The Curious Case of Benjamin Button 12A, Nationwide The most curious thing about The Curious Case of Benjamin Button is that it could receive 13 Oscar nominations when it is such tedious schmaltz, and not just any tedious schmaltz. This is the worst kind of tedious schmaltz; the kind that doesn’t even have the decency
Surprisingly (for it seems so against the odds) these have been good — even great — times for that apparently most elitist medium, the string quartet. Surprisingly (for it seems so against the odds) these have been good — even great — times for that apparently most elitist medium, the string quartet. Longer-established groups have
Revolutionary Road 15, Nationwide Revolutionary Road is Sam Mendes’s adaptation of the celebrated 1961 novel by Richard Yates and it may be too faithful to the book — big chunks of dialogue have been directly lifted — although, on the other hand, if it were less faithful then everyone would say it isn’t faithful enough,
I’m sorry, really I am, but I don’t love The Wire as much as I know I should. I’m sorry, really I am, but I don’t love The Wire as much as I know I should. It’s not that I can’t see that it has huge amounts going for it. I love McNulty’s cheeky chimp
The abstract painter John McLean celebrates his 70th birthday this year, and the enterprising Poussin Gallery (Block K, 13 Bell Yard Mews, 175 Bermondsey Street, SE1) has mounted a show of his recent prints in recognition (until 14 February). McLean is an inventive printmaker and when paired with a master craftsman, as he is here
The Beggar’s Opera Linbury Studio The Magic Flute Coliseum Is there any good reason for reviving The Beggar’s Opera now? None of the mercifully few productions I have seen has given any reason for answering yes (I don’t count The Threepenny Opera). The new production at the Royal Opera’s Linbury Studio emphatically doesn’t. Originally to
A Midsummer Night’s Dream Novello Thriller — Live Lyric Too long. Too long. Way, way too long. Is it just me or is A Midsummer Night’s Dream twice the length it should be? No, it’s not just me. It’s everyone. It has to be. And I blame the movies. Billy Wilder reckoned a comedy should
A tale of two dramas, both from the city and of our time but very different in execution. Déjà vu is the first bilingual radio play on the BBC, written in French and English, and produced in a new collaborative project between Radio Four and Arté, the internet-only TV and radio station. It goes out
Frost/Nixon 15, Nationwide Frost/Nixon is a properly terrific, dramatised account of the television interview between David Frost and disgraced former American President Richard Nixon which, broadcast in the summer of 1977, achieved the largest audience ever for a news programme in the history of American TV with 45 million viewers. As I don’t remember much
La Bayadère Royal Opera House I have often wondered what it is that makes the 1877 La Bayadère such a popular ballet. Certainly not the flimsy, derivative and highly unbelievable plot, as full of sensationalist twists as any mass-oriented 19th-century feuilleton; nor the music, a concoction of fairly uninspiring catchy tunes by the well-known 19th-century
It’s funny how much television depends on repetition. Daytime, especially. The same house is always being auctioned, the same chinoiserie discovered in the attic, the same boxes being opened on Deal Or No Deal. Even the new Countdown has eschewed new letters. It might have been fun if they added a few Greek ones. This
Unique Forms: The Drawing and Sculpture of Umberto Boccioni Estorick Collection, 39a Canonbury Square, N1, until 19 April The year 2009 sees the 100th anniversary of F.T. Marinetti’s Futurist Manifesto, celebrated by a major reassessment of Futurism at the Tate in June. Meanwhile, the Estorick Collection has got in first with a small but select
Oliver! Drury Lane Roaring Trade Soho A show with an exclamation mark in the title has a lot of promises to fulfill. Oliver! opens on a magnificent note. The dark, silkily lit workhouse teems with the figures of stooped orphans who crawl up through the floorboards and march around the shadows like sad doomed little
Skin Deep Opera North Verdi’s Requiem Barbican It takes a brave person, or more likely couple, to attempt an operetta which effectively satirises contemporary fads, and the more obvious the target the more difficult to pull off the satire with the requisite degree of scathingness. David Sawer and Armando Iannucci have taken cosmetic surgery, and
I had a letter from my friend Leo the other day, one of the most interesting men I have ever met. The son of a navvy and a cleaner, he won an exhibition to Balliol to read English and when he arrived in Oxford his Geordie accent was so strong that he was often incomprehensible
In these dank days of January, the mind struggles to escape the claustrophobia of an English winter, weighed down by heavy grey skies or hemmed in by suffocating mists (pungent with the smell of jet fuel). A couple of atmospheric programmes on Radio Four this week came to the rescue, creating soundscapes so rich in
We can all recite the statistics, can’t we? I mean the percentage fall in shopping activity in December, the names of the high street retail businesses that have gone bust or been taken over, the numbers of shopworkers who have lost their jobs. We can all recite the statistics, can’t we? I mean the percentage
Manon Coliseum Ballet goers don’t seem to mind the endless flow of new productions of 19th-century classic works. Every year works such as Swan Lake, Sleeping Beauty, Giselle and the ubiquitous Nutcracker are presented to audiences worldwide with new designs, new sets, new dramaturgic readings and, in some instances, with new choreography. Yet such a
If your concert-going habits mean that you always attend the same kinds of venue in the same kinds of town in the same country, the equation I am about to put to you may strike you as being rather odd. But the fact is that on the world stage there are socialist concerts and capitalist
Maybe it was too soon for Saturday night’s Archive on 4 to reflect on George W.’s reign as President of the US of A. After all, there are still three days left of his administration. But Bremner on Bush: A Final Farewell was a missed opportunity. Rory Bremner was presumably hauled in as presenter because