentally meets the girl of his
The Sacred Made Real: Spanish Painting & Sculpture 1600–1700 National Gallery, until 24 January 2010 If Spanish 17th-century painting and sculpture don’t immediately appeal to you, be prepared to try the new show at the National Gallery — it’s a revelation. I was brought up in the Church of England and used rather to look
The Rise and Fall of Little Voice Vaudeville Life is a Dream Donmar Midnight in a northern slum. The pubs have closed and a boozy, blousy, past-it single mum is trying to seduce a handsome young talent scout. He deters her advances until he hears her teenage daughter, alone in her bedroom, singing jazz classics.
An Education 12A, Nationwide An Education is based on the memoir by the journalist and interviewer Lynn Barber, with a screenplay by Nick Hornby, and, although the word from all the various festivals has been that it is wonderful, I know you will not believe it unless you hear it from me so here you
The Turn of the Screw English National Opera L’heure espagnole; Gianni Schicchi Royal Opera House Each time I see Britten’s The Turn of the Screw I am more impressed by the brilliance of the music, and more irritated by the unprofitable ambiguities of the drama. The first revival at the Coliseum of David McVicar’s stunningly
I have just inherited my College’s collection of long-playing records, now redundant, with permission to retain, give away, otherwise dispose of if and as possible. I have just inherited my College’s collection of long-playing records, now redundant, with permission to retain, give away, otherwise dispose of if and as possible. The cumbrous piles, gradually easing
‘I want people to feel quite shocked,’ said Professor Tanya Byron in her opening lecture for Radio Three’s annual Free Thinking festival. ‘I want people to feel quite shocked,’ said Professor Tanya Byron in her opening lecture for Radio Three’s annual Free Thinking festival. This year’s theme is the 21st-century family and Byron, the clinical